AVALIAÇÃO DA IMDb
7,0/10
26 mil
SUA AVALIAÇÃO
A personalidade de um homem muda drasticamente depois de sobreviver a um grave acidente aéreo.A personalidade de um homem muda drasticamente depois de sobreviver a um grave acidente aéreo.A personalidade de um homem muda drasticamente depois de sobreviver a um grave acidente aéreo.
- Indicado a 1 Oscar
- 6 vitórias e 9 indicações no total
John de Lancie
- Jeff Gordon
- (as John De Lancie)
Avaliações em destaque
None of us can view a movie objectively apart from the sum of who we are. Having a classical music background, I am always keyed into a film's use of music. Fearless reminds me that the combination of music and film is an art form which has been sadly neglected in modern culture and trashed by MTV. This movie is high art. The final sequence is emotionally and spiritually a transcending experience, illustrating the bittersweet reality of human existence. An experience not available through words, music, or images on their own. I cried like a baby. Movies tend to be built upon a setup and a payoff. Tension and release are the common currency for most art. I have never seen a better cinematic payoff than the one Fearless provides. And that's because the setup is flawless. There is endless brilliance here in the telling of the story. Don't miss the use of light. Light flashing across Max's face when death is at the door; in the plane and the car scene with Carla.(If possible, Fearless might have been even more effective in black and white.) The subtle transition to slow motion during the scene with Carla and the baby at the mall. Jeff Bridges is irresistible in this performance. His character has been translated out of the realm of corporeal perspective.(As demonstrated through his allergy to strawberries.) When he walks through the plane and assures the passengers that everything will be fine, I believed him. His appearance is almost a religious experience. But his serenity cannot last. He must be reborn into the frailties of human existence or he will be estranged from the world. And that is the payoff. The glorious payoff in which death in an airplane crash becomes a poetic vision of the human experience. We live, we die, but we imbue the universe with a greater purpose even if there is no god to acknowledge it. I hope history will judge this movie to be a classic, unappreciated in it's time. This is Peter Weir's masterpiece. It's hard for me to believe that he could follow this effort with the extremely banal and uninspiring "Truman Show" But I suppose even Mozart had off days.
I got to tell you. This is the kind of movie that will make you cry for like two hours. It was a film that dealt with people who lost their loved ones and how they cope with the loss. I was blown away from Jeff Bridges's performance. He could have downright earned a Oscar nomination. I thought all of the stars in this film was great. I thought that this was Peter Weir's best film since Witness. When i normally sees movies that are tearjerkers, I normally don't cry. But, after I saw this film, I was in buckets of tears. The direction was great, the acting was superb. I think it's true what they say about films. When it comes to writing a film, it's very easy to make people cry but it's heard to make people laugh. Out of that subject, it was a powerful film and I highly recommend it.
10 out of 10.
10 out of 10.
Films like this, where the main character survives a plane crash, reveal more of how unprepared a hunter gatherer mind is to the trauma of the modern world, let alone after a traumatic event. When the fight or flight mechanism is unable to function, when there's nowhere to run and nothing can be done, the stress and anguish experienced must be one of the most painful emotions a human mind can experience. We also get another perspective, perhaps one more recognisable, through the helplessness of losing a loved one, a young child, in the same tragedy, completely unprepared and instant.
Yet we continue to push, push, push, backing ourselves into metaphorical corners with no means to escape or defend ourselves. This is deep introspective film making, as relevant as ever, with great performances from some truly great actors.
Yet we continue to push, push, push, backing ourselves into metaphorical corners with no means to escape or defend ourselves. This is deep introspective film making, as relevant as ever, with great performances from some truly great actors.
This movie really spoke to me. I find it hard to say whether or not is good or bad. Peter Weirs films have a way of communicating intense emotion to me, although not all are quite so good- I watched all of the disappointing Dead Poets society, and only felt this emotion in one scene- where the boy commits suicide. A powerful scene. In 'picnic at hanging rock' I felt this intense emotion a few times, especially with that shot of the girls disappearing.
I had wanted to see Fearless for a number of years and was not disappointed. I have never seen a film in my life that affected me so much. But hey, you might watch this and feel nothing. It is about human emotion, about the meaning of life and our mortality. If you care about these then I would guess this film would say something to you.
If you feel like an outsider, like an alien drifting amongst strangers, this is the film for you. If you dream of enlightenment, take pleasure in the simple intensity of the moment this is the film for you also. IMHO, is not just Peter Weirs greatest film, I feel it is one of the greatest films I have seen.
I had wanted to see Fearless for a number of years and was not disappointed. I have never seen a film in my life that affected me so much. But hey, you might watch this and feel nothing. It is about human emotion, about the meaning of life and our mortality. If you care about these then I would guess this film would say something to you.
If you feel like an outsider, like an alien drifting amongst strangers, this is the film for you. If you dream of enlightenment, take pleasure in the simple intensity of the moment this is the film for you also. IMHO, is not just Peter Weirs greatest film, I feel it is one of the greatest films I have seen.
