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IMDbPro

Backbeat - Os 5 Rapazes de Liverpool

Título original: Backbeat
  • 1994
  • R
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,7/10
6,9 mil
SUA AVALIAÇÃO
Stephen Dorff, Ian Hart, Gary Bakewell, Sheryl Lee, Chris O'Neill, and Scot Williams in Backbeat - Os 5 Rapazes de Liverpool (1994)
Theatrical Trailer from Gramercy Pictures
Reproduzir trailer0:31
1 vídeo
23 fotos
BiographyDramaMusicRomance

Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.Uma dramatização da fase de Hamburgo, Alemanha, do início da história dos Beatles.

  • Direção
    • Iain Softley
  • Roteiristas
    • Iain Softley
    • Michael Thomas
    • Stephen Ward
  • Artistas
    • Stephen Dorff
    • Sheryl Lee
    • Ian Hart
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    6,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Iain Softley
    • Roteiristas
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Artistas
      • Stephen Dorff
      • Sheryl Lee
      • Ian Hart
    • 31Avaliações de usuários
    • 25Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 prêmio BAFTA
      • 5 vitórias e 4 indicações no total

    Vídeos1

    Backbeat
    Trailer 0:31
    Backbeat

    Fotos23

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    Elenco principal36

    Editar
    Stephen Dorff
    Stephen Dorff
    • Stuart Sutcliffe
    Sheryl Lee
    Sheryl Lee
    • Astrid Kirchherr
    Ian Hart
    Ian Hart
    • John Lennon
    Gary Bakewell
    Gary Bakewell
    • Paul McCartney
    Chris O'Neill
    • George Harrison
    Scot Williams
    Scot Williams
    • Pete Best
    Kai Wiesinger
    Kai Wiesinger
    • Klaus Voormann
    Jennifer Ehle
    Jennifer Ehle
    • Cynthia Powell
    Marcelle Duprey
    • Singer
    John White
    John White
    • Sailor 1
    Bernard Merrick
    • Sailor 2
    Nicolas Tennant
    • Sailor 3
    • (as Nicholas Tennant)
    Finola Geraghty
    • Model
    Rob Spendlove
    • Arthur Ballard
    Charlie Caine
    • Lord Woodbine
    Freda Kelly
    Freda Kelly
    • Mrs. Harrison
    Paul Humpoletz
    • Bruno Koschmider
    Christiana Uriarte
    • Groupie
    • Direção
      • Iain Softley
    • Roteiristas
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    6,76.8K
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    Avaliações em destaque

    8shinolah

    Pure garage raunch

    The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
    mnkim

    A Flavour of early 60's pop music in the raw

    I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.

    The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.

    Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.

    Enjoy all of the films.
    dbdumonteil

    Prehistory

    This is an excellent depiction of the Beatles ' Hamburg days .But the movie real heroes are actually Sutcliffe,Lennon and Astrid.The movie was made some years after Goldman's infamous book and there are hints at an homosexual relation between John and Stu ("you're jealous of me!"Astrid would have said to John!) but the director does not insist and he finally depicts a true friendship.He pits Stu's down-to-earth world against Astrid's chic elitist intellectual one : they go to the pictures to see Melville's "Les enfants terribles" (actually a Cocteau story),and she seems to be very fond of the French culture:Cocteau,Sartre ,Edith Piaf ,Rimbaud,;and she was ahead of her time since fifteen years later,rock singer Patti Smith had the same idols.The scenarists also sketch a parallel between the Klaus Voorman/Astrid relationship and "les enfants terribles" Ian Hart is an excellent John Lennon,in turn cynical,violent,delicate,nasty,hateful;Gary Bakewell resembles Paul,but he is not given a single moment to shine ;as for Georges ,he is completely insignificant.The music is very exciting .Even when Stu (Dorff) sings his ditty in a gleeful croak ,it's rock and roll ! At the end of the movie,the dialog begins to ring false.Everybody acts as if the Beatles were to become huge ;at the time ,who could have predicted such a career?It's a rebuilding of history a posteriori.And if the final lines about Astrid,Stu and Klaus are useful,those about the Beatles are overkill:everybody knows that they were the biggest group of all time.

    A must for Beatles' fans anyway.
    Quentin-12

    The Pre-Beatles Show

    Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.
    7SnoopyStyle

    good performances and compelling friendship

    It's 1960 Liverpool. Stuart Sutcliffe (Stephen Dorff) is a painter and John Lennon (Ian Hart) is his best friend. Stuart joins the early Beatles on the bass going to Hamburg, Germany on their first oversea trip along with Paul McCartney, George Harrison and Pete Best. German photographer Astrid Kirchherr (Sheryl Lee) introduces Sutcliffe to her avant-garde circle. Her influence and his poor playing cause friction within the band and his relationship with Lennon.

    This is a Beatles movie without the cooperation of some of main players. Lennon is the leader. McCartney is a bit of wet blanket which probably annoyed the real Paul. I love the performances of Dorff and Hart. Also I love the two men's deep friendship. This is a deep bromance movie.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      As seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
    • Erros de gravação
      The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
    • Citações

      John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.

    • Cenas durante ou pós-créditos
      At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
    • Conexões
      Featured in Backbeat Band: Money, Version 1 (1994)
    • Trilhas sonoras
      Good Golly Miss Molly
      Written & Composed by Robert 'Bumps' Blackwell & John Marascalco

      By kind permission of Prestige Music Ltd

    Principais escolhas

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    Perguntas frequentes

    • How long is Backbeat?
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    • What is Backbeat about?
    • Is the movie based on any source material?
    • Where does the title for the movie come from?

    Detalhes

    Editar
    • Data de lançamento
      • 26 de agosto de 1994 (Brasil)
    • Países de origem
      • Reino Unido
      • Alemanha
    • Idiomas
      • Inglês
      • Alemão
      • Francês
      • Russo
    • Também conhecido como
      • Backbeat: el inicio
    • Locações de filme
      • Cheney Road, Londres, Inglaterra, Reino Unido(German Gymnasium doubles as The Anchor pub)
    • Empresas de produção
      • Channel Four Films
      • Fortbeam
      • Polygram Filmed Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.392.589
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 126.740
      • 17 de abr. de 1994
    • Faturamento bruto mundial
      • US$ 4.708.451
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby SR
      • LC-Concept Digital Sound
    • Proporção
      • 1.85 : 1

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