Adicionar um enredo no seu idiomaAction-packed as usual with Donnie Yen kicking his adversaries in the role of "Beggar Su". Basic plot revolves around a young Beggar Su getting addicted to opium and manipulated by a schemin... Ler tudoAction-packed as usual with Donnie Yen kicking his adversaries in the role of "Beggar Su". Basic plot revolves around a young Beggar Su getting addicted to opium and manipulated by a scheming imperial prince to fight against WFH and assassinate a righteous general. As expected, B... Ler tudoAction-packed as usual with Donnie Yen kicking his adversaries in the role of "Beggar Su". Basic plot revolves around a young Beggar Su getting addicted to opium and manipulated by a scheming imperial prince to fight against WFH and assassinate a righteous general. As expected, Beggar Su repents and gangs up with WFH against the prince in a climactic battle. Guess who... Ler tudo
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I have a hard time believing this was released in 1993, let alone made that year. The Donnie Yen of this film still looks very young. And the same sources that insist this is a 1993 film also insist that the film released as "Iron Monkey II" is actually a sequel to Iron Monkey, and that it was made a year after Iron Monkey - which is patently absurd.
Add to this the fact that Stephen Chow released a film titled Wu zhuang yuang: Su Qi Er (King of Beggars)in 1993, and the fact that the recent Columbia-Tristar re-releases of HK 'fu films (including this one) have been sabotaged by gutless Hollywood hacks, and what you have is an unerring formula for confusion.
Oh, well. Whenever this film was made, it remains a minor classic of the genre. For one thing, the Wong Fei Hung depicted in this movie is the hero of the legend, not overly bogged down with story or "humanizing" faults - this is a real hero that draws good work and good feeling towards himself like the North Pole draws compass needles.
There are also remarkable bits of post-modern humor, especially the brief but hilarious jibe at Bollywood musical numbers, of all things.
The story is strong, the acting superb, and all the kung fu is top-notch. Receptive viewers will have many reasons to see this more than once.
Can't say I was too impressed after watching it. The action was OK but not the high standard I was used to from Ping. Too much silly wirework and a lot of the camera tricks were too obvious like the speeding. The fight with the Fire Lotus ladies at the temple was very good though as well as Donnie's fight with the prince in the finale. Not one of Ping's better movies, however.
The story played like an after school special about the dangers of opium and alcohol. Boy refuses drug, boy is seduced by drug, boy is addicted, boy is saved and seeks revenge and redemption. Unfortunately a lot of the subplots were left open-ended while it jumps from one action scene to another. I could swear this played more like a comedy than an action period piece. The two actors playing Yen's father and aunt were hysterical, especially Sheila Chan. I almost wanted to see more of their story than Yen's but then that little subplot gets pushed aside and we're back with the action.
This movie is codirected by Chin-Chung Chan (directorial debut) and Woo-Ping Yuen (Drunken Master) and stars Donnie Yen (Iron Monkey), Dickson Ga-Sing Lee (Tiger Cage II), Fennie Yuen (Royal Tramp), Man-Tat Ng (Shaolin Soccer), Xin Xin Xiong (Black Mask) and Hoi-San Kwan (Hard Boiled).
This movie's storyline has a lot going on but is extremely entertaining to watch unfold. There's martial arts, comedy and a serious premise with drama all mixed together. I did like the father, aunt and son dynamic. The cast delivers solid performances around those characters and their feeling for each other. The action scenes by Yen are fun and entertaining and are a good mix of cable scenes and martial artistry. The Aunt's comedic scenes were funny and over the top. I will say Yen's addiction scenes didn't work for me and would be my only complaint about this picture.
Overall this is far from Yen's best movie but is still worth a viewing. I would score this a 6.5-7/10 and strongly recommend it to fans of the martial arts genre.
Você sabia?
- Erros de gravaçãoThe 35mm style of camera that Princess Yi Teh-Tai uses in one scene was not introduced until the late-1930s/early-1940s, well after the real Wong Fei-Hung's death in 1924.
- ConexõesVersion of O Mestre Invencível (1978)
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