Adicionar um enredo no seu idiomaA man likes a woman at work. He sees her get murdered. He gets drunk and zapped at 12:01AM. Next morning she's back and everything is exactly like the day before. The time loops gives him ch... Ler tudoA man likes a woman at work. He sees her get murdered. He gets drunk and zapped at 12:01AM. Next morning she's back and everything is exactly like the day before. The time loops gives him chances to save her.A man likes a woman at work. He sees her get murdered. He gets drunk and zapped at 12:01AM. Next morning she's back and everything is exactly like the day before. The time loops gives him chances to save her.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
- Kyle
- (as Joey Andrews)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
See the original story in the book "Before...12:01...and After" by Richard Allen Lupoff (Author), George Barr (Illustrator) ISBN-13: 978-1878252234
You know the story before it starts. Time loop stories have been presented long before this and many after. However, if you missed this one you have missed a rather good presentation with a time loop story that doesn't try to be too cutesy or too heavy.
Slob and sluff off Barry Thomas (Jonathan Silverman), finds himself the victim of time loop technology that is gone awry. At first, he finds this quite annoying. Soon he realizes he has a second chance to save the life of the one that he loves from afar, Lisa Fredericks (Helen Slater.)
The film is noticeably short; so, will he find time to grow a social consciousness get close to the girl find and fix the problem and so forth? Or is he destined to repeat his slovenly ways over the same day forever and ever and ever?
The movie moves quickly through the days and provides all sorts of interesting little moments as Barry Thomas tries to stop the bounce while saving his girl.
A beautiful story acted out by excellent acting and directing. I strongly urge you to find it in a video store or tape it off late night TV if you have the chance. Once you have seen it you wont forget it.
Despite all these negatives there is something appealing about the film. Maybe it's just the interesting premise that once it hooks you in, has you to stay just so you can see if the hero is going to make everything right. For that, it gets five points but only a point for the rest. Still, if you see it on TV, check it out.
With a well-constructed plot & engaging characters, you can ignore the obvious writing & cinematography constraints of working on a TV budget. Watch for the pearls: Jeremy Piven & Marin Landau will sneak through with their organic performances if you're not paying attention. But everyone from the office dominatrix to the wiry assassin are well-developed; I even felt like "Mom" was part of the cast! So what IS the story about? A hard-working downtrodden everyday guy with a little tardiness problem. On the day that he FINALLY works up enough nerve to talk to the office cutie that he's had a crush on for longer than his mother can stand, she gets killed. And he has to watch it happen. ...again. And if he doesn't figure out what to say & do, he'll have to keep watching it. But the key is to figure out who ELSE is watching her, and why his interest in her has caused our hero to wake up Tuesday after Tuesday after Tuesday...
12:01 is definitely worth watching again, and again, and again, and...
"12:01" is an unknown little gem for many viewers and unforgettable for those who has seen it. Released in the same year of the blockbuster "Groundhog Day", the cute "12:01" is more engaging with nice characters and situations. Unfortunatelly this B-movie was only released on VHS in Brazil. My vote is seven.
Title (Brazil): "12:01 - Meia-Noite e Um" ("12:01 - One Minute Past Midnight")
Note: On 08 Feb 2018, I saw this film again on DVD.
Você sabia?
- CuriosidadesWhen Barry checks the department directory to find Lisa's office number, three of the first four names listed are members of the film's Art Department crew: lead person Gene Bishop, on-set dresser David S. Bridson, and assistant property master Ashley Davies.
- Erros de gravaçãoAbout 27 minutes into the movie, we see a shot of a newspaper article bearing the headline "TIME BOUNCE THEORY POSSIBLE THREAT", sub-headed "Scientists Predict Experiment Could Cause Time to Repeat". The shot is clear enough that we can clearly read the main article text, which has nothing whatsoever to do with the headers or with anything happening in the movie. The article text simply consists of the following bit of text repeated over and over again: "For a new practice complete a documentary on Los Angeles dance pioneer Lester Horton, one of his former company members is searching for archival footage as well as presenting a dance performance as a fund-raising benefit. As the new times"
- Citações
[Lisa and Barry are just meeting, and he is badly fumbling the conversation]
Lisa Fredericks: [amused] Where are you usually locked up?
Barry Thomas: Oh, I'm just an experiment gone horribly awry in the Personnel Department.
Lisa Fredericks: I see. I'm Lisa Fredericks.
Barry Thomas: I'm Barry Thomas.
Lisa Fredericks: [not sure how to take him] What is it that you do?
Barry Thomas: Oh, nothing. I just sort of boost morale in between threats of being fired.
Lisa Fredericks: Ah. Well, you seem to have a mind. That doesn't usually fit in this system. Nice to meet you.
[She turns away dismissively]
- ConexõesFeatured in Phelous & the Movies: 12:01: The Original Groundhog's Day (2022)
- Trilhas sonorasBaby, Don't Leave
Performed by William Peterkin
Written by Barbara L. Jordan, William Peterkin
Used by permission of Heavy Hitters & Wild About Music
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- 12:01
- Locações de filme
- Los Angeles, Califórnia, EUA(exterior scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro