It Was a Wonderful Life

This film has haunted me since I saw it. The film explores the everyday realities of the working poor (and even the middle and upper middle class) who have slipped through the cracks and ended up the hidden homeless. It shows in brutal detail the reality of life in a car, where even showers (let alone work) are a difficult luxury to obtain. It was made in 1992 (during a recession), so I only wish there was an update since the real estate boom in California--and how it affected the women in this population.

The film also painstakingly depicts the flimsiness of bureaucratic programs/solutions to aid these women and those like them, as well as the ways that government policies actively antagonize these situations . Especially painful is the part on Section 8 housing subsidies--when one of the women calls to inquire and finds that not only are there no applications being accepted, but there is also a waiting list of 3+ years for those who have already applied. And the problem of finding a landlord who will accept the vouchers.

Perhaps the most disturbing aspect of the movie is that it did not seem that the filmmakers either 1) helped the women along, even though they were so obviously in need or 2) paid them for their participation. These are women who seem to be only a few hundred dollars or a security deposit away. And yet they are taking the time to participate in the film. I would assume that Jodie Foster and Melissa Etheridge were paid for their participation. It is not stated, but the summations of the women's situations at the end of the film seems to strongly suggest that they were left on their own again. Also, definitely get to the end of the credits for more information. Though it was made in 1992, I just wish there was some way I could reach out and help these women.

I highly recommend this film. It just stays with you.

mandatory viewing for soon-to-be-ex-husbands before any divorce settlements are proposed.

the documentary chronicles six women, most divorced, and all homeless, in los angeles, california. ruthless ex-husbands and their divorce counsel have contributed to some of the worst circumstances. it is a serious and slowly-paced film. there are a few especially memorable moments:

* Ohayon (the filmmaker) confronts one of the deadbeat dads, a music industry jet-setter, via phone regarding his childcare/alimony payments, which he claims to make regularly. then Ohayon takes us to a district attorney type who pulls the same man's file and reveals he is completely AWOL with regard to paying child support.

* there's also an amazing interview with a businesswoman and her three daughters, living out of a motel. the mother admits she is quite uncomfortable about disclosing her suitcase lifestyle to colleagues, but her three daughters sharing the motel room display fierce pride -- proud of their mom for supporting them, proud to tell friends how they live, and proud of their ability to cope with the hardship.

* the bureaucratic abyss facing those who dare apply for welfare and government housing subsidies is nicely conveyed via overheard phone calls and failure to deliver, in the case of one woman who finally secures an apartment on assurance of a 'section 8' subsidy.

the narration is read by jodie foster, original guitar and piano soundtrack by melissa etheridge, both understated and do not upstage the subject in any way.

I didn't care for this movie. I felt that the film took the point of view of these poor victimized women and their good for nothing ex-husbands who aren't paying child supoort. Or course I think that ex-husbands should pay child support but it is hard to make someone pay who isn't planning to and that is the reality for some of these women. Complaining that the system failed you by not making him pay isn't going to do you any good. One of the better moments in the movie was the interview with the policewoman who was handing out parking tickets. She had two kids, was going through a divorce, and was working two jobs to keep herself from becoming homeless herself. If you find yourself in bad circumstances this is the attitude I think you need to have, work two jobs if that is what it takes to keep you and your children off of the streets. I also didn't think the film fleshed out the characters enough. I have a feeling some of them suffered from mental illness but the film didn't tell us enough about them to really know. The best film for my money about homelessness is still StreetWise, where we see the full-dimensional personalities of the people involved.

This is an incredibly moving documentary, with a sober and terse narration. The fate of these women, at times pugnacious determined, at times hopeless and despondent, put homelessness in a new light for me, and left me wondering how it could be, in such a wealthy country, that women and mothers could be left with such a lack of protection and support. The memory of these 6 women will stay with you a long time after you've seen that documentary, especially if you watch it until the very end of the credits.

This is a documentary about homeless women. It was interesting in the sense that this focused on women who are engaged socially - having jobs and lasting friendships - but are in situations where they can not afford housing.

I found some of the women covered to be interesting, but there was little focus or progression in the story. The direction and editing failed to maintain my attention. There were differences in the stories of these women, of course, but the message was essentially the same and could have been told by focusing on any one of them in more depth.

I made it to the end of the movie, but it was a rather boring journey.