Enigma Mortal

I got the DVD very cheap and I'm a total Drewbie, and thats probably the only constellation where this movie could ever interest anyone.

An early Drew movie, she's looking great, and she gets a quite lot of really cute scenes of her, like a shower scene, a sexy dance scene, quite a number of sexy outfits etc. She does never show the friendly charm we know from her more recent movies.

The movie itself is pretty average or sub-average, and much more looking like being made for the TV than one for the cinema. There is no real horror or tension built up and the dialogs are often cheesy.

The most interesting part is probably the end because I honestly don't understand it. But maybe there is nothing to understand about it anyway. But at least you don't get the end you would be expecting, and it also comes much sooner than one would have expected.

Overall I think this movie is exclusively for Drewbies.

After a murder in Manhattan, a young woman (Barrymore) moves back to her old haunts in Los Angeles where a promising writer takes her in as a roommate (George Newbern). Unfortunately, her deadly alter ego seems to have followed her.

"Doppelganger" (1993) is part spooky mystery and part romcom with some slasher bits. Drew was really cute at 17 during shooting, similar to "Poison Ivy" from the previous year. Meanwhile the story is amusing with a compelling mystery: Does Holly really have an evil doppelganger or is she experiencing multiple personality disorder? Or is something else going on?

Regrettably, the climax is unlikely (in a Scooby-Doo kind of way) and, then, outlandish (in a Hellraiser kind of way). Writer/director Avi Nesher must've asked himself, "What can I do to totally throw viewers off, a twist that no one sees coming?" Although confusing, I suppose the revelations make sense: Those who abused and manipulated a certain person for their own selfish ends unknowingly caused what is observed.

FYI: The first victim is played by Drew's mother, Jaid Barrymore.

The film runs 1 hour, 44 minutes, and was shot in Los Angeles (including Old Anoakia Mansion in Arcadia), as well as Manhattan for the opening scenes.

GRADE: B-

The good? Acting by the "Nice Guy" writer, Newbern, is great. Drew Barrymore's sultry little dances and always seductive scenes. Plot twist will probably surprise you. The bad? Early in Drew's career...look to Ever After and Wedding Singer if you want better acting. Special Effects are stuff I could do with enough silly-putty and Jell-O mix. The ugly? A lot of the plot isn't needed. Could have been wrapped up in a TV show slot, and it indeed felt rushed at the end with a "bad-guy explains his whole evil plot" sequence.

It's good for a laugh, and good to waste some time, but don't be too critical of it. It's more of a confusing B-Movie trying to be a REAL movie than anything.

This movie holds your interest and keeps you wondering, up until an ending which will make cry out "Oh boy!". It's so gruesome and far-fetched and off-base that it's positively ludicrous. On the plus side, Drew Barrymore burns up the screen with a much steamier performance than the one she gave in "Poison Ivy", and the "good guys" are unusually likable (in an unforced way) for a horror film. (**)

Avi Nesher's diabolically duplicitous 'Doppelganger'is arguably one of the 90s more unjustly neglected horror curiosities. A deliriously De Palma-esque psychodrama about the increasingly bizarre misfortunes of pretty, Holly Gooding (Drew Barrymore). Our Hitchcockian heroine, dramatically flees New York, awkwardly setting up house with guileless, good-natured writer Patrick (George Newbern). Their sweetly burgeoning relationship thwarted by the evilly erotic manipulations of, Helen's homicidally stab-happy, sinisterly stalking, dark glasses-sporting doppelganger.

This tantalizingly twisted body horror oddity is luridly festooned with Noirish tropes: shadowy F. B. I. Creeps: an abusive, scar-faced patriarch, skeevey psychiatrist, gory matricide, and a psychologically-spawned, polymorphously perverse sibling. These sordidly scheming protagonists creepily conspire against Helen's earnest hope for a new life in L. A.! No one could accuse, Nesher's phantasmagoric freak-out of subtlety, as, perhaps, his engagingly erratic shocker's strengths reside in the sensually skewed presence of sinuous scream dream, Drew Barrymore. Barrymore's exquisitely cherubic features, and enthusiastically unfiltered performance, are not without considerable charm. The gruesomely gunk-flinging, gelatinously gooey, KNB FX-laden finale is the deliciously crimson cherry atop this winningly eccentric 90s creature feature!