AVALIAÇÃO DA IMDb
4,5/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo cops investigating the murder of a young boy become invloved in a very secret project involving alien life. Needless to say, the authorities don't want them to stick their noses into thi... Ler tudoTwo cops investigating the murder of a young boy become invloved in a very secret project involving alien life. Needless to say, the authorities don't want them to stick their noses into this.Two cops investigating the murder of a young boy become invloved in a very secret project involving alien life. Needless to say, the authorities don't want them to stick their noses into this.
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Avaliações em destaque
Monolith (R) - MCA Universal Home Video: Low-budget hack John Eyres (PROJECT SHADOWCHASER), a director whose penchant for making bubbleheaded B-action scripts seem like high-concept A-list product without the subtext stymies him time after time, lends his flashy, contrived visual style (mostly achieved through lighting and heavy FX work) to this hokey, logic-free sci-fi actioner about two stereotypically mismatched cops (Bill Paxton and Lindsay Frost, bad quip traders to the end) who encounter creepy research guys, assorted walking dead, monster gun battles, and a hefty serving of explosions as they track a body-hopping alien entity to the source of its power. While PROJECT SHADOWCHASER ripped huge chunks from TERMINATOR and DIE HARD, MONOLITH's inspirations seem to come from a plethora of Big Action Flicks, as its alien beastie - bereft of motive or, apparently, physical form - proves little more than a MacGuffin to allow Eyres to show off his remarkable-for-this-budget action and FX sequences, particularly a boffo climax. In between these, however, we get grating, failed attempts at comedy and hero banter so stale a chainsaw couldn't cut it. However, if you go in expecting a full wheel of cheese with the FX wine (in this case a nice Mogen David), then you'll be less disappointed. I give it a 4
Another good idea poorly executed with pot holes in the story line, improbable action and one dimensional characters. Thoughtful Lindsay Frost (Hutch as a woman) and hard case Bill Paxton (Starsky as a man) stumble onto a zany murder (pretty, vulnerable and distraught, young Russian scientist tries to run down and then succeeds in discharging a firearm into a little boy). Evil Fed agent John Hurt takes custody of the murderer from police Captain Lou Gossett. Shortly thereafter, havoc ensues as discreet portions of Los Angeles are terrorized by the evil of the Monolith (the term is not used in the film so one assumes that Monolith refers to the evil or its source). Starsky & Hutch pursue the invincible evil being--continuing to shoot at it even though they discover early on that it is invulnerable (but everyone in the movie seems to shoot at it as well--to no avail). John Hurt is 100% bad--including his acting. Bill Paxton has greasy dark hair. Lindsay Frost has really skinny jeans for a cop. Lou Gossett and the Squad Room could be recycled into another movie--any other movie. Perhaps this was originally made for TV and commercial breaks were integral to the plot.
Detectives Tucker (Bill Paxton) and Flynn (Lindsay Frost) individually stumble upon an out-of-this-world case when they both spot a deranged woman chasing down a young boy with her car and then shooting him dead. Things get messy when the Department of Historical Research boss Villano (John Hurt) shows up and takes the woman away (according to the screenplay, he has a higher security rating than the President) from police chief Mac (Lou Gossett, Jr.). Naturally, two curious and rule breaking detectives won't be having any of this and begin to investigate. But the bigger question is will these two cantankerous cops get along?
Folks seem to peg this as an X-FILES ripoff, but that is hard to swallow because it was filming before that show debuted. It is more LETHAL WEAPON with aliens. Director John Eyres and screenwriter Stephen Lister had some marginal direct-to-video success with PROJECT: SHADOWCHASER so Shapiro-Glickenhaus maybe wanted a piece of that. It is nice seeing Paxton getting a film to carry on his own at this time (he previous did with THE VAGRANT), but the budget just isn't there for this one. Introvision handled the FX and some of them are really rough. It is a shame because I could totally get behind a "LETHAL WEAPON with aliens" film (well, I guess I have THE HIDDEN, which this closely resembles). John Hurt appears to have only done a day or two on this as his scenes in the last half have him isolated in shots (even including his major role in the finale).
Folks seem to peg this as an X-FILES ripoff, but that is hard to swallow because it was filming before that show debuted. It is more LETHAL WEAPON with aliens. Director John Eyres and screenwriter Stephen Lister had some marginal direct-to-video success with PROJECT: SHADOWCHASER so Shapiro-Glickenhaus maybe wanted a piece of that. It is nice seeing Paxton getting a film to carry on his own at this time (he previous did with THE VAGRANT), but the budget just isn't there for this one. Introvision handled the FX and some of them are really rough. It is a shame because I could totally get behind a "LETHAL WEAPON with aliens" film (well, I guess I have THE HIDDEN, which this closely resembles). John Hurt appears to have only done a day or two on this as his scenes in the last half have him isolated in shots (even including his major role in the finale).
Mix"leathal weapon" and a Roger Corman movie and you have an idea what you are in for.
Very likely John Eyres' most ambitious movie to date. A sci-fi/action/horror/thriller hybrid populated with good folks like Bill Paxton, John Hurt, Louis Gosset Jr., gorgeous B-vamp Musetta Vander and Lindsay Frost (who somewhat comes across as the wisecracking tough blonde acting equivalent of Yancy Butler). A secret government agency has been fooling around with an alien entity. Of course, the thing gets loose and starts to run amok in the city. Well, "running" isn't exactly the right word, since it's more like some form of alien energy that possesses the bodies of humans (that eventually do all the running). It's up to Paxton, Frost & Gosset to figure out what is loose in their city and try to stop it. The plot kind of looses itself along the way, not really knowing where to aim things and eventually not bothering to explain itself anymore. The film ends ridiculously, but before that we do get to see some nifty alien set designs. The SFX are pretty decent at times. For fans of Jack Sholder's "The Hidden" (1987), this might be another amusing watch (though Sholder's film is much tighter & better).
Você sabia?
- CuriosidadesWhen Bill Paxton is possessed by the alien creature, he closely resembles the X-Man Nightcrawler. He later starred in O Abutre (2014).
- ConexõesReferenced in Granada Reports: 8 August 2018: Evening Bulletin (2018)
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- How long is Monolith?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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