AVALIAÇÃO DA IMDb
6,1/10
3,1 mil
SUA AVALIAÇÃO
Mãe luta contra os métodos tradicionais da medicina e anexos, na tentativa de curar sua filha, que é autista.Mãe luta contra os métodos tradicionais da medicina e anexos, na tentativa de curar sua filha, que é autista.Mãe luta contra os métodos tradicionais da medicina e anexos, na tentativa de curar sua filha, que é autista.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Jacqueline Cassell
- Gloria Miller
- (as Jacqueline Cassel)
Avaliações em destaque
This is one of the best movies I've seen and I'm shocked at the ratings it has received. I found it hidden in the back room at the video store because so few customers were checking it out. I agree that Tommy Lee Jones has been better in other movies but the story is excellent and the portrayal of the story is very well done. Please don't let the ratings keep you from deciding for yourself!
The great things about this film make me forget the obvious concessions to box office: the uselessness of Tommy Lee's over dramatic character, or the cheesy ending.
The beauty of this is all in the multiple structures presented to us, both physically and metaphorically, and how they are layered in such a way that moving one affects all the others, like a house of cards. How they are put together is flawed, and it lacks the subtleties and hooks of any Medem script. But it's a glorious try, a world of connections of all sorts.
The first gate to this world are the Maya pyramids, so carefully photographed in the clever initial sequence in Mexico. There we are given key concepts to interpret the whole thing: The ascending dynamic of this (highly spiritual) shape, the tragedy of the father's death, which triggers the whole plot, and the moon – introduced in a clumsy way, as the cosmic witness to the tragedy and as some old folk Indian tale.
Later we fold the idea of the abstract structure that is the "key" to our girl's mind into the idea of a physical shape, that of a spiral, conceptually close to the conception of a Maya pyramid. The girl actually builds the thing, using common cards and some Tarot cards, providing us another key to another abstract structured cosmic world: metaphorical links between cards and several realities; a whole cosmology of its own.
In between you get hints at other parallel, strong structures: 1 – before becoming an autist the girl spoke three languages; 2 – trees she climbs them, repeating the ascending movement, and she disguises herself as one she becomes it!; 3 – the construction site and the crane, an obvious reference, as it is the fact that the mother is an engineer, a designer of structures (the 3d stuff does sound middle- aged to our BIM days )
The spiral is replicated in a greater scale by the mother, she actually builds her own gate to her daughter (building up for the obvious climax). What you get is the beautiful idea of a physical structure as the metaphor for a spiritual link, and the act of building as a symbol of reaching for someone. This is underscored by the seemingly shared dream between our girls, which i found pretty lame. So the result is a sort of maternal built love. You have to love it!
The beauty of this is all in the multiple structures presented to us, both physically and metaphorically, and how they are layered in such a way that moving one affects all the others, like a house of cards. How they are put together is flawed, and it lacks the subtleties and hooks of any Medem script. But it's a glorious try, a world of connections of all sorts.
The first gate to this world are the Maya pyramids, so carefully photographed in the clever initial sequence in Mexico. There we are given key concepts to interpret the whole thing: The ascending dynamic of this (highly spiritual) shape, the tragedy of the father's death, which triggers the whole plot, and the moon – introduced in a clumsy way, as the cosmic witness to the tragedy and as some old folk Indian tale.
Later we fold the idea of the abstract structure that is the "key" to our girl's mind into the idea of a physical shape, that of a spiral, conceptually close to the conception of a Maya pyramid. The girl actually builds the thing, using common cards and some Tarot cards, providing us another key to another abstract structured cosmic world: metaphorical links between cards and several realities; a whole cosmology of its own.
In between you get hints at other parallel, strong structures: 1 – before becoming an autist the girl spoke three languages; 2 – trees she climbs them, repeating the ascending movement, and she disguises herself as one she becomes it!; 3 – the construction site and the crane, an obvious reference, as it is the fact that the mother is an engineer, a designer of structures (the 3d stuff does sound middle- aged to our BIM days )
The spiral is replicated in a greater scale by the mother, she actually builds her own gate to her daughter (building up for the obvious climax). What you get is the beautiful idea of a physical structure as the metaphor for a spiritual link, and the act of building as a symbol of reaching for someone. This is underscored by the seemingly shared dream between our girls, which i found pretty lame. So the result is a sort of maternal built love. You have to love it!
I absolutely loved this movie. It is so different than any other movie I've seen (and I've seen plenty!). People who commented on this movie say that its not reality-that they didn't go into certain aspects of the "problems" at hand in the movie...well, that's what movies are all about. They take you to a different dimension that's not of this world. And this movie deals with taking us to a different world of a child going into a different world. And that, everyone, is what it's all about. I highly recommend this movie to anyone who doesn't want to see the same storyline used in 90% of all movies today, with a touch of dreamscape, and a whole lot of heart. Tommy Lee Jones is perfect as usual, as well as Kathleen Turner. WATCH IT!
10rystuff
I found the story engrossing and especially enjoyed how the characters put the pieces together as the movie progressed. I also thought parts of the soundtrack were excellent. There is one scene that has stayed with me years after I saw the flick.
This is not a documentary. One reason I rented the movie is my clinical experience with autistic children. If you are the kind of person who requires movies even tangentally reflect how it is in the real world then don't watch it. If you think Hollywood will educate the public about autism this movie will upset you.
This is a thinking person's movie.
This is not a documentary. One reason I rented the movie is my clinical experience with autistic children. If you are the kind of person who requires movies even tangentally reflect how it is in the real world then don't watch it. If you think Hollywood will educate the public about autism this movie will upset you.
This is a thinking person's movie.
I prefer to see it as a poetic film. I teach in classes with autistic students, I was confronted with some cases . But, in same measure I am seduced by fairy tales. The death of father can reate strong refuges. And, in this film, the refuge is just well projected. Because it is a film about a six years old girl, in touch with Mayan myth - a myth reminding the stories about the rabbit on the moon from my childhood - admirable acting, moving end . A film about truth, with few unrealistic pink parts but real nice for understand, in fair manner, the other.
Você sabia?
- CuriosidadesJames Horner's original score is based on his score for the film Selva Viva (1986) also a film that involves a child in it's storyline. Intrada Records released a limited edition soundtrack which instantly sold out in a record amount of hours, such as their release of Michael Small's unused score for Síndrome da China (1979) had done previously.
- Erros de gravaçãoKathleen Turner's character says that all railways in the world have the same gauge which is absolutely not true. Examples: Spain - 5' 6"; Ireland - 5' 3" and 3'; India - 5' 6", 2'6" + 1m; Peru - 3'; Portugal - 5' 5 9/16" (1.1665m) + 1 m; Russia - 5'; East Africa - 1m; Nigeria - 3'6"; Sierra Leone - 2'6"; South Africa - 3'6"; Burma - 1m; Ceylon 5'6" + 2'6".
- Citações
Ruth Matthews: We all go a little crazy sometimes, Doctor.
Jake Beerlander: Yes, Ms. Matthews, but most of us come back.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Casa de Cartas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 322.871
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.753
- 27 de jun. de 1993
- Faturamento bruto mundial
- US$ 322.871
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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