Desafio no Bronx

A Bronx Tale tells the story of a boy growing up in the Bronx that must face tough decisions between a mobster and his father the working man. Robert De Niro, in his directorial debut, shows an inside view of the mafia in the neighborhood and how an individual child idolize them just like the way the film GoodFellas showed how a kid wanted to be a gangster.

Chazz Palminteri plays Sonny, the kingpin in the neighborhood, who is not only a feared man in the Bronx but also kills a man in the streets and Lorenzo's (Robert De Niro) son, Colgero, is the witness. Lorenzo's son doesn't rat on anybody and Sonny considers the kid an okay person where he'll take care of him like a father would for his son if he does certain favors that would make Lorenzo uncomfortable.

Colgero sees different point of views from his two "fathers" where Lorenzo, his real father, is an honest bus driver who likes what he does in making a living prior to standing by in his codes of morality while Colgero sees Sonny as something of a hero since he's not a sucker like those who have to wait for bum paychecks where all he does is make a living by either killing or stealing where having power makes a man.

As Colgero grows into a teenager in the 60's, both his real father (Lorenzo) and his idol (Sonny) want the best for him with different standards and don't want to see him in the wrong direction. At the same time Colgero falls in love with a woman, a young black girl, at his high school where interracial relationships is consider a no-no to both the black community and the Italian neighborhood. It doesn't bother Colgero one bit while asking both his father and idol for advice where he's growing up to be a man.

"A Bronx Tale" is not only a life lesson movie, but a coming of age story where not only does Colgero witness everything in front of him from death to prejudice but it's about how two men from separate worlds want the best for this kid.

I have seen this movie over & over like many of the people who have reviewed it. It's true that this is loosely based on the life of Chazz (C) Palmenteri who wrote the screenplay. Word is that when he was looking to make the play into a movie, he had only one condition, that he play the part of Sonny. He was rejected several times until he found Robert DeNiro & Tribeca productions. What luck for all of us too! Chazz was born to play the role of Sonny & how refreshing to see DeNiro as the humble and hardworking father figure instead of the gangster that he has so often played.

This movie has heart & a story that is actually appropriate for young adults. Despite the language & moderate violence (such as the bar scene) there isn't anything graphic (certainly not on the scale of Braveheart or Saving Private Ryan!) and no nudity, just a good story. One of the gems is that nothing is sadder than wasted talent. Thank God that Mr. Palmenteri didn't waste his and shared this wonderful story with all of us. Unforgettable movie, a definite 10 out of 10!

Robert De Niro's directorial debut is a criminally underappreciated piece of cinema. A Bronx Tale may not contain the same depth, intricacy and intensity of The Godfather or Goodfellas, but it can certainly be considered one of the finest gangster movies of the 20th century.

Unlike many other films in this genre which focus on the wider power dynamics within the mafia, A Bronx Tale tells its story mainly through personal relationships. There is a particular focus on Calogero's struggle to please his loving father while being constantly seduced by the alluring Sonny and the associated gang lifestyle. Lillo Broncato is warm and likeable in the lead role and has a remarkably authentic on-screen relationship with De Niro, which is enhanced by the strong physical resemblance between the two. The accomplished Chazz Palminteri shines as Sonny, turning in an understated performance with a delicacy often missing from these kind of characters.

And then there is the music. As a lifelong fan I am probably a little bit biased, but its hard to describe how much I love this soundtrack, particularly The Complexions version of 'I Only Have Eyes For You'. The sidewalk acapella groups crooning under the streetlights make me nostalgic about memories I don't even have.

There isn't much to dislike about this film. Joe Pesci's late cameo is unnecessary and a little glib, and the biker gang that get beat up in the bar are almost like slapstick characters. Aside from that, this is a truly magnificent film that has never received the recognition it deserves.

Oh, what a wonderfully small and intricate film this is! How I love and cherish the world I am pulled into every time I see this film. Robert De Niro's directorial debut proves strong and lively, evidenced by how he stuck to a topic close to home; a young, impressionable Italian kid growing up little Italy in the late 60's. As the naive protagonist Calogero, or 'C' as he is nicknamed, Lillo Brancato gives a great performance as a young man torn between the working-class honesty displayed by his strict father and the ruthless world of organized crime demonstrated by the neighborhood crime boss Sonny (Chazz Palminteri adapted his own play and cast himself as a burly, laid back, world weary know-it-all).

One key element that snags you in is the narration. Like equally personal films of its stature (Scorsese's gangster trilogy, "Taxi Driver," "Election," "Bringing Out The Dead", "SLC Punk!"), the voice-over guiding brings you in even further into the already detailed landscape and story presented. I don't really consider this a mafia movie, it's much more of a coming-of-age tale. However, the background De Niro provides is so intimate and thorough that you wish for another film chronicling the life of Sonny.

I have to admit that, for a debut, De Niro's judicious use of music seemed to rival that of Spike or Scorsese in turns of effectiveness. First of all, De Niro kept a much more grass roots approach, sticking to doo-wop, soul, rock, "mobster pop" (Dean or Frank) and a little jazz. Whereas Scorsese will use anything at his disposal ("Casino" had two Devo tunes in it), De Niro really seems to search for what really makes the scene. My favorite is the scoring of a street fight scene to "Nights In White Satin"... De Niro must of knew before we did it was all in the violins. De Niro said he knew this type of story had been done before and didn't want to repeat anything, so he viewed Scorsese's mobster trilogy to see what already had been done. It's obvious he paid attention.

Even De Niro himself knows a little Italy gangster film is not complete with at least a surprise-ending cameo from you know who...

A Bronx Tale does take me back to New York City in the sixties. I grew up in Brooklyn then which certainly has always had its own identity. I'm glad that Chazz Palmentiri has given the Bronx an identity of its own. There are still parts of the Bronx which have the Italian neighborhood you see depicted here. But the Bronx is a Latino majority borough now, ironic when you consider part of the story of A Bronx Tale is the racial tension between the blacks and Italians.

The movie divides in two parts, the first is around 1960 with the background of the 1960 World Series, one of the best ever played where the Yankees of Mickey Mantle lost to the Pirates in seven games. Robert DeNiro is your average Joe, a bus driver by profession trying with his wife, Katherine Narducci, to raise their son who is eight years old. Young Francis Capra who is fascinated by the gangsters hanging out at the bar down the street, witnesses the local boss commit a murder. True to the neighborhood code he doesn't snitch to the police and the local boss takes him under his wing.

Chazz Palmentiri is the boss and he's an interesting character. A man who's risen to the top of his profession, he's got a sense of himself and what it took to get there. Life is about choices, he made his and he's going with the flow, but he knows it isn't for everyone. He advises young Capra to stay in school, but the more he advises the more fascinating Palmentiri becomes to DeNiro's dismay.

The second half of the story is in 1968, the Bronx as part of America ravaged by racial tensions, assassinations and the war in Vietnam. The little boy is now teenager Lillo Brancato who gets interested in a black girl, a big no-no in the crowd he comes from, but Palmentiri is the one person who encourages the relationship. Let's just say that everything, every element of the story comes full circle on one night in the Bronx in 1968.

The comparison to Goodfellas for me is obvious. The two kids who grow up to be Joe Pesci and Ray Liotta are taken under the wing of neighborhood boss Paul Sorvino who sees them as promising gangster material and they grow into the roles. Palmentiri keeps telling the young kid here do what I say not what I do, but in the end it takes some tragic events to set him on a right path.

DeNiro who you would normally expect in the gangster role is just fine as the father, a good man, not a perfect one by any means, but just a guy trying to do right by his family. It's Palmentiri however who really steals the film as the local gangster boss who's as street smart as they come, but even with all that can't anticipate all contingencies.

Lillo Brancato who went on to several other film roles and a long running one in The Sopranos certainly in real life didn't make the same choices as his character Calogero Anello did. Life really imitated art in his life story.

Nice to see the Bronx get its due.