AVALIAÇÃO DA IMDb
6,0/10
3,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBrian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behi... Ler tudoBrian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.Brian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Jeanne Tripplehorn
- Pastel
- (não creditado)
Billy Campbell
- Shep
- (as Bill Campbell)
Michael Mastro
- Triple Creme Cheese Shopper
- (as Michael Mastrototaro)
Avaliações em destaque
Great performances highlight this small story, which has a great hook and some forgivable flaws. The main themes of communication and isolation are given time to flesh themselves out in three separate stories that center around a shared apartment. I like the pacing in this film, it's slow enough to wrap itself around the story, but not so slow as to drag.
The three main female characters are all good, especially Tripplehorn as Pastel, the avant-garde artist and pseudo girlfriend of Broderick. I've never seen her do any better with a character. Broderick has a curious role to play as a man who is tolerant of others up to a point (like his view of Sciorra's illogical behavior), but still has the serenity to offer marital advice to a woman who has just put him through a frustrating case of coitus interruptus. Sciorra's character is more problematic - she has a definite fear-aggression streak that gets tempered somewhat by the end, but there's also a good deal of "tough chick" bravado in her performance that makes it interesting.
I wasn't completely convinced by all of the transformations in the final ten minutes of the movie, but it ties things up neatly enough so you don't feel cheated and leaves enough room for the characters to grow further after the final shot.
The three main female characters are all good, especially Tripplehorn as Pastel, the avant-garde artist and pseudo girlfriend of Broderick. I've never seen her do any better with a character. Broderick has a curious role to play as a man who is tolerant of others up to a point (like his view of Sciorra's illogical behavior), but still has the serenity to offer marital advice to a woman who has just put him through a frustrating case of coitus interruptus. Sciorra's character is more problematic - she has a definite fear-aggression streak that gets tempered somewhat by the end, but there's also a good deal of "tough chick" bravado in her performance that makes it interesting.
I wasn't completely convinced by all of the transformations in the final ten minutes of the movie, but it ties things up neatly enough so you don't feel cheated and leaves enough room for the characters to grow further after the final shot.
6=G=
"The Night We Never Met" tells of three people, all in relationships, who timeshare a NYC flat with a weekly rotation. The trio has not met but do get to know each other by leaving notes, phone calls, and the inevitable traces of their occupancy which, of course, leads to romance between principals Sciorra and Broderick. A cute little bit of B- fluff which is well cast with a clever premise, "Night..." muddles a little in the middle, runs a tad long, and could have ended better. Nonetheless, it's worth a look. Now on cable.
Only 11 reviews, mine included, which means this is truly one of the forgotten romantic comedy gems on Imdb. Such a shame, because it has got sharp humor, a frivolous story, a lovely feel good spirit and such great subtle sarcastic dialogues. All one could wish for in an edgy romantic comedy, which is quite a bit different from the average romcom stuff. That is the reason why guys could love this comedy as well, because there is very little sentimental romantic stuff going on. The romance part is more of a side note, because the main "theme" is about young people messing up their lives and trying to find a new place where they feel at home.
The story: Matthew Broderick is poor and finally finds an apartment in New York City. There's a catch, there is always a catch: he has to share his appartment with 2 other persons, meaning he has got only 2 days per week that he can call his apartment his own. This sharing creates a lot of confusion, resulting in several frivolous (romantic) encounters, for the better and for the worse...
Especially recommended for Matthew Broderick fans, because I think this is one of his better performances of his carreer. And I have seen ALL his movies. What I especially like is the understated, casual and sarcastic tone of this comedy, which is so typical of many Matthew Broderick movies. In this one this typical sarcastic comedy style is tweaked into perfection. Lovely and funny and with a great sarcastic bite to it!
The story: Matthew Broderick is poor and finally finds an apartment in New York City. There's a catch, there is always a catch: he has to share his appartment with 2 other persons, meaning he has got only 2 days per week that he can call his apartment his own. This sharing creates a lot of confusion, resulting in several frivolous (romantic) encounters, for the better and for the worse...
Especially recommended for Matthew Broderick fans, because I think this is one of his better performances of his carreer. And I have seen ALL his movies. What I especially like is the understated, casual and sarcastic tone of this comedy, which is so typical of many Matthew Broderick movies. In this one this typical sarcastic comedy style is tweaked into perfection. Lovely and funny and with a great sarcastic bite to it!
Mildly entertaining comedy about a threesome timesharing a New York City apartment, but never meet. Broderick is the standout as a fed-up cheese clerk at an upscale grocery store.
While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...
While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...
Three New Yorkers decide to share a Greenwich Village apartment, rotating use of the place for different purposes, on different days. First up is bearded gourmet cheese clerk Matthew Broderick (as Sam Lester); he wants a quiet place to cook romantic dinners for dates, and hopefully have sex. Next tenant is bored painter Annabella Sciorra (as Ellen); she wants a place to paint, and also considers an extramarital affair. Third is well-coiffed sports fan Kevin Anderson (as Brian McVeigh); he wants a place to drink beer and watch ballgames with the guys, without fiancée Justine Bateman (as Janet Beehan) around. The three mix-up their days and Ms. Sciorra accidentally targets Mr. Anderson as a sex partner when she really wants Mr. Broderick. Oops...
***** The Night We Never Met (4/30/93) Warren Leight ~ Matthew Broderick, Annabella Sciorra, Kevin Anderson, Justine Bateman
***** The Night We Never Met (4/30/93) Warren Leight ~ Matthew Broderick, Annabella Sciorra, Kevin Anderson, Justine Bateman
Você sabia?
- CuriosidadesThe original choices for the three leads of the film were Tim Robbins as Sam, Laura San Giacomo as Ellen, and Harry Connick Jr. as Brian.
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- How long is The Night We Never Met?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.884.814
- Fim de semana de estreia nos EUA e Canadá
- US$ 911.736
- 2 de mai. de 1993
- Faturamento bruto mundial
- US$ 1.884.814
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.85 : 1
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