Queen

Wow! Wait...Wait.WOW!

It is very interesting that a lot of the actors that played memorable characters in the film have pretty good careers today. I was looking at the list and I was like, "He was not in that film!" "WHAT".

Again, if you look at my other comments, you will know that I love epic films and this was another one my parents just bothered to record when it played on TV years ago. (I really need to thank my parents for taking the time one of these days.) Again, this is a film I last saw in 1998. I made sure I watched it when I left it, stupidly enough, so that I could remember the entire thing as long as possible. Halle was awesome, her attitude, body language, speech, she was made for this role, and I could say vice versa. This is the one movie that made me acknowledge the fact (when she was still Oscarless) that she indeed deserved, and would soon be getting an Oscar. She conveyed the passion and pain of her character's journey. Indeed, I cannot distinguish Halle from Queen in my mind, they are synonymous. It was well written, well casted, and well received by me. If you doubt me, take a look at the full casting list and you might be surprised. If you can, watch it!

I must add that the only reason why I left these two films behind is because I was so sure they were big here and would be easy to find/buy. I am so sorry I was wrong. It's just another reflection on America's media content choices. Films with history, meat, and bone often get neglected and relegated to the bottom feeders. I guess because they are educational to some degree...hey, don't hate, be honest, I think it's true.

In the book, Annie's father was a white man; therefore Annie was a mulatto. Her daughter Easter was fathered by a white man, which made her a quarter white. Easter's daughter, Queen, was fathered by Jas. the young "massa". therefore Queen was only one eighth black. Halle Berry is half white which made her far too dark complexioned for the part and as a result, unconvincing, no matter how hard she tried. The whole theme of the book was that Queen looked white and was not accepted by the black people because of it. She was able to pass for white as long as she did not admit that she had been born a slave.

Another miscast role was Martin Sheen butchering the Irish accent. Were there no Irish actors available? I kept waiting for Mr. Sheen to deliver an Irish joke.

MOST annoying of all was the grammar - no plurals and missing verbs. "I black" "I with chile". Perhaps they spoke like this 150 years ago, but for modern audiences it would have been better to have modified the speech a little. As it was I found it irritating. I would recommend the book instead of the miniseries, which begins half way through the book.

Enjoyed the miniseries very much, especially the excellent cinematography, score, clothing design, landscape scenes, etc. The historical era is also excellent to explore. The drama does not try to gain converts, but is even-handed given the sensitive topics. I lowered my score because, even though it is a drama that is trying to appeal to a broad television audience, the actors were always far too well-dressed for 1850s. They were always mostly clean-shaven, with the women having clean, beautiful hair. Slaves wore dirty, tattered and wrinkled clothes but you never saw any dirty, worn-out clothes in this film. Lastly, the plot for the first half of the film before the outbreak of war is far too synonymous with the plot in the movie Mandingo (1975); practically an exact copy. I was shocked. Overall, Queen is very good.

Alex Haley's grandmother Queen's life portrayed in a grand production. Halle Berry brings to life all of the pains and sorrows of a life of grand adventure and deep dispair.

No expense or detail is spared in this spellbinding tale of life as it used to be in the deep south.

There are two sides to every story, the saying goes. For Alex Haley, one side was ROOTS, the towering chronicle tracing seven generations of his mother's family. The other side comes to the screen in QUEEN, the remarkable history of the paternal side of the author's family. David L. Wolper is executive producer of this acclaimed adaptation of the story Haley was working on when he died. Halle Berry plays Queen, daughter of a slave and a plantation owner. During the turbulent decades of the antebellum South, the Civil war, Reconstruction and beyond, she searches for a home in the two cultures of her heritage-and at times is shunned by both. Rejection and hate are no match for her unconquerable will, however.