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IMDbPro

Backbeat - Os 5 Rapazes de Liverpool

Título original: Backbeat
  • 1994
  • R
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,7/10
6,9 mil
SUA AVALIAÇÃO
Stephen Dorff, Ian Hart, Gary Bakewell, Sheryl Lee, Chris O'Neill, and Scot Williams in Backbeat - Os 5 Rapazes de Liverpool (1994)
Theatrical Trailer from Gramercy Pictures
Reproduzir trailer0:31
1 vídeo
23 fotos
BiografiaDramaMúsicaRomance

Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.

  • Direção
    • Iain Softley
  • Roteiristas
    • Iain Softley
    • Michael Thomas
    • Stephen Ward
  • Artistas
    • Stephen Dorff
    • Sheryl Lee
    • Ian Hart
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    6,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Iain Softley
    • Roteiristas
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Artistas
      • Stephen Dorff
      • Sheryl Lee
      • Ian Hart
    • 31Avaliações de usuários
    • 25Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 prêmio BAFTA
      • 5 vitórias e 4 indicações no total

    Vídeos1

    Backbeat
    Trailer 0:31
    Backbeat

    Fotos23

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    Elenco principal36

    Editar
    Stephen Dorff
    Stephen Dorff
    • Stuart Sutcliffe
    Sheryl Lee
    Sheryl Lee
    • Astrid Kirchherr
    Ian Hart
    Ian Hart
    • John Lennon
    Gary Bakewell
    Gary Bakewell
    • Paul McCartney
    Chris O'Neill
    • George Harrison
    Scot Williams
    Scot Williams
    • Pete Best
    Kai Wiesinger
    Kai Wiesinger
    • Klaus Voormann
    Jennifer Ehle
    Jennifer Ehle
    • Cynthia Powell
    Marcelle Duprey
    • Singer
    John White
    John White
    • Sailor 1
    Bernard Merrick
    • Sailor 2
    Nicolas Tennant
    • Sailor 3
    • (as Nicholas Tennant)
    Finola Geraghty
    • Model
    Rob Spendlove
    • Arthur Ballard
    Charlie Caine
    • Lord Woodbine
    Freda Kelly
    Freda Kelly
    • Mrs. Harrison
    Paul Humpoletz
    • Bruno Koschmider
    Christiana Uriarte
    • Groupie
    • Direção
      • Iain Softley
    • Roteiristas
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    6,76.8K
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    Avaliações em destaque

    jedralski

    My favorite movie !

    Softley's 'Backbeat' is my favorite movie I've ever seen. I'm a huge Beatles fan and I've watched many biographical films about The Fab Four like 'Birth of Beatles' for example, and I must admit that this production from 1993 is the best of them all. This picture shows us the Hamburg's episode (early 60s) of Beatles career and it concentrates on relationship between John Lennon (fantastic play by Ian Hart) and Stuart Sutcliffe (aka The Lost Beatle). Lots of laughs, lots of tears and above all - great music ! A must seen for Beatles fans.
    10Hermit C-2

    A Beatle fan's dream come true.

    There's no doubt in my mind that 'Backbeat' is the best movie ever made about the Beatles. Dare I utter such blasphemy-- it may even be better than 'A Hard Day's Night!'

    Director Iain Softley (his first film!) and his co-writers chose a period and a time that have always held a lot of romance for the group's fans, their trial-by-fire apprenticeship in the seedy nightclubs of Hamburg, Germany c. 1960. This was the crucible in which the band was transformed from noisy amateurs to professionals ready to take on- and change- the world. The focus is on two young friends from Liverpool, John Lennon (Ian Hart) and Stuart Sutcliffe (Stephen Dorff). (As a critic once noted, dead men don't file lawsuits.) Stuart is a sensitive lad with a great talent for painting. John is a cynic with a very large chip on his shoulder. He may be sensitive and intellectual, too, but he'd rather die than admit that to anyone. His artistic passion is expressed in the rock & roll music he's driven to play. Stu likes the image more than the music, so he buys a bass guitar, turns his back on a promising art career and joins the band. The fact that he can barely play his instrument is not lost on bandmate Paul McCartney (Gary Bakewell.)

    Playing a backbreaking schedule in Hamburg they meet up with two young Germans who become important in their lives- Klaus Voorman (Kai Wiesinger) and especially Astrid Kirchherr (Sheryl Lee), two "exi's", sort of latter-day beatniks or early hippies. Stu and Astrid fall in love and John is both irritated and fascinated by her. Soon Stu has to choose between his love for Astrid and painting and his deep emotional ties to John and the band.

    The actors portraying the most well-known characters (Hart, Bakewell and Chris O'Neill as George Harrison) all bear striking resemblances to their look in the early '60's. But this movie not only gets the style right, but the substance as well. Paul McCartney has said it was full of inaccuracies (like John singing "Long Tall Sally," always Paul's number) but as an avid Beatles fan since 1964 my view is that it's a very honest portrayal. Ian Hart shines in his evocation of the complicated personality and tortured soul of John Lennon. He practically looks like a twin of John's son Julian. Sheryl Lee also stands out as the super-cool Astrid in a restrained but powerful performance. The musical performances are fine, too, done by a band including Mike Mills of R.E.M. No Beatle originals are used in the movie but that's OK because at the time they were mostly playing powerful cover versions of American rock and soul. In fact the "B word" is not seen or uttered except once, just before the film's conclusion.

    This movie is a triumph for all involved and even though it's not "official" it will only add to the great legacy left by the Beatles.
    10lee_eisenberg

    A long, long time ago, in a country not too far away...

    I think that it's especially appropriate that "Backbeat" was released right after the 30th anniversary of the Beatles coming to America: everyone was remembering them, and then a really good movie shows their early days. Specifically, it focuses on when they went to Hamburg and met artsy photographer Astrid Kirchherr. I should identify that this movie is for mature audiences only: aside from the language and sex, it shows how John, Paul, George, Pete, and Stu got addicted to speed so that they could keep playing; as a result, they got little sleep and their eyes got all glassy as they laid awake.

    A really effective scene is right after Stu leaves the Beatles. Hoping to devote his life to art, he goes out and gets all drunk. Around this time, East Germany's government erects the Berlin Wall. Watching it on TV, Astrid and Klaus hold hands to be supportive of each other. When Stu sees this, he gets all violent. This scene - possibly more than any other in the movie - shows his mental breakdown.

    All in all, a great movie. We also see that they first met Ringo in Hamburg. I'm sure that we'll all be remembering "Backbeat" for years to come. Rock on, lads!
    Quentin-12

    The Pre-Beatles Show

    Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.
    crbowles

    Good Film, Even Better Soundtrack

    I really enjoyed this film, I do however doubt that i would have enjoyed it as much if it hadn't been for the absoloutely storming soundtrack made up of Fifties covers which you believe would have been played by the Beatles at that stage in their careers. Add to that the fact that the Band used to create the sound of the Beatles consisted of some of the leading musicians of the 90's. They bring their own interpretation to the music just as you believe the Beatles would have done, The only exception to this is the Drum beat which tends to sound more like the 90's than the 60's that being said it does make it more accessable to a contemporary audience.

    Now as for the actual film itself, It was built on an interesting story about Stuart Sutcliffe, John Lennons best friend, Choosing between music and Art, the latter enevitably wins out with the help of Astrid. Much of the story is of a Tug Of war between John lennon trying to keep him involved in the music and Astrid who sees his artistic potential. It's a story that has been played over and over again but is refreshed in the context of surrounding characters that you feel you already know.

    The Characteristically funny Lennon, Business like McCartney, Shy Harrison all come across very comfortably. But they are merely bit characters as this film is more about the choices of sutcliffe than it is about the fab four.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      As seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
    • Erros de gravação
      The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
    • Citações

      John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.

    • Cenas durante ou pós-créditos
      At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
    • Conexões
      Featured in Backbeat Band: Money, Version 1 (1994)
    • Trilhas sonoras
      Good Golly Miss Molly
      Written & Composed by Robert 'Bumps' Blackwell & John Marascalco

      By kind permission of Prestige Music Ltd

    Principais escolhas

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    Perguntas frequentes26

    • How long is Backbeat?Fornecido pela Alexa
    • What is Backbeat about?
    • Is the movie based on any source material?
    • Where does the title for the movie come from?

    Detalhes

    Editar
    • Data de lançamento
      • 26 de agosto de 1994 (Brasil)
    • Países de origem
      • Reino Unido
      • Alemanha
    • Idiomas
      • Inglês
      • Alemão
      • Francês
      • Russo
    • Também conhecido como
      • Backbeat: el inicio
    • Locações de filme
      • Cheney Road, Londres, Inglaterra, Reino Unido(German Gymnasium doubles as The Anchor pub)
    • Empresas de produção
      • Channel Four Films
      • Fortbeam
      • Polygram Filmed Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.392.589
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 126.740
      • 17 de abr. de 1994
    • Faturamento bruto mundial
      • US$ 4.708.451
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby SR
      • LC-Concept Digital Sound
    • Proporção
      • 1.85 : 1

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