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6,3/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA white, hip-hop loving teen falls in love with a black girl.A white, hip-hop loving teen falls in love with a black girl.A white, hip-hop loving teen falls in love with a black girl.
- Prêmios
- 2 vitórias e 5 indicações no total
Lianna Pai
- Connie
- (as Liana Pai)
Avaliações em destaque
Take Save The Last Dance minus the dance and do a role reversal and you get ZebraHead. This movie which touches on interracial dating was one of the best little seen films of 1992. Micheal Rappot as Zack proved his leading man stauts at early age in this powerful film. I think if the film were released today it'd be just as powerful. If you haven't seen it you should.
'Zebrahead' is an excellent, little known movie that manages to realistically portray racial issues in a contemporary teen movie without being saccharine or too preachy. Michael Rapaport, best known for playing supporting roles of losers in movies like 'True Romance', 'Cop Land' and 'Kiss Of Death', is given a strong leading role here and does very well with it. Surprisingly it was his movie debut and he rarely been given a part as good as this since. N'Bushe Wright, best known for 'Blade', is also excellent as his love interest Nikki, and the late Ray Sharkey ('Who'll Stop The Rain?') is first rate as his womanizing father. The rest of the supporting cast, mostly all young and unknown, are all very good, and the strange cameo by Kevin Corrigan ('Bandwagon', 'Buffalo '66') is unexplained but fascinating. Writer/director Anthony Drazan went on to make the equally overlooked 'Imaginary Crimes' and 'Hurlyburly'. All three movies deserve a lot more attention.
I love this movie. Really, really love it. I went to a school like this with kids like these. I went home to a house like that. I was in the cafeteria the day a racially-charged situation almost went to critical mass, and I was part of a group discussion the following week, in which nothing was resolved.
Which is what I like most about this movie. It doesn't end with everyone singing. Or dancing, or marching towards the camera, or anything like that. The goomba and the Spike Lee guy duke it out while the Asian girl despairs (as I did), and the white guy and black girl embrace each other hopelessly. That is life. Some differences will never be resolved, and the best you can hope for is that *some* people will reach each other. I was praying all along that this would not have some pat ending that could never have happened at my school, and I was rewarded. There are no resolutions, just moments.
Which is what I like most about this movie. It doesn't end with everyone singing. Or dancing, or marching towards the camera, or anything like that. The goomba and the Spike Lee guy duke it out while the Asian girl despairs (as I did), and the white guy and black girl embrace each other hopelessly. That is life. Some differences will never be resolved, and the best you can hope for is that *some* people will reach each other. I was praying all along that this would not have some pat ending that could never have happened at my school, and I was rewarded. There are no resolutions, just moments.
The performances in the film are terrific. From Mike Rappaport to new-comer N'Bushe Wright, this little sleeper hit is sure to appeal to all genders, races, ages, etc. The message in the movie is the most important part of all. I wish I could see some more of Ray Sharkey's work, he is most impressive.
Initially I suspected that this might be another rather typical examination of racial strife in high school, almost of an ABC Afterschool special caliber. However, it was quite impressive in its portrayal not only of racial tensions but of the quality of friendship between two young men. Michael Rapaport typically flashes a somewhat limited range in his roles (he has most certainly been typecast by now) but his performance here has exceptional moments - particular in the last scene of the film where his emotion is tangible without being overdone.
Você sabia?
- Curiosidades'MC Serch' lobbied hard for the role of Zack before Michael Rapaport was cast. Serch settled for a job as the film's music supervisor.
- ConexõesReferenced in A Hora do Show (2000)
- Trilhas sonorasEconomic Prison
Music by Taj Mahal
Additional Production and Mixing by Gee Dajani and John Gamble for SD-50 Productions
Principais escolhas
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- How long is Zebrahead?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.557.771
- Fim de semana de estreia nos EUA e Canadá
- US$ 609.041
- 25 de out. de 1992
- Faturamento bruto mundial
- US$ 1.557.771
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