Adicionar um enredo no seu idiomaA groom and a bounty hunter go after his kidnapped bride.A groom and a bounty hunter go after his kidnapped bride.A groom and a bounty hunter go after his kidnapped bride.
- Direção
- Roteiristas
- Artistas
Mike Hagerty
- Dyke Holland
- (as Michael G. Hagerty)
Kelly Junkerman
- Carson
- (as Kelly Junkermann)
David S. Cass Sr.
- Winslow
- (as David Cass)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Except for a couple of fatal errors, "Rio Diablo" could have been a great spaghetti western. Kenny Rogers is outstanding as the bounty killer so ruthless he makes "the man with no name" seem like a sissy. Travis Tritt is pretty good, too. Unfortunately, Tritt fails to develop the kind of buddy chemistry with Rogers that's needed for this story (1st mistake). Naomi Judd, on the other hand, is embarrassingly bad as the madam. She's too classy looking and refined, and her line readings are terrible. If Rogers really insisted on casting a country star, he should have considered Dolly Parton or Barbara Mandrell (2nd mistake). Stacey Keach is convincingly slimy in his small, surprise role. However, he resembles one of the main baddies too much,creating unnecessary confusion.
In spite of its flaws, "Rio Diablo" is considerably better than another 90s spaghetti knockoff, "The Quick and the Dead." I give "Rio Diablo" a "6".
In spite of its flaws, "Rio Diablo" is considerably better than another 90s spaghetti knockoff, "The Quick and the Dead." I give "Rio Diablo" a "6".
Laura Harring is kidnapped from her wedding by a gang who intend to sell her across the Rio Grande. Her groom, Travis Tritt, goes after her, and meets up with bounty hunter Kenny Rogers.
It's a very well shot TV movie, with DP David Connell capturing some nice nice landscape in Texas, including one shot that looks like it was stolen from Ford's Rio Grande. Rogers is pretty good in the first third of the movie, where obeys the classical dictum of talking low, talking slow, and not saying much. Eventually, as he and Tritt ride on, he becomes chattier and chattier, and a sojourn at Naomi Judd's safe house fills in his tragic back story.... which is pretty much standard alas.
This one visually looks like a 1950s Shaky A western, one with some money spent, but it lacks much int he way of the grand themes of such movies. Instead, it offers bits out of spaghetti westerns, but cleaned up for television broadcast. As such, it's neither fish nor fowl, nor good red meat, and Rogers doesn't even sing a title song.
It's a very well shot TV movie, with DP David Connell capturing some nice nice landscape in Texas, including one shot that looks like it was stolen from Ford's Rio Grande. Rogers is pretty good in the first third of the movie, where obeys the classical dictum of talking low, talking slow, and not saying much. Eventually, as he and Tritt ride on, he becomes chattier and chattier, and a sojourn at Naomi Judd's safe house fills in his tragic back story.... which is pretty much standard alas.
This one visually looks like a 1950s Shaky A western, one with some money spent, but it lacks much int he way of the grand themes of such movies. Instead, it offers bits out of spaghetti westerns, but cleaned up for television broadcast. As such, it's neither fish nor fowl, nor good red meat, and Rogers doesn't even sing a title song.
I always thought that when a bounty hunter kills the suspect, why do they always leave the suspects guns and equipment? If a handgun costs a cowboy a months or several months wages, they must be too valuable to leave. They should have a early form of recycling. At least in this movie the suspects property becomes a bonus for the bounty hunter.
The typical motifs of the spaghetti westerns can be found also here. The Kenny Rogers character represents greed and the Travis Tritt character is fueled by revenge. His beautiful wife (played by Miss USA) got captured and they are both behind the baddies. Kenny Rogers seems to old as the merciless bounty-hunter and Travis Tritt doesn´t really convince, either. Photography is very well done and stylish, art direction is proper. The plot develops well without any logical flaws. The baddies are stock characters.
Neat and cute run-of-the-mill Hollywood production
5 / 10.
Neat and cute run-of-the-mill Hollywood production
5 / 10.
OK movie but like most Westerns, directors seem to forget realism. Before the cons, one pro. Leech shoots holding his revolver with both hands. One handed shooting is or amateurs and "movie cowboys." I've ridden horses all my life and when you are out in the middle of nowhere and dismount, the last thing you do is turn your horse loose without tying them up. These guys do. How stupid! Gee, it's only thirty eight miles back to town, I don't have any water or food so I think I'll just turn O'l Buck loose. How unrealistic. Guns are LOUD. Yet no one ever flinches or even reacts to the noise. Shots inside a room would be deafening. And their horses don't even twitch. A lever action rifle pushes the first round into the chamber. Then each time the lever is worked an empty cartridge is ejected. But for dramatic effect, shooters work the lever and nothing comes out. I know water is scarce, but some of those guys looked like they hadn't washed in years. Typical western. Greasy, dirty guys and the hottest women in the west.
Você sabia?
- Erros de gravaçãoAfter Ben leaves the posse and crosses the river, he is seen riding hard across the desert. His horse first shows no breast collar, then shows a collar, and then no collar again.
- ConexõesReferenced in Trapaças no Horário Nobre (1995)
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