American Samurai

Sometimes, not often, you come across a movie where you see the good parts and you can clearly see how close they where to making a good movie and wonder why they failed. In my book, this movie is one that could so easy be a 6 or 7, or even a 8 total rating here on imdb. It would still not be a oscar movie, but i truly think that it had a ponetial at one time in production to become a unforgetable classic.

All that needed to have happend was that the story guy got some feedback and adjustments where made to the story a bit. This is a hindsight and mini reimagine view of the movie, read it after you watched the movie to put my thoughts on top of it. Maybe you agree, maybe you disagree?

So the issue i have with this movie is that the hard parts is already there. A story good enough in theory, most actors decent enough, with good enough fighting skills thrown in. And lets not forget the focus on the tradotions of a nice sword!

What they do with what they got, is in part thrown away without any cause, and shown down cheap alleys because of ... lazyness?

Now you might say that is the issue right there in the pudding, that it is in parts mostly, just good enough. But i would argue your wrong in that thinking.

All these sections are just ingredients that could have been a great cake with just a tiny little bit more writing/changes in the story arc and more focus on the characters and swords ... and the removal of one person that contributes absolutly nothing to the story but stealing time. The person not even being a particular bad actor here, is just not fitting in to the story at all exept for... mild spoiler.... being a woman wich in it self ages the movie conciderably these days.

If you just watched this movie. Think of my pictures i'm about to make up here on the spot with the production value, as a re-imagine or a view of what could have been. Do you agree or disagree.

They completly removed the female char and let that time be spent seeing the bonding and development AND separation of the two brothers with a loving father trying his best trying to teach them the values of life, tradition, honour and one of the brothers still failing beacause of .. say failiure to accept his limitations and gets blinded by obession (feel free to apply any reason, i just made one up on the spot). I belivie the focus on the brothers, meaning of the sword and bonding to be more important for the movie as a whole. Make the growing up for the brothers a story set in gorgeos scenery with nature to give it and warmth and pacing.

Also with my imaginary setup above, think of changing the dialoge between the brothers throghout the movie where the american brother keeps asking his japanese brother more through the movie of reunion, to honor there father and to be family. Let the sword be the competing reason to honor.

I belive by taking out everyday reality, to make more fiction masculinity-stero-typical and dull female chars, it lost on being humaine wich it would with its funding AND cast potentially could have pull off with spades and made a great movie.

I would like to say that if not clear, i think this movie was so close to being great, and thank you for reading.

I first saw this movie when I was in 8th grade. A friend invited me and a couple of friends to his house after school to see American Samurai on video. The movie lacked of some elements like acting, and editing but we all agree on one thing, the movie had impressive sword fighting scenes. The movie was release by the time the fighting Games where at there higher point. It follows a sequence of low budget films related to competition fighting in the eighties and early nineties like; Bloodsport, Kickboxing, Shootfighter, and American Ninja. The story begins when an American couple and there son are traveling on a privet plane, that crashes nearby an isolated part of Japan. An old Japanese swords man finds the boy that is the only survivor and takes him as his own, and trains him in the Samurai ways. A few years later his other son Kenjiro (played by Mark Dacascos) joins the Yakuza mafia and is disowned by his father. Kenjiro steals the family Katana so he can use it in gladiatorial fights that take place in a Turkish arena. Andrew Collins (played by David Bradley) is set to find the sword of his adopted father. On his way he meets with Janet (played by Valarie Trapp) and falls in love with her. Janet is kidnapped by Kenjiro and forces Andrew to fight in the arena. Soon Andrew is faced against fearless fighters from around the world, and that the fights are to the death. The only way to survive is by using his Samurai techniques. Mark Dacascos performance as the villain is great, and the fighting scenes are phenomenal. The concept of armed combat is what really made this film unique at the time. So if you want to see a classic martial arts movie, this you will definitely enjoy.

Simultaneously the best and worst film of all time. More cheesy, cliche-ridden martial-arts mayhem and a very gory film indeed. If you enjoy this kind of film, however, you'll love it for what it is - mindless entertainment, worthy to be ranked with the Van Damme films of the eighties. It also marks the debut of new "Crow" Mark Dacascos. Superb fun - but not to be taken too seriously...

Having all but exhausted the exploitation of ninjas, what was Cannon to do? Right - exploit samurais instead! As well as recycle elements from their past hit BLOODSPORT, including a big burly guy with a beard as one of the contestants! It's clear the movie was cut for an "R" rating, given how some wounds and killings are not shown as clearly as you would think, but the editing also shows signs of production problems. One lengthy scene seems to have been cut in half, with the subsequent half played much later in the movie. There is also awkward narration and a very long sex scene where you never see the faces of the lovers, furthering the suspicion of frantic efforts to patch together the movie. The production values are pretty good, and Firstenberg does deliver the goods with the fight sequences, which are expertly choreographed. He doesn't do well with the actors however, having Dacascos overact at times and Bradley giving yet another uncharismatic performance.

This is an excellent movie in my opinion. Good plot, amazing fighting scenes, and great effects. David Bradley does a great job, and so does Mark Dacascos. However, if you really want to enjoy this movie, don't get the US VHS version, because it is heavily cut. The UK VHS, although it is PAL, has only 1 second missing, and it's a part where a man pulls out a knife in a disco. The reason they cut this out is to prevent kids from imitating this (yeah I know it sounds funny). However, EVERYTHING else has been left intact. Since it is PAL, you would have to convert it to NTSC, but it is much much better than watching the heavily edited US tape.

The French DVD titled "American Samourai" is completely uncut, and also has the one second missing from the UK tape. The bad thing is that this french DVD does not have English sound, only french.

Anyway, this movie is an excellent martial arts movie!