Schramm

Schramm (1993)

*** (out of 4)

Lothar Schramm (Florian Koemer von Gustorf) is lying in a pool of his own blood where she's slowly dying. Through flashbacks we take a look at his relationship with a neighbor (Monika M) and learn how he became a serial killer.

SCHRAMM comes from German director Jorg Buttgereit and in many ways you could probably argue that it's the best of his early films. As with NEKROMANTIK, its sequel and DER TODESKING, this one here deals with the typical stuff like violence, sex, mutilation and murder. This one here also comes across more like an art film than just some cheap direct-to-video horror film. This one manages to work once again because the director clearly has talent and makes you realize it even if you might be turned off by the subject matter.

This one here clocks in at just 66-minutes so there's really no fat or scenes that are just dragged out for no reason. I really thought the director did a fine job at getting us into the mind of this killer and you can tell what a messed up person he is. I thought the relationship with the neighbor, who just happens to be a hooker, was quite believable and in a strange way you care for both of them. Both von Gustorf and Monika are good in their roles and this certainly helps.

SCHRAMM certainly isn't a movie that's going to appeal to everyone as there's a lot of blood, some really graphic violence and of course some bizarre sexual stuff. If you're a fan of the director's work then you should enjoy the picture, or at least enjoy it as far as your stomach can take.

The first thing I would like to point out for all potential viewers is that this is not a gory film as much as it might be mildly disturbing. There are scenes of blood, but this doesn't necessarily constitute 'gore'. This is just my opinion, though.

Schramm is, as most already know, based on a lonely psycho with issues, many of which revolve around women and 'unrequited love' as someone else put it. While I understood the base and idea behind the film, I was left wanting.

Schramm managed to pique my interest but did little more. There is nothing here to flesh out the serial killer; just hints of his self-loathing and dementia. I would have liked some kind of inner monologue at points in the movie, to hear what the killer was thinking during and after his murders. Did he hate his body or did he just enjoy pain? Was he afraid of women or really just somewhat of a necrophiliac? Did he hate was he was doing, though he could not stop, or was he laughing maniacally on the inside? What exactly drives him? Many questions, few answers. Perhaps that was the point though, to leave one thinking and drawing their own conclusions. Maybe not.

In the end, I found this film did not live up to the hype. It wasn't necessarily bad, but it most certainly could have been better.

For those interested in 'gore', find something else. Schramm will not entertain you.

Schramm is the story of a serial killer that goes by the name of 'The Lipstick Killer'. The camera work and editing are completely amazing, and the story never gets old. Lothar Schramm is a man who is sexually deprived, and as far as I can tell, afraid of women. This isnt such a good thing for his next door neighbor, a prostitute. This movie is almost in the vein of Henry: Portrait of a Serial Killer, but it is much more graphic and poetic then Henry could ever imagine. Now, I had read ALOT about this movie (as I am a big Jorg Buttgereit fan) so I knew what the movie was about, and how it was going to end, and blah blah blah. But when I actually bought a copy of it and sat down and watched it, I was completely blown away. It wasnt ANYTHING what I thought it was going to be, and I mean that in an extremely good way! If you want to see a beautifuly-Ugly film, with an amazing/twisted love story, Gorgeous camera-work, and an extremely dedicated director, Please rent this.

This has to be one of the best serial killer films if not for the camerawork or editing (much better than Buttgereits previous stuff) for its deadly realism. The special thing about this one is that it doesn't depict - instead it forces viewers to see from the killers eyes and think the killer's way.

Moreover, and mainly because of the obvious improval of the technic (it LOOKS much more professional than, say, Nekromantik, even if it's not, and I know because I watched the special edition where we see how they filmed this thing) , this film might appeal to other people as well, apart from sickos and people on weird / gore films.

I can imagine that some serious cinema-lovers could take this very seriously and consider it a great film as it is.

Well, this one's pretty hard to describe. Some people might say, this is one of those movies you either love or hate. Some might ask, if it's art or trash. First of all it's a movie about a serial killer. But in my opinion it can't be compared with other serial killer movies, because it's too different. And it's supposed to be. If you like to watch a story like the ones about Ted Bundy or Jeff Dahmer you better let this one pass by. In the mood for some funny, gory horror-stuff to watch with your friends having some beer and some laughs? Wrong choice! "Schramm" is weird, disturbing, almost bizarr. Or do you think, every man should for once in his life pin down his penis on a table using 2-inch-nails? Schramm does. If you like stuff like David Lynch's "Eraserhead" or the Japanese "Tetsuo" you might probably love "Schramm". And even if it serves some gore it might be stuff to think about for some among you. Try to get its message...- it's worth a watch!