Chuck Norris: O Homem da Lei

Yes, the acting is horrendously bad. Yes, the dialog is unbelievably cheesy and stale. Yes, the plots are unoriginal and don't make sense. But damn it, when was the last time that we were able to just turn on the television, sit back and enjoy the action without having to deal with some over-the-top action/drama that goes way too fast and shoves some moral lesson on life in our faces? That's what makes Walker Texas Ranger so enjoyable -- it really recreates the feel of those classic Westerns that used to be on all the time back in the '50s. So horrendously bad that it's great to watch when you just need some time to unwind and forget about everything else. And you've gotta admit, it paved way for a great comedy segment on Late Night with Conan O'Brien. I know I'll still be watching this for years to come.

Truly, Chuck Norris has found his stride as the smooth-talking, high-kicking, quick-draw Texas Ranger Cordell Walker. Norris seems born to play this type of tough guy, and he proves his mirth as he enforces the law, in the fashion of a true cowboy.



Norris not only gets to show his great martial arts skills, but he finally proves to be a swell actor as well, because he has numerous talking parts to equal the fight scenes. Along for the ride is D.A. Alex Cahill (Sheree Wilson, "Hellbound"), whose also Walker's love interest, and Walker's partner Trivette, (played by Clarence Gilyard, the nerdy computer freak from "Die Hard!"), who is equally adapt to his fists as well as our hero. Lastly is old C.D. Parker (Noble Willingham, "The Last Boy Scout"), Walker's mentor and former Texas Ranger. All the characters play with cool potential; they make acting look easy!

I will be completely honest, I am a Walker supporter. Should this taint my comment? I don't think so. Say what you will, about myself, or the show, Walker Texas Ranger is one of the greatest shows ever shown on television. I find myself blessed to this very day to have the right, no, the privilege, to watch Carlos Ray Norris Jr. portray possibly one of the most timeless and refreshing characters of our time.

I remember the first time my eyes spotted Walker on the television. The episode had to deal with an evil committee that was supposedly ran by a robot. It turned out that the robot was being controlled by someone else in the room, and Walker eventually delivers multiple roundhouses to that mans face. When I witnessed such TV poetry, I was hooked for good.

Don't watch Walker Texas Ranger if you are at all serious. I would suggest watching with a certain humor in mind. A humor that can see past all of the poorly done plots and acting. Just keep in mind that these people think they have a chance in Hollywood. Which is obviously a pipe dream.

I would just like to say that the whole cast, as a team, paints a mural of what it is like to live in Texas.

who could possibly pass up the opportunity to hear chuck norris perform the shows theme five minutes into every episode. these are the songs lyrics. feel free to live by them every day of your life.

"in the eyes of the ranger, the unsuspecting stranger, who better know the truth from wrong or right. when the eyes of the ranger are upon you, everything you do he's going to see. when you're in Texas look behind you, cause thats where the rangers gonna be" Bless the Hallmark channel and all its glory for keeping such an old horse alive.

Walker, Texas Ranger is not only a bad show, but its silly and often enough downright stupid.

We all know the plot - Good Guy (?) Ranger Walker gets involved with a crime - usually involving Bad Guys so horrendously evil that we're supposed to automatically like what Walker does. And, of course, in the last few minutes Walker saves everything with a few karate chops and kicks. (Often ignoring guns near at hand.)

Why is this so much worse than other shows that follow about the same general form?

To begin with, Chuck Norris is a terrible actor - one or two facial expressions, about as much intonation in his voice as Jack Webb at his most absurd.

Then, he surrounds himself with wooden actors, that by their very poverty of talent make him actually almost look good.

And it looks more like the kind of police brutality that made Amadou Diallow famous - so thats a bit of an exaggeration. But its easy to see how Norris's fondness for beating people up is probably the same kind of thing that leads to police brutality cases in real life. Worse yet, Norris is clearly a bit of an exhibitionist this way - he loves to be SEEN beating people up and defining himself as the ultimate arbiter of the law and as an equally ultimate judge of morality.

And... Clarence Gilyard as Ranger Trivette gets to play Norris' sidekick, and is treated as the very worse kind of sidekick - there as a foil to Norris, and as a source of what I think the writers will see as humourous lines. But unlike (say) Cheech Marin in "Nash Bridges" Trivette is not allowd to much more than be such a foil - and very often he is treated as just another person to show on screen.

Finally, the law and even just reasonable behavior are completely ignored. Walker is apparently sufficiently above legal restraints that he does essentially what he wants - even if it is something that would incur his righteous wrath when someone else did it. (Even the theme song echoes this sentiment.)

The show has one redeeming feature - if you want to know how not to act, if you want to know how not to write for the screen, if you want to know how to break laws and still feel like you're always right, this is the show for you - otherwise it would make a good foundation for a drinking game - or MST2K type audience commentary.

I never saw WALKER, TEXAS RANGER when it first started. In fact, I don't think I started watching regularly until around the third season or so. But thanks to reruns, I've been able to catch up on the ones I missed while viewing the new ones as they were made. I can recall many Saturdays where we probably annoyed the neighbors as my family and I sang along with the theme song. One of the reasons I enjoyed the show was because it always reminded me of a western. When Walker drives up in his Dodge Ram, I can imagine him riding up on a horse. The gunfights are like an Old West shootouts, and the bar fights would be at home in any saloon in any old western town. Though I didn't particularly like how the character was toned down over the seasons (in the early years, he'd just cut loose on the bad guys, while in the later years he sometimes tried to avoid a conflict, and fight as a last resort), I never lost interest. WALKER is also one of the few shows were I loved all the characters. The comic interplay between C.D. and Trivette was always good, as well the chemistry between Chuck Norris and Clarence Gilyard. When Norris announced his plans to end the show, I was naturally saddened. With THE PRETENDER gone as well, my Saturday nights will be completely empty without any entertainment on television. Fortunately, WALKER lives on in reruns on USA, so I still have the chance to see one of my all-time favorite shows five nights a week. Thanks for nine seasons of pure entertainment, Chuck.