Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.
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- 6 indicações no total
Avaliações em destaque
Ron Shelton does it again. He does a great job of capturing the culture of basketball hustlers and how they go from court to court hustling games and making money. He gets everything right even down to the trash talk on the court. Woody Harrelson is perfect as the n'er do well Billy and Wesley Snipes is perfect as the fast talking Sidney. This also to me is the breakout performance of Rosie Perez. Perez is perfect as Billy's kookie girlfriend Gloria. This film is definitely a classic.
Wesley Snipes and Woody Harrelson team up on the playgrounds of L.A. to hustle all comers. The direction is sharp and the cinematography is surprisingly impressive as the mean streets of Los Angeles are caught with striking camera shots. The under-rated screenplay is intelligent, focused, and clever. All in all "White Men Can't Jump" is far from being a classic, but it is still a fine film that is better than many think. 4 stars out of 5.
Wesley Snipes and Woody Harrelson star in this film as a couple of con men scheming their ways on the basketball court by betting on their opposing allies. With an intriguing story line added with likable and rootable leads, also with clever sub plots, this film succeeds as an entertaining piece of sports film. Although this film does feel outdated watching in today's day and age, it holds up and is better than initially expected. Rosie Perez is another piece which stands out for the better. White Men Can't Jump got its attention due to its title but it's more than just a sports film, it's further about life and relationships. Underrated film if anything.
This movie is well-made: it tells a good story, and maintains high production values. The playing-off of different cultures does not really work, but then again that was not central to the story. The hustler being hustled theme could have done with some more Roald Dahl-like wit, but all in all this is an amusing comedy (it does not reach out enough to be considered a dramedy) and a worthy rental for those boring winter evenings.
Undeniably Hoosiers would get the win, if they ever polled film buffs and critics asking what the best movie is revolving around basketball. Hoosiers, the movie about a failing Indiana high school basketball team being led to success by their new coach played by Gene Hackman and the drunken assistant coach (Dennis Hooper) has enjoyed its fair share of the spotlight. Granted the field of movies about basketball isn't nearly as deep as say movies with plots concerning baseball or boxing, Hoosiers still generally beats out what little competition there is.
However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.
For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.
Grade: A-
However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.
For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.
Grade: A-
Você sabia?
- CuriosidadesWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- Erros de gravaçãoBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Citações
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Cenas durante ou pós-créditosIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Versões alternativasSome U.S. video versions are three minutes longer.
- ConexõesEdited into White Men Can't Jump: Deleted Scene (2000)
- Trilhas sonorasMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 76.253.806
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.711.124
- 29 de mar. de 1992
- Faturamento bruto mundial
- US$ 90.753.806
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Proporção
- 1.85 : 1
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