A Firma

Tom Cruise, the All American kid from the trailer park who worked his way through Harvard Law School, just got the dream job with a prestigious white shoe law firm in Memphis, Tennessee. Sounds like he's on his way to the top with wife Jeanne Tripplehorn. But it turns out to be a nightmare.

This Firm's main client is a Chicago crime family and they launder the mob's money. Now the FBI in the persons of fatherly Steven Hill and hard-nosed Ed Harris are squeezing Cruise to infiltrate and get incriminating information. That would result in disbarment for violating lawyer/client privilege. And The Firm isn't a gang of boy scouts either. They're not above a little blackmail and entrapment and they've got a security man in Wilford Brimley who's real good at it.

How Tom Cruise gets out of this rock and a hard place situation is the plot of The Firm. Sydney Pollak gave him one stylish cast in support and everyone of them delivers. Even players like Gary Busey, Hal Holbrook, Gene Hackman, take essentially supporting roles because this film was a guaranteed blockbuster. All of John Grisham's novels have their own built in audience, The Firm is no exception. I do remember my mother was a devoted reader of his work, whereas I always await the film version.

Holly Hunter got an Oscar nomination for her small role as private detective Gary Busey's secretary and girl Friday. When Hunter witnesses Busey's murder without the hit men knowing it, she sets the wheels in motion for the downfall of the bad guys. Hunter got nominated for Best Actress for The Piano and Best Supporting Actress for The Firm, a most unusual occurrence. She won for The Piano in 1993, but lost the Supporting Actress Award to her co-star in The Piano, Anna Paquin. Winning both would have just been a bit too much for the Academy voters.

The Firm has a far fetched plot to be sure in the way that Tom Cruise brings them all down. Still that's the charm of it. It's almost Hitchcockian in its pace and mood, and even more resembles the Mission Impossible television series in the way it's all brought off. Small wonder that Tom Cruise was chosen to star in the big screen adaptations of that television classic.

When I watch The Firm, I'm reminded of that line from another television classic that one Hannibal Smith used to say about he loved it when a plan comes together. That's what you will like about The Firm.

I wanted to get a copy of the screenplay to compare the movie with the dialog and directions, but initially received the FIRST draft by David Rabe. I finally got the shooting script later. All I can say is that it ended with Mc Deere blowing away all the partners in a restaurant with an AK-47. It really made me appreciate the re-write by David Rayfiel and Robert Towne. I have watched this movie many times and enjoy the suspense, romance, and Grusin's solo piano score, which always blows me away. But the one thing that impressed me most with multiple viewing, is how Gene Hackman really makes the movie work. His portrayal of this corrupt, but incredably likeable character is the one thread that holds the movie together for me and goes down as one of his most memorable acting performances.

Got to love Tom Cruise cruising his way through the Firm. Good screen play, great acting and exciting story. Don't get tired at all during these 2.5h of parallell stories of the characters and to see how they all intervene in each others lives.

Even get some action in the film toward the end. If you feel like an exciting film with all your traditional 90 vibe in style, talk and play - make sure to watch the Firm. Great job everyone!

The Firm (1993)

The twist in the plot as you realize this Memphis law firm is not what it seems, and the rather innocent freshman lawyer played by Tom Cruise is slow to catch on, is the core of the movie, and a relief. It starts steadily, or slowly, depending on your patience, and in fact plays many scenes out in more detail than we need for a kind of bookish thriller. It's not a bad ride, and there are some further, minor twists, but it's not packed tightly enough, or frankly original enough, to lift its boots out of the sand.

Director Sydney Pollack, hugely successful as a director and actor, might have just had bad scriptwriting here by David Rabe, because John Grisham's book had proved itself. The acting is really solid (I'm no Cruise fan, but he's fine), but the characters are often doing things that just don't quite follow, or that are improbable or stupid. Or they end up doing something dangerous and the danger is either watered down or ridiculous. Examples that come to mind are how they show Cruise discovering or stealing or xeroxing files. We get the plot, but it lumbers along, or is just shown, not built up with suspense. The cinematographer takes a hit here, I think. Things are often nicely framed and routinely well done, but a thriller needs to hide some things, show some things, create ambiance and mystery, and so on, visually. It doesn't really happen.

So, for a kind of technical high-stakes, rich person's good-guy bad-guy suspense film, it will get you through, but barely. By the last five minutes, if you aren't sucked in, you'll want to scream "hurry up!"

This is a long (154 minutes) but pretty solid drama-suspense story about corporate corruption. The film features a well-known cast, and as soon as the action kicks in this becomes a very tense story.

Tom Cruise is very good as the hotshot lawyer, as is Jeanne Tripplehorn who plays his unhappy wife. This is a complex story at times, one not always easily understood, especially the ending. So much is explained so fast at the end it's tough to comprehend it all.

Wilfred Brimley, Gene Hackman, Hal Holbrook, Holly Hunter, Robert Strathairn and Ed Harris all make this a really deep, impressive cast. For more details of the story, check some of the other reviews.