Entre a Luz E as Trevas

In 15th century France a suave, urban lawyer moves to the country to get a greatly needed change. He is in search of the noble peasant. He has tired of the guiles and wiles of city-folk; he wants nothing more of them. Unfortunately he is almost immediately beset with the wackiness that could only be found in the country. He now has to defend a pig. And against the charge of murder no less. This is a moving story. To see how people who differed were viewed as animals hurts my sensibilities but it wasn't that long ago...

I'm surprised this movie is so unknown! From the beginning, prepare to be impressed with the accurate visual detailing of mid fifteenth century France. I was wowed by the costumes, sets, and extras (who appear plucked straight from a period painting). The dialogue can be slightly convoluted at times, and a few of the characterizations felt slightly strained, but these are minor complaints. The movie, besides featuring a great understated performance by Colin Firth, also showcases a talented supporting cast. Ian Holm, who played Bilbo in the Lord of the Rings, is great as the knowledgeable priest. Jim Carter, as Firth's right hand man, is a wonderful and versatile actor (check him out in Downton Abbey). And finally Nicol Williamson as the nobleman, who has many opportunities for over-acting, but instead crafts a believable character and carries off his role with brilliant understatement. The premise, that all the trials presented in the film are based on actual 'crimes', generates much interest in the plot and makes this movie more than worth watching!

The quirkiness that another reviewer objects to is part of this movie's charm. The opening scene, a hanging, where one of the co-participants (a donkey) in an unnatural act is freed upon petition of the townspeople, is simply wonderful and sets the tone for what follows.

Not pointed out by any reviewers yet is that the director seems to have reproduced scenes out of European paintings (Flemish, I believe) - the deer in the inn, the man from the inquisition seated in the tavern, the innkeeper's wife and staff gathered to meet the lawyer when he arrives at the in, and more. The lighting, colors, and scene arrangement are faithfully reproduced. This is just one example of the charms of this movie, which is virtually unknown to the public.

And one of the most delicious parts is the witch's blessing. Whenever I lend or give away a copy of this, I pointedly give it with my own blessing.

I saw this film as "The Advocate," not that it matters, but just so you know. The place where I rented it didn't have the original box, so I had NO idea what the film was about. I was, um, surprised.

Colin Firth plays a 15th-century lawyer (called an advocate) who moves to the country from Paris. He wants to get in touch with the real essence of the law, defending the common folk and such. As it turns out, animals can be charged with crimes as well. Poor Colin finds himself defending rats and a pig in open court. (I could make a really obvious crack about the parallels to the practices of modern law, but that's a tad crass. Truthful, but crass.)

The film's claim that the secret of the movie is along the same lines of "The Crying Game" is surely meant as a joke. Still, the movie spends too much dwelling on the absurdity of defending animals and not enough time finding a story to tell. There is some twaddle about defending a beautiful gypsy woman's pig in a murder trial, but it is never gripping or, sadly, interesting.

The acting make up for the triteness of the story, though. Firth is solid and has some great scenes with the Seigneur who owns the land and the village Firth comes to reside in. There is also a small appearance by the wonderful, underrated, nuanced, subtle IAN HOLM~ as a shady priest. The cast raises the film from the status of sideshow curiosity.

While the "Crying Game" style secret is a reference to the murder case that is (ultimately) shuffled off to the side of the movie, I have no problem revealing another big secret of "The Advocate": the sow is really a hog!!!

Firstly, this movie is based on true legal cases during the 15th century which makes it intriguing from the get go. It is based on Richard Cortois, played by Colin Firth, an Advocate who leaves a practice in Paris, to seek the simple country life in a village named Abbeville. What he finds is a quite different story. Country law applies to both man and beast and that is where much of the fun unfolds. The story centers mainly around the case against a pig accused of killing a Jewish child. Courtois, at first, finds the case a bit ridiculous, but finds that as the defense Advocate, he must represent the pig. He is also solicited by the pig's owner to try the case "as the pig is everything to them". As the story unfolds, it becomes evident that there is more here than meets the eye. The case becomes a symbol of maintaining order in the little country town. Courtois attempts to get to the bottom of the mystery and finds that other children have similiarly gone missing over the last year. He is provided a hint by a client tried for witchery saying "Look to the boy, Maitre". It is a great film on many levels and provides quite a bit of comic relief during the many trial sequences. Ian Holm, as the priest who has his own defination of good-which includes trysts with many of his lady parishoners, gives a worthy performance as does Nicole Williamson as the corrupt Seigneur. It is Colin Firth who shines in his wonderful portrayal of Richard Cortois, the one driving force of nobility and honor in the town rotten to the core with evil.