Monolith - A Energia Destruidora

This film really caught me off guard. IT had a close to A list cast, looked great on the video box when I rented it (Circa 1994 I think) started off with promise but rapidly became a mess.... It sorta has the feel of an unfinished and un-post produced mainstream scifi action flick.

Terrible editing and f/x. Uninspired dialogue and generic plot. What the hell was Paxton and Hurt doing in this? Even Gossett jnr was a pull around this time.. Did the director have some juicy info on them all to get them to work on this dross? Thankfully for him Gossett shows some good judgement (watch and it'll make sense)

I see the same director did Project Shadowchaser, A video staple of rentals in the uk during the early 90's. That had Martin Kove and the Android to hold it together. Here the stars just seem to be trying to battle thru to the end and forget they were involved lol

Another good idea poorly executed with pot holes in the story line, improbable action and one dimensional characters. Thoughtful Lindsay Frost (Hutch as a woman) and hard case Bill Paxton (Starsky as a man) stumble onto a zany murder (pretty, vulnerable and distraught, young Russian scientist tries to run down and then succeeds in discharging a firearm into a little boy). Evil Fed agent John Hurt takes custody of the murderer from police Captain Lou Gossett. Shortly thereafter, havoc ensues as discreet portions of Los Angeles are terrorized by the evil of the Monolith (the term is not used in the film so one assumes that Monolith refers to the evil or its source). Starsky & Hutch pursue the invincible evil being--continuing to shoot at it even though they discover early on that it is invulnerable (but everyone in the movie seems to shoot at it as well--to no avail). John Hurt is 100% bad--including his acting. Bill Paxton has greasy dark hair. Lindsay Frost has really skinny jeans for a cop. Lou Gossett and the Squad Room could be recycled into another movie--any other movie. Perhaps this was originally made for TV and commercial breaks were integral to the plot.

Mix"leathal weapon" and a Roger Corman movie and you have an idea what you are in for.

Detectives Tucker (Bill Paxton) and Flynn (Lindsay Frost) individually stumble upon an out-of-this-world case when they both spot a deranged woman chasing down a young boy with her car and then shooting him dead. Things get messy when the Department of Historical Research boss Villano (John Hurt) shows up and takes the woman away (according to the screenplay, he has a higher security rating than the President) from police chief Mac (Lou Gossett, Jr.). Naturally, two curious and rule breaking detectives won't be having any of this and begin to investigate. But the bigger question is will these two cantankerous cops get along?

Folks seem to peg this as an X-FILES ripoff, but that is hard to swallow because it was filming before that show debuted. It is more LETHAL WEAPON with aliens. Director John Eyres and screenwriter Stephen Lister had some marginal direct-to-video success with PROJECT: SHADOWCHASER so Shapiro-Glickenhaus maybe wanted a piece of that. It is nice seeing Paxton getting a film to carry on his own at this time (he previous did with THE VAGRANT), but the budget just isn't there for this one. Introvision handled the FX and some of them are really rough. It is a shame because I could totally get behind a "LETHAL WEAPON with aliens" film (well, I guess I have THE HIDDEN, which this closely resembles). John Hurt appears to have only done a day or two on this as his scenes in the last half have him isolated in shots (even including his major role in the finale).

A couple of lively, prototypically querulous L. A. Cops, Tucker (Bill Paxton) and Terri (Lindsay Frost) fatefully discover the terrifying truth behind the sinisterly shapeshifting exploits of an alien in this enjoyably noisome 90s Sci-actioner. This neglected time killer has a golden cast, slam bang action, goofball buddy Cop badinage, mild weirdosity, healthy schlock elements and a thunderous climax, giving Monolith some viable B-movie heft. I can appreciate why some disparage Monolith, and, hopefully, they might also do me the same courtesy and regard my earnest enjoyment with comparable equanimity. You say Tomato, I say Clamato, what cooks your goose don't do much for your Gander etc. Etc. Etc. Patently Low brow, not quite monobrow, Monolith is less compelling than The Hidden, yet the cosy familiarity of the Twilight Zoned text kept me tuned in. Hey!!! No one in full command of their mental faculties will ever claim this specific Monolith is responsible for the evolution of man, but I'm more of a devolutionist, anyhoo!!!