I had heard about Fearless for a long time and was never in the right mind to see it. It's the story about how survivors of a plane crash cope with life afterwards, their neuroses, fears and personal demons. It is a quiet film, so quiet that one can barely hear the inner tremblings of the main character.
He is a survivor without fear. He has summoned up a supernatural lack of fear towards life and psychological health now that he has survived a plane accident. In times of crisis, he has the ability to block fear and to live on adrenalin alone. He has become in the eyes of the other plane passengers, a hero and an inspiration.
But even though this lack of fear is his saving grace, it is also threatening to jeopardize his life. He copes with the nightmares and emotional traumas with the same reaction that helped him along on that fateful day. But in real life, this way to cope is unhealthy and even dangerous. One must live afraid to be a normal person. One must worry about finances and loss of love.
The film is imperfect, as any great film should be. There are slow moments and perhaps a little too much pop psychology. (But the film is as subtle as it gets). There are marvelous character touches, such as a lawyer trying to file a lawsuit who keeps apologizing for his greediness. (The film exposes the genuine dilemmas of trying to compensate victims and their families).
Perhaps the most amazing scene is a reenactment of the plane crash itself. I won't give anything away about the story, but the scene is hauntingly beautiful; it shows the overwhelming force of the wind and the earth ripping apart the fusilade and all the parts of the luggage and cabin that humans normally deal with. It is a violent, horrifying scene and a horrifying memory, but for the main character, he can imagine it with the appropriate distance and without the pain. This accident was the defining moment for his life, and after that scene, we realize how amazing it is that he and the rest of them could have survived, and how fragile their life was in the face of overwhelming force.
This story imagines a disaster and how useless it is to be afraid of a force more powerful than any individual (and that is the main character's profound insight).
He is a survivor without fear. He has summoned up a supernatural lack of fear towards life and psychological health now that he has survived a plane accident. In times of crisis, he has the ability to block fear and to live on adrenalin alone. He has become in the eyes of the other plane passengers, a hero and an inspiration.
But even though this lack of fear is his saving grace, it is also threatening to jeopardize his life. He copes with the nightmares and emotional traumas with the same reaction that helped him along on that fateful day. But in real life, this way to cope is unhealthy and even dangerous. One must live afraid to be a normal person. One must worry about finances and loss of love.
The film is imperfect, as any great film should be. There are slow moments and perhaps a little too much pop psychology. (But the film is as subtle as it gets). There are marvelous character touches, such as a lawyer trying to file a lawsuit who keeps apologizing for his greediness. (The film exposes the genuine dilemmas of trying to compensate victims and their families).
Perhaps the most amazing scene is a reenactment of the plane crash itself. I won't give anything away about the story, but the scene is hauntingly beautiful; it shows the overwhelming force of the wind and the earth ripping apart the fusilade and all the parts of the luggage and cabin that humans normally deal with. It is a violent, horrifying scene and a horrifying memory, but for the main character, he can imagine it with the appropriate distance and without the pain. This accident was the defining moment for his life, and after that scene, we realize how amazing it is that he and the rest of them could have survived, and how fragile their life was in the face of overwhelming force.
This story imagines a disaster and how useless it is to be afraid of a force more powerful than any individual (and that is the main character's profound insight).
Você sabia?
- CuriosidadesThe airplane crash site was recreated in a field in Central California in the Southern San Joaquin Valley and was exactly modeled on a crash that occurred outside Sioux City in Iowa in 1989. The "accident" was reported by several flights flying over the scene. The field was first planted with 85 acres of corn which was then bulldozed to recreate the gouge that a crashing plane would have made. The adjoining cotton field was also purchased to make the crash appear bigger. 140 extras were employed for the scene along with 40 members of the Kern County and Bakersfield Fire Department. One of the town's main roads was closed for a week, and the local electricity company was persuaded to knock down several pylons and snarl up half a mile of electric cable to create a scene of almost total devastation. The crash site took a total of 10 days to prepare, and included throwing 600 suitcases and their contents (all items purchased from local thrift stores) liberally around the site. In total, the recreation cost $2 million.
- Erros de gravaçãoCamera operator reflected in Klein's sunglasses when he's leaning against the car tire near the beginning.
- Citações
Laura Klein: Why didn't you call and say you were alive?
Max Klein: I thought I was dead.
- Trilhas sonorasSostenuto tranquillo ma cantabile
from Symphony No. 3 ("Symphony of Sorrowful Songs")
Written by Henryk Mikolaj Górecki
David Zinman, conductor
Dawn Upshaw, soprano
Performed by London Sinfonietta
Courtesy of Elektra Nonesuch
By arrangement with Warner Special Products
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- How long is Fearless?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sin miedo a la vida
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 6.995.302
- Fim de semana de estreia nos EUA e Canadá
- US$ 144.044
- 17 de out. de 1993
- Faturamento bruto mundial
- US$ 6.995.302
- Tempo de duração
- 2 h 2 min(122 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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