AVALIAÇÃO DA IMDb
7,6/10
31 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young man with a vendetta against a business tycoon seduces the man's younger daughter, but she begins to suspect her new lover's connection with her elder sister and his ulterior motive.A young man with a vendetta against a business tycoon seduces the man's younger daughter, but she begins to suspect her new lover's connection with her elder sister and his ulterior motive.A young man with a vendetta against a business tycoon seduces the man's younger daughter, but she begins to suspect her new lover's connection with her elder sister and his ulterior motive.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 7 indicações no total
Shilpa Shetty Kundra
- Seema
- (as Shilpa Shetty)
Johny Lever
- Babulal - Head Servant
- (as Johnny Lever)
Ananth Mahadevan
- Vishwanath Sharma
- (as Anant Mahadevan)
Daboo Malik
- Ravi Shukla
- (as Krish Malik)
Amrit Patel
- Marco (Chopra's chauffeur)
- (as Amrut Patel)
Sumeet Pathak
- Young Ajay
- (as Master Sumeet)
Harpal Singh Pali
- Motu
- (as Harpal)
Sharad Sankla
- Charlie
- (as Charlie)
Raju Srivastava
- Charlie's friend
- (as Rajoo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
An excellent movie.A must watch.One of the best from Bollywood.The story is excellent.It tells about Ajay who lives with his widowed mother.he falls in love with the Chopra sisters Seema and Priya.One day murders Seema by throwing her out of a building.,The reason he does it to take revenge on Madan Chopra.Years back Madan was employed in his fathers company.Madan took control over it.Ajay and his family were thrown.One day his father and baby sister died.Years later he is back for revenge.The movie is plain excellent.This movie can only be the best debut for Srk( Deewana(1992) his first flick was a crap but not a mega crap).His performance is magnificent.Kajol does well.Shilpa is okay.Dalip did good.Rakhee supported well.The dialogs are great.Cinematography is excellent.The direction is excellent.Johnny Lever was good.The music is wonderful.A great movie.Go and watch it. Rating-9/10
'Baazigar' is probably the first commercial Hindi film that centres around the anti-hero. It 'loosely' rips off 'A Kiss Before Dying'. It's not a scene by scene copy and the director duo did smartly Indianize it (unfortunately a lot of it is too Bollywood e.g. the 'dishum dishum' fight sequences). To an extent, as a film, it is better than 'A Kiss Before Dying' as the twists are changed to appeal to the Indian audience. The songs are pleasant but some of the tunes are ripped off too. The whole comedy track featuring Johnny Lever and co deserve to be fast-forwarded. What mainly makes 'Baazigar' more watchable than it's 'original' source is its performances. The film belongs to Shahrukh Khan who does his first anti-hero act and blows the audience away with a strong balanced performance of a multi-layered character. Kajol is lovably hyper in the beginning but she shows her character's gradual maturity with grace. Shilpa Shetty gives a stunning debut act. Rakhee plays the typical distressed mother again. Johnny Lever is irritating as always. The rest of the cast do not impress much either. Technically the film could have used a lot of improvement but one should keep in mind that this is a film of the early 1990s. The end sequence is a disappointment and it sadly brings the film down by a notch but on the whole, 'Baazigar' is enjoyable to watch. In spite of the plentiful plot holes, there are some fine moments like the scenes where Ajay manipulates Seema, Priya discovering the truth about her sister, Priya confronting Ajay...Even though one knows what happens in the end, there's something about the film that makes you sit through it.
Baazigar is a wonderful suspense thriller made by Abbas Mastan, but the real reason it is well-known today is quite clear, and it's called Shahrukh Khan. Disregarding its unoriginality, the film is extremely entertaining and interesting, more towards the second half. In the first half, the point is a bit unclear and the film does not flow well, but the film takes a major plot twist after an hour or so when we get to see a rather shocking scene, which is completely unexpected and is the film's most drastic turn. Following this scene, it starts getting increasingly thrilling with inflaming and unusual proceedings and great suspense. I appreciated the film for its good script and for its loyalty to the general Hindi film style despite a very distinct and innovative formula, but I would still delete several comic scenes which are unnecessary and at times even pathetic.
The film quite clearly belongs to Shahrukh Khan who skillfully displays something very disturbing within his personality. It is a very balanced performance, and Khan successfully portrays the many sides of his character, whether it's the simple guy whose pain motivates him to take revenge, the romantic hero, or the psychopathic murderer. Kajol is splendid in a performance that is both natural and intense. She comes across as a very brave and smart girl. Shilpa Shetty gives a brilliant debut performance (and she is hot!). Raakhee is typecast as the suffering mother who loses her mental sanity, and she does it well. Johnny Lever is at times hilarious and at times unbearable, Dalip Tahil does not impress much, and Siddharth is adequate but he too is a bit annoying in some scenes.
Anu Malik's soundtrack is very good: "Baazigar O Baazigar" is lovely, "Kitaben Bahut Si" is wonderful, "Ae Mere Humsafar" is melodious and "Yeh Kaali Kaali Aankhen" is too cool. Overall, Baazigar is an extremely enjoyable flick. While the first half is a bit boring, involving all the possible Bollywood masala, including action, romance and silly jokes, the second half enjoys a fantastic development of story, involving the most unconventional moves a Hindi film could have at that time. Towards the end the film gets to be even more intriguing. A very sad flashback is followed by an unpredictable ending which is heart-breaking yet satisfying. The final verdict is therefore highly positive. I recommend.
