Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.Vigaristas do mundo do basquete unem forças para dobrar suas chances de ganhar dinheiro nas quadras de rua e em um torneio de basquete.
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Avaliações em destaque
Wesley and Woody are great together. Perez is a plus. You don't have to be a fan of the game to love this movie. It's fast paced, funny and if you are a fan of hoops then you are in Basketball movie heaven. Hustle out to the video store and rent yourself a copy. The film also has more Mama jokes than you can shake a stick at.
After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
Undeniably Hoosiers would get the win, if they ever polled film buffs and critics asking what the best movie is revolving around basketball. Hoosiers, the movie about a failing Indiana high school basketball team being led to success by their new coach played by Gene Hackman and the drunken assistant coach (Dennis Hooper) has enjoyed its fair share of the spotlight. Granted the field of movies about basketball isn't nearly as deep as say movies with plots concerning baseball or boxing, Hoosiers still generally beats out what little competition there is.
However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.
For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.
Grade: A-
However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.
For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.
Grade: A-
This is a truly excellent movie! Lots of people have bashed it as a "basketball" movie, but the truth is, it ain't about basketball at all. It could have been hockey, dart playing or curling, it wouldn't matter. It's about human weaknesses and making new friends. Rosie Perez gave probably her best performance ever, and the interplay between Harrelson and Snipes is great. Don't miss it.
Recently seeing a trailer for a remake of this iconic but somewhat forgotten 90's film made me realise the original was long overdue a rewatch.
It is more than just a sports film, it's