No início do século XXI, a humanidade colonizou os oceanos. A Organização dos Oceanos Unidos da Terra recruta o Capitão Nathan Bridger e o submarino SeaQuest DSV para manter a paz e explorar... Ler tudoNo início do século XXI, a humanidade colonizou os oceanos. A Organização dos Oceanos Unidos da Terra recruta o Capitão Nathan Bridger e o submarino SeaQuest DSV para manter a paz e explorar a última fronteira da Terra.No início do século XXI, a humanidade colonizou os oceanos. A Organização dos Oceanos Unidos da Terra recruta o Capitão Nathan Bridger e o submarino SeaQuest DSV para manter a paz e explorar a última fronteira da Terra.
- Ganhou 2 Primetime Emmys
- 3 vitórias e 5 indicações no total
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Should be a phrase ingrained in the minds of every would-be hollywood director/producer, especially after what Harrisburg and Co. did to SeaQuest DSV; which was (in my opinion) one of the best tv shows ever due to its original concept of exploring the oceans, rescue missions, and minor international conflict displayed in the first season.
But why oh why did the producers feel the need to change the set up from science fact to silly science fiction upon season two? Did it have something to do with the end of Star Trek: TNG and the producers wanting to fill its shoes? Perhaps... but I'm sorry, the sci-fi concept did not work for Seaquest and the ratings (or lack there of) proved that!
I did have to commend the producers for trying to make a come back in the third season with science "fact" and continuity, but the stories weren't all that good and the casting of Cap. Hudson was one of the series ultimate down-falls. On the other hand, had Bridger remained at the helm the series would've at least survived the whole third season (my speculation). Thankfully SeaQuest has home on the Sci-Fi channel.. as long as they stop rescheduling it back an hour!
But why oh why did the producers feel the need to change the set up from science fact to silly science fiction upon season two? Did it have something to do with the end of Star Trek: TNG and the producers wanting to fill its shoes? Perhaps... but I'm sorry, the sci-fi concept did not work for Seaquest and the ratings (or lack there of) proved that!
I did have to commend the producers for trying to make a come back in the third season with science "fact" and continuity, but the stories weren't all that good and the casting of Cap. Hudson was one of the series ultimate down-falls. On the other hand, had Bridger remained at the helm the series would've at least survived the whole third season (my speculation). Thankfully SeaQuest has home on the Sci-Fi channel.. as long as they stop rescheduling it back an hour!
I had to chime in here. I had the greatest expectation for this show when it came out. While the first season needed a bit of help in the writing department... most do. But, while the principal reviewer credited the show with improved writing over the prevailing seasons... I most certainly do not. They forced too much change each season and the writing just continually got worse. I would love to go back to the end of the first season and redirect it on the same path it was on. I would push for better writing, but keep it on the same path. This series could have been a new "Star Trek," but instead it became a joke.
It's always the same thing. No matter how good or bad a show is, the ratings alone decide it's faith. With good ratings a show is renewed every season and nobody will make changes to it's format. With bad ratings a show is canceled after (or during) it's first season.
But what if the ratings are not good enough to have the show renewed for another season, but not bad enough to have the show canceled either. Then they always make a second season that is so different from the first one that the few fans it had will stop watching and no new viewers will tune in. Will they ever learn it's better to cancel a show than to dramatically change it? Changing it will only make you lose the audience it has. It will not bring in new viewers! And that is what happened to SeaQuest DSV. It was a great show in the beginning. But the changes they made to the format didn't just scare the few fans it had away, it even scared it's lead (Roy Scheider) away!
But what if the ratings are not good enough to have the show renewed for another season, but not bad enough to have the show canceled either. Then they always make a second season that is so different from the first one that the few fans it had will stop watching and no new viewers will tune in. Will they ever learn it's better to cancel a show than to dramatically change it? Changing it will only make you lose the audience it has. It will not bring in new viewers! And that is what happened to SeaQuest DSV. It was a great show in the beginning. But the changes they made to the format didn't just scare the few fans it had away, it even scared it's lead (Roy Scheider) away!
Sci-fi shows are often unappreciated in their time because the subject matter is too foreign for the general public to accept. Only years later do we realize that an innovative show has gone before its time. With the recent re-runs of DSV on sci-fi I realized how much potential the show had. Exploring the oceans is as exciting as exploring space. I especially enjoyed the episode where they uncovered an air pocket which preserved much of our ancient history only to have nations fight over who owned the artifacts. I've read opinions of people who thought the acting was sub-par and the plots stupid. Let me counter by stating that even the most successful sitcom is absurd in its premise and if the laugh tracks were not in place I doubt many people would even realize something funny was going on. Sci-fi makes you think. It tries to broaden your horizons. I realize that the masses prefer being spoon fed entertainment that they can watch while chasing the kids or cleaning the house but if you take a few minutes to watch these episodes perhaps you will see the value of such entertainment. As for me, I enjoy science fiction and this show was definitely worth my time.
I was 12 when SeaQuest premiered on a Sunday night in 1993. I was so excited because Steven Spielberg was one of the producers, Roy Scheider (Jaws!!) was the captain and Jonathan Brandis was so cool thanks to Ladybugs and the Neverending Story 2.
I absolutely loved the first season. Recently rewatching it has filled me with warm feelings of nostalgia. It was such a great show.
Like so many others have said, everything went downhill with season 2. I completely understand why Scheider left. The stories were horrendous and the writing laughable and cringe-inducing. The worst part is that I had invested a year with the first crew and was very fond of them. For a 12 year old with not a lot of friends, I enjoyed seeing and depending on these characters to be there every Sunday night.
I absolutely loved the first season. Recently rewatching it has filled me with warm feelings of nostalgia. It was such a great show.
Like so many others have said, everything went downhill with season 2. I completely understand why Scheider left. The stories were horrendous and the writing laughable and cringe-inducing. The worst part is that I had invested a year with the first crew and was very fond of them. For a 12 year old with not a lot of friends, I enjoyed seeing and depending on these characters to be there every Sunday night.
Você sabia?
- CuriosidadesDuring the original broadcast of the first season, during the end credits, Robert Ballard of the Woods Hole Institute would appear and speak about an aspect of current undersea research, usually related to the content of that episode. Ballard was also the technical advisor for the show and the discoverer of the wrecks of Titanic, Bismarck and Yorktown and someone who really has been in the ocean's depths.
- Cenas durante ou pós-créditosBrief profiles of sea-life conservation programs and efforts were shown during the closing credits of the first two seasons. 'Bob Ballard (I)' , the show's scientific advisor, narrated the first season segments; during the second year, cast members did the narration.
- Versões alternativasThe episode "Abalon" originally aired with Jimmy Buffett's "A Pirate Looks at Forty" playing in the background in a bar scene. In the R1 DVD release this song has been replaced by generic rock music.
- ConexõesEdited into South Park: Go God Go XII (2006)
- Trilhas sonorasTo Be Or Not To Be
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