AVALIAÇÃO DA IMDb
4,0/10
2,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.An old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.An old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.
- Direção
- Roteiristas
- Artistas
Julia Nickson
- Suki
- (as Julia Nickson-Soul)
Jack Orend
- Franklin Bronner
- (as Jack R. Orend)
Jon Paul Steuer
- Young Keyes
- (as Jon Steuer)
Robert Harvey
- Orderly
- (as Bob Harvey)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is an okay movie, but it doesn't generate much excitement or suspense because there's not much done with the mirror and the characters are not especially interesting. This picture is less about the mirror than it is about this kid's history concerning his deceased, murderous father. The only truly interesting characters are the detective, played by The Stepfather's Terry O'Quinn, and Llanie. And just like in the previous film, "It's About Time", there's no Amityville house either (except in flashbacks). If this really is a new generation, then I would have preferred the old one.
**1/2 out of ****
**1/2 out of ****
Amityville: A New Generation marks a different take on the Amityville saga- focusing on the personal history and demons of our main character, the likable floppy-haired Keyes Terry played by Ross Partridge, rather than focusing solely on things that go bump in the night. In this sense Amityville: A New Generation is a more thoughtful film that its predecessors, and a bit of a slow burner.
It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.
It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost)
Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.
It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.
It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost)
Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.
Ok, I admit, I have not seen the original yet; but in all this movie isn't all that bad. The idea of objects (like a clock in Amityville 6 (1992 it's about time) or a mirror in this tale (Amityville 7) carrying the original horrors are a bit hokey, but then again it makes sense. I liked this movie better than its time traveling predecessor and this one gives an interesting history if an Amityville family through the deranged father/psyco-killer handing the mirror and its inner demons to his son (who unknowingly accepts the gift and the re-opening of buried images/memories). Maybe it was because I was in New York and Amityville is in Long Island, but this film is at least average (hence a 5 or 6).
First a lamp, then a clock, now a mirror. The Amityville yard sale terror lives on as this time an artist is gifted a possessed mirror from the haunted house by a homeless man (who may or may not be the surviving kid from part 2). As usual weird possession things happen, and people die. There's some good stuff here like a scene where a family gets wrecked by a shotgun, and the supporting cast is pretty impressive including the addition of Terry O'Quinn. Not quite as good or as crazy as It's About Time, but not bad either.
Here we go again, another mediocre entry to the Amityville franchise that seems to get less interesting the further along it goes. I don't know, but I do miss the ominous house itself which featured prominently in the first three films. Sure it has connections and even the image of it appears in the haunted antique mirror which came from infamous Long Island house, but it's just not the same. The straight-to-video fare "A New Generation" is the seventh film, where the terror scraps suburbia for an urban apartment building filled with budding artists who one-by- one fall to the evil entity.
An antique mirror is given to a photographer by a homeless man. Soon after accepting the gift, the man starts having haunting visions of a killing spree which might just have some relevance to him. But he's not the only one who's been affected by the demonic force within the mirror, but those living in his studio building begin to find themselves possessed/or infatuated by these dark forces.
The plot tries to tie in a little more to the history of the Long House island, especially with the main character's (an affable Ross Partridge) connection to what's actually happening. So most of the time is spent with Partridge's character trying to uncover the truth and dealing with flashbacks. Didn't make it any more interesting though. Predictable and interchangeable. The imitating special effects do have its moments, but there's a real lack of atmosphere and thrills. Sure it's slickly directed, but feels vapid and flat. There's a good supporting cast featuring Terry O'Quinn, Richard Roundtree. Julia Nickson-Soul and a very twitchy David Naughton that do enliven things.
Hardly terrible, but rather uninspired.
An antique mirror is given to a photographer by a homeless man. Soon after accepting the gift, the man starts having haunting visions of a killing spree which might just have some relevance to him. But he's not the only one who's been affected by the demonic force within the mirror, but those living in his studio building begin to find themselves possessed/or infatuated by these dark forces.
The plot tries to tie in a little more to the history of the Long House island, especially with the main character's (an affable Ross Partridge) connection to what's actually happening. So most of the time is spent with Partridge's character trying to uncover the truth and dealing with flashbacks. Didn't make it any more interesting though. Predictable and interchangeable. The imitating special effects do have its moments, but there's a real lack of atmosphere and thrills. Sure it's slickly directed, but feels vapid and flat. There's a good supporting cast featuring Terry O'Quinn, Richard Roundtree. Julia Nickson-Soul and a very twitchy David Naughton that do enliven things.
Hardly terrible, but rather uninspired.
Você sabia?
- CuriosidadesThe same exterior building as Paddy's Pub from Its Always Sunny In Philadelphia.
- Erros de gravação(at around 1h 25 mins) Boom mic is reflected in a mirror while Keyes is approaching the dinner table with the shotgun.
- ConexõesFollowed by Amityville 8: A Casa Maldita (1996)
- Trilhas sonorasFurnace Rekindled
Written by Rhys Fulber, John McRae, Chris Peterson
Performed by Will
Roadcrew Music, Inc. (BMI)
©1992 Third Mind Records/The All Blacks B.V.
Used by permission of Third Mind Records/Roadrunner Records
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Amityville: A Nova Geração
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
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