The film quite clearly belongs to Shahrukh Khan who skillfully displays something very disturbing within his personality. It is a very balanced performance, and Khan successfully portrays the many sides of his character, whether it's the simple guy whose pain motivates him to take revenge, the romantic hero, or the psychopathic murderer. Kajol is splendid in a performance that is both natural and intense. She comes across as a very brave and smart girl. Shilpa Shetty gives a brilliant debut performance (and she is hot!). Raakhee is typecast as the suffering mother who loses her mental sanity, and she does it well. Johnny Lever is at times hilarious and at times unbearable, Dalip Tahil does not impress much, and Siddharth is adequate but he too is a bit annoying in some scenes.
Anu Malik's soundtrack is very good: "Baazigar O Baazigar" is lovely, "Kitaben Bahut Si" is wonderful, "Ae Mere Humsafar" is melodious and "Yeh Kaali Kaali Aankhen" is too cool. Overall, Baazigar is an extremely enjoyable flick. While the first half is a bit boring, involving all the possible Bollywood masala, including action, romance and silly jokes, the second half enjoys a fantastic development of story, involving the most unconventional moves a Hindi film could have at that time. Towards the end the film gets to be even more intriguing. A very sad flashback is followed by an unpredictable ending which is heart-breaking yet satisfying. The final verdict is therefore highly positive. I recommend.
Baazigar is inspired by the Matt Dillon flick A Kiss Before Dying, which itself is a remake of the 1956 near-noir classic of the same name. The film revolves around 2 sisters, Shilpa Shetty and Kajol, and the men that come into their lives. Both men are played by Shahrukh Khan, so you can imagine the complications that will create. The first one's the typical Indian college student: perfect grades, dead father, sick mother......The second one is a race car driver (the cool one). Each has his own reasons for being with the girl and it's these motives and their repercussions that form the crux of the film. Now if you LOVE Bollywood movies, then stay away from this one. There is no happy resolution, or songs in the Swiss Alps, or Designer Clothing for the hero. In fact, the wardrobe and makeup departments seem to be on strike during this movie. But that's really a blessing because the actors' "natural" look complements the film's dark tone. Baazigar is a twisted tale of revenge with much tasteless violence, so you wouldn't want your hero cleaning blood off his GAP shirts every ten minutes (of course we wouldn't have such concerns if Salman had accepted this role). That reminds me, the acting in this movie is ...... well, it varies. The supporting cast doesn't impress: Rakhee's okay, Shetty's pretty weak (as are the two fathers), and the inspector is just sad. ON the other hand, Kajol gives a sincere performance that's a hint of things to come. She breathes life and brings restraint to a character that's usually butchered by over-the-top Indian actresses who substitute crying for acting. She's only 17 or 18 but her confidence and chemistry with the Rukhster are quite evident. But this is Shahrukh's movie. After Salman wisely turned it down, Shahrukh saw this as his big chance and capitalized. From studying for his exams and manipulating Shilpa Shetty, to racking up the body count and bringing down the house with Kaali Kaali Aankhen, the man held nothing back. He was still an actor at this point and played the dual role well. You're always able to tell which character's onscreen. This movie is like Darr - which was released a few months later - in the sense that whether you like it or not has nothing to do with the film itself and everything to do with the lead's performance. The film could have spent more time in the editing room as many portions drag, and some scenes feel flat due to the aforementioned lack of funding. In the end, Baazigar may or may not be good filmaking but it's a must for Shahrukh fans.
10Li_85
What can i say about his movie apart from what i mentioned above, can i add awesome. This is the best movie directed by the duo Abbas Mustan who have made great thrillers like Khiladi and Race. I first saw Shah Rukh Khan act in Deewana but didn't care too much. I next saw Shah Rukh Khan in Raju ban gaya gentlemen and once again didn't care too much. I then saw baazigar and boy did this film impress me or what. This is the movie that made Shah Rukh Khan a instant superstar, in my opinion gave a dynamic powerhouse performance. He deserved the Best actor Filmfare award for this as it was a tough nominations list that year. Kajol delivers a great performance as well as Shilpa Shetty. This is borrowed from Hollywood movie Kiss before dying, but let me tell you Baazigar makes Kiss before Dying look like garbage. If you are a Shah Rukh Khan fan and you have not seen his best film,the go watch it now.
Você sabia?
- Curiosidadesafter winning Filmfare best actor award for Baazigar 1993 Shahrukh Khan did not see director duo Abbas Mastan anywhere at the function nor at the awards party that night Shahrukh Khan reached Bhendi Bazaar a crowded place in Bombay where Abbas Mastan lived when Shahrukh Khan reached there he saw about 10 to 12 people sleeping in one room on seeing him everyone from the house got up Shahrukh Khan went to Abbas Mastan and touched their feet and said I have won the best actor award for Baazigar how can I go home without your blessings by the time Shahrukh Khan moved out it was early morning and month of Ramzan so he also had Sehri with them before he left.
- Erros de gravaçãoAnjali's party is supposed to be at 3PM but Srk is with Kajol at that time but somehow reaches there and her watch shows 12PM.
- Citações
Ajay Sharma: Sometimes in order to win you have to lose something, and a person who wins in spite of losing is called "Baazigar."
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Detalhes
Bilheteria
- Orçamento
- ₹ 40.000.000 (estimativa)
- Tempo de duração2 horas 55 minutos
- Cor
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