O Espírito do Silêncio

Well, I agree this movie works like those very obscured movies from Europe that leaves you with more questions than answers. But that's the appeal of it. I mean, it's very strange, but you have to understand that the story revolves within a surreal context that the creators want to transmit (just to mention, a talking corpse that you could interpret that works like the conscience of all involved). If you let yourself be immersed in that context, you'll enjoy this movie. It goes beyond that just a `Western' (don't be mislead but such a qualification). Many of the weird images that the movie shows will stick with you, and that, for me, it's a plus for a movie. Please, don't ever see it if you're only in the mood to see clear-straight message movies. Any kind of mood you're in though, you can only appreciate the good job done by all the actors, specially by River Phoenix.like a reminder that he was posed for better things than some of the movies that he made. If you're a River Phoenix fan (or simply a good actor's fan) you won't help by being moved by such a convincing performance, and think of what could have been. I give the movie a 7, and that in my book means a good movie that worths a try. You must be the judge, which means, you must see it.

Although it's rated as "western" and the story happens during "bang bang times", "Silent Tongue" is much of a supernatural drama than anything else.

It was kind of sad watching it just a few days after Richard Harris' death. It's also sad seeing River Phoenix in such good phase of his career considering that now his is (unfortunately) dead. We will always miss Harris and Phoenix.

The film itself is not so great. The plot is interesting and I really like the cast, but the movie is a little slow. We always expect something explosive to happen, but nothing really does.

The symbolism is nice. There are quite a lot of them in the movie. It's just a matter of paying close attention and let your mind work on them.

My rate 6/10

I live in Roswell & I supplied MANY props for the movie, animal bones. I was known as the Bone Lady. We all hung at the Roswell Inn, River in the bar with straws hanging out of his nose, Richard Harris coming into the lobby in an English night shirt ( scrooge type ), Sam Shepard being rude while fondling a blonde .. not Jessica Lange. Most on the film were wonderful. John "Scully" Sullivan, artistic director (Lonesome Dove), the little actors, they all came to my house for a homemade meal. Richard Harris had a heart attack while filming here also! Was very hot out there for them. My "bones" ended up as the Buffalo Graveyard AND the burial tree. Have the coyote skull Richard signed for me. R.I.P.

This much maligned and very strange Western is ambitious and interesting in places, but also pretentious, convoluted, silly and frequently boring. Shepard's direction is reasonable, and the main theme effective, but the ghost scenes are accompanied by a poor, pounding score and increasingly daft camera-work. The acting is similarly inconsistent: Mulroney is dire in a well-written minor role, and Bates overacts dreadfully, but Harris is fairly good and Phoenix unforgettable (if underused) in his final role. His first scene is particularly potent and moving. Indeed, whenever River is on screen the movie comes to life: his eccentric turn partly compensating for the long periods of poorly scripted shouting.

Despite some striking imagery, unusual subject matter and unwanted status as River's swansong, the film's expected cult status hasn't materialised, perhaps because it is plot less and pointless. Filmed for French TV in 1992, but not released until 1994, it grossed just $61,274 in the US. For a better, similarly offbeat modern take on the Western, try Jim Jarmusch's Dead Man. Silent Tongue is for Phoenix completists like myself only.

Silent Tongue is a western about a disturbed young man (River Phoenix) who grows increasingly distraught over the death of his white/Amer. Indian wife. His father (Richard Harris) attempts to purchase the dead woman's sister, with the hope that she will be a consolation to his son.

What a peculiar movie! I can't say I liked it because there was nothing enjoyable about it ... on the other hand, I didn't hate it because it had some redeeming qualities. For example, Richard Harris (whom you may, perhaps, remember as English Bob in 'Unforgiven') was quite excellent, and director Shepard certainly had some vision for this picture; however, I can't say with any certainty what that vision was.

The film struck me as being about the desperation of grief and rage, and how both manifest themselves when they are not addressed or dealt with. The main characters all want to reverse something that has happened, yet the past cannot be changed. The wrongs they perceive were done against them can never be righted. What can they do with their pain except suffer it? They communicate not so much in words as in hurtful behaviors.

The film is not pretty to look at: the landscape is dry and yellow; the characters are begrimed and weary. The things they do and ultimately say are just ... ugly. It's an ugly, disheartening picture in which boorish people are motivated by the simplest of emotions to do base things because they cannot cope with reality.