Enquanto uma onda de crimes varre Hong Kong, a polícia chama Jessica Yang, uma estrela em ascensão em suas fileiras, para ajudar a parar uma notória gangue de ladrões.Enquanto uma onda de crimes varre Hong Kong, a polícia chama Jessica Yang, uma estrela em ascensão em suas fileiras, para ajudar a parar uma notória gangue de ladrões.Enquanto uma onda de crimes varre Hong Kong, a polícia chama Jessica Yang, uma estrela em ascensão em suas fileiras, para ajudar a parar uma notória gangue de ladrões.
Avaliações em destaque
This spin-off of "Supercop" is one of my favorite Hong Kong action movies. "Once a Cop" ("Chao ji ji hua") kicks off with a rousing high-energy title sequence and never lets up. The story is meatier than most action yarns: a Chinese policewoman (Michelle Yeoh) tracks a gang of bank robbers to Hong Kong, unaware that their ringleader is her fiancé, an ex-cop (Yu Rong-Guang). This intriguing set-up searches the emotions of the main character as it explores the cultural clash between get-rich-quick Hong Kong and the duty-bound mainland. There's also a sympathetic subplot about a Hong Kong cop who's attracted to Yeoh but feels intimidated by both her and her fiancé. The action sequences are all superbly executed, credibly grounding their martial arts in the actors' own athletic abilities (rather than falling back on wires and special effects). And Yeoh's graceful gymnastic prowess has never been used to better advantage.
Unfortunately, not everything about "Once a Cop" clicks. The relationship between Yeoh and Yu isn't developed as deeply as it could be (though it's still more interesting than most action-movie romances), and it ultimately doesn't make the most of the premise's irony. Jackie Chan's cameo (reprising his "Supercop" role) is awkward and not well integrated into the story. And Alain Guernier as the central villain gives the worst impersonation of an Englishman I've ever seen (even if John Malkovich's Dr. Jekyll in "Mary Reilly" comes pretty darn close). But pound per pound - and punch per punch - "Once a Cop" is as thrilling and exciting as any reality-based martial-arts movie to come out of the Crown Colony. Anyone wowed by Michelle Yeoh's work in "Tomorrow Never Dies" should definitely check out this
Unfortunately, not everything about "Once a Cop" clicks. The relationship between Yeoh and Yu isn't developed as deeply as it could be (though it's still more interesting than most action-movie romances), and it ultimately doesn't make the most of the premise's irony. Jackie Chan's cameo (reprising his "Supercop" role) is awkward and not well integrated into the story. And Alain Guernier as the central villain gives the worst impersonation of an Englishman I've ever seen (even if John Malkovich's Dr. Jekyll in "Mary Reilly" comes pretty darn close). But pound per pound - and punch per punch - "Once a Cop" is as thrilling and exciting as any reality-based martial-arts movie to come out of the Crown Colony. Anyone wowed by Michelle Yeoh's work in "Tomorrow Never Dies" should definitely check out this
As a crime wave sweeps Hong Kong, the police call on Jessica Yang, a rising Inspector, to help stop a notorious gang of thieves. I hurried to finish...
A sequence of 7 films, but this one in particular received so many titles with different numbers that it confused me, that when I marathoned them I forgot about this one, a forgettable, boring film, despite the wonderful Michelle Yeoh. Although Jackie Chan only has a cameo, some DVD covers featured Chan prominently, misleading the audience, briefly reprising his role as Inspector Chan... Few funny scenes (none), many fights (of course), I hurried to finish...
A sequence of 7 films, but this one in particular received so many titles with different numbers that it confused me, that when I marathoned them I forgot about this one, a forgettable, boring film, despite the wonderful Michelle Yeoh. Although Jackie Chan only has a cameo, some DVD covers featured Chan prominently, misleading the audience, briefly reprising his role as Inspector Chan... Few funny scenes (none), many fights (of course), I hurried to finish...
Firstly, the script kicks ass! It's a local story, authentic dialogs, fast paced, straight forward and realistic, yet entertaining. Most of all, it got lots of authentic local cultures in it and it stands out. (Plz don't make movies just for the foreigners markets, draw foreign markets with your local culture - remember the success of Jackie Chan, Bruce Lee, Mr. Vampire series, & recently Pang Brothers movies???!!!)
What stands out is the time frame of the storyline is longer than most movies out there in the same genre and yet you don't feel bored or awkward. All the actors and actresses' performances' are so natural and believable. Don't know why, but it makes it so much relaxing to watch. Even the cameos all ditched in and made the movie better bit by bit.
Thirdly, the director is very smart in the sense that he acknowledged that he didn't have the luxury of getting the support from Jackie Chan's stuntmen group. Thus, you can't stuff the whole movie with those crazy stunts. Instead, he created a lot of exciting action scenes from various authentic settings - shoot em all scene from the worn down factory building, the underground banking, and the HK underground subway systems.
It's jam packed with action, drama, terrific fight scenes. In all it's a great movie because everyone in the movie knows what they're doing and did very well. It may not have the Hollywood production $$$ but definitely more entertaining than their recycled story lines & movie stars. It's a celebration of HK movie during the 90s era!
Top notch real S!#$% hk police action crime movie!!! 9/10!!! A must see! Go rent it today!!! (I bet Banlieue 13 stole some ideas from movies like this >
What stands out is the time frame of the storyline is longer than most movies out there in the same genre and yet you don't feel bored or awkward. All the actors and actresses' performances' are so natural and believable. Don't know why, but it makes it so much relaxing to watch. Even the cameos all ditched in and made the movie better bit by bit.
Thirdly, the director is very smart in the sense that he acknowledged that he didn't have the luxury of getting the support from Jackie Chan's stuntmen group. Thus, you can't stuff the whole movie with those crazy stunts. Instead, he created a lot of exciting action scenes from various authentic settings - shoot em all scene from the worn down factory building, the underground banking, and the HK underground subway systems.
It's jam packed with action, drama, terrific fight scenes. In all it's a great movie because everyone in the movie knows what they're doing and did very well. It may not have the Hollywood production $$$ but definitely more entertaining than their recycled story lines & movie stars. It's a celebration of HK movie during the 90s era!
Top notch real S!#$% hk police action crime movie!!! 9/10!!! A must see! Go rent it today!!! (I bet Banlieue 13 stole some ideas from movies like this >
Supercop 2', the sequel to Police Story 3: Supercop' from the same director Stanley Tong, is more than just a sequel. To me, it seems slightly superior to the (still of course very entertaining!) first movie. It has a different approach altogether, because the first movie was basically about full speed action and amazing stunts like we are used from Jackie Chan's movies. Michelle Khan in her role as a police officer from China helped him along. In some ways, it was a `buddy movie' with one buddy being an extremely tough girl! In the second movie, Michelle Khan is the star. Jackie only has a small guest appearance in a silly and unnecessary scene. Supercop 2' gets a lot more serious than its predecessor. The tragedy motif: Michelle realizes her ex-boyfriend has become a criminal and now works for a gang of high-tech bank robbers. The characterization is surprisingly detailed, down to small things like choosing a wrong present for someone you love but not completely understand, and the ending (Will she shoot him? Or will she let him escape?) had me sit on the edge of my seat... My favourite scene is Michelle's fight against one of the mercenaries: a 7 feet giant trying to hit a 5 feet girl, and you bet he's getting his butt kicked really hard I've never seen something like this before. Hah, take this, Rambo! Probably this movie was an important step for Michelle Khan (a.k.a. Yeoh) on her way to the Bond movie `Tomorrow Never Dies'. Very recommendable, unless you only watch movies for being a Jackie Chan completist, and don't care about any other qualities in a movie, like a few other reviewers here seem to do, I'm afraid.
With a crime spree occurring across Hong Kong, and all the crimes traced to the work of one major crime syndicate, the police look to focus their resources. Having recently proved how tough and resourceful she is, Officer Hua Yang is sent to help a couple of detectives. It becomes immediately evident that the group is a lot more organised than they expected but Hua shakes off her adviser role and takes direct action but when she discovers that the leader of the group is none other than one Ah Fung, Hua's old boyfriend.
On the basis of the wonderful Michelle Yeoh being in it, I decided to give this film a go to see if it was any good. From the very start I was amused to see how cheap it looked, although it may have aged a little bit as well. As with all these type of films, plot usually comes second to the action and here is no different. The story is not that well delivered and I found myself with too many characters to care about and too little logic in the plot. It did jump around a bit and it relied too heavily on the former relationship between Jessica and Ah but it never bothered to really make us care about either of them as real people or get emotionally involved with them as was necessary if this method was to work. Sadly it didn't work and the film was quite unengaging for the most part.
Of course with good action scenes this shouldn't matter too much, but it doesn't do anything that special on the action front. This is not to suggest it is no good, because the gun play and various fights are reasonably good, it is just that they don't really do anything special and they do lack a certain amount of style. The fights do feel like they were done on a budget and, like the rest of the film, they did lack imagination and effort. The cast didn't do anything that good but in fairness my version was badly dubbed so it is hard to tell. Yeoh is a great actress who I have seen been playful, exciting, sensitive and tragic in many films but here she has nothing to do although one or two of her fight scenes hint at her ability. I never really got into the characters played by Sui-Wong, Yu and Chau as they didn't make much of an impression, although I thought that Wei was good. Bill Tung is there in a small role and does his usual stuff but were they really so desperate to attract an audience that they had to make Jackie Chan demean himself in an unfunny drag cameo?
Overall this is an average film at best. The presence of one or two famous names suggests that it will be better than average but in reality it is all a bit workmanlike and lacking effort. The plot relies on the characters being developed and, when they're not, it means that it isn't very engaging as a story. The action is OK but nothing special and I never went 'wow' or anything like that. The script is average and the performances (dubbed or not) didn't really do anything to improve on the situation Yeoh in particular was disappointingly bland for large sections.
On the basis of the wonderful Michelle Yeoh being in it, I decided to give this film a go to see if it was any good. From the very start I was amused to see how cheap it looked, although it may have aged a little bit as well. As with all these type of films, plot usually comes second to the action and here is no different. The story is not that well delivered and I found myself with too many characters to care about and too little logic in the plot. It did jump around a bit and it relied too heavily on the former relationship between Jessica and Ah but it never bothered to really make us care about either of them as real people or get emotionally involved with them as was necessary if this method was to work. Sadly it didn't work and the film was quite unengaging for the most part.
Of course with good action scenes this shouldn't matter too much, but it doesn't do anything that special on the action front. This is not to suggest it is no good, because the gun play and various fights are reasonably good, it is just that they don't really do anything special and they do lack a certain amount of style. The fights do feel like they were done on a budget and, like the rest of the film, they did lack imagination and effort. The cast didn't do anything that good but in fairness my version was badly dubbed so it is hard to tell. Yeoh is a great actress who I have seen been playful, exciting, sensitive and tragic in many films but here she has nothing to do although one or two of her fight scenes hint at her ability. I never really got into the characters played by Sui-Wong, Yu and Chau as they didn't make much of an impression, although I thought that Wei was good. Bill Tung is there in a small role and does his usual stuff but were they really so desperate to attract an audience that they had to make Jackie Chan demean himself in an unfunny drag cameo?
Overall this is an average film at best. The presence of one or two famous names suggests that it will be better than average but in reality it is all a bit workmanlike and lacking effort. The plot relies on the characters being developed and, when they're not, it means that it isn't very engaging as a story. The action is OK but nothing special and I never went 'wow' or anything like that. The script is average and the performances (dubbed or not) didn't really do anything to improve on the situation Yeoh in particular was disappointingly bland for large sections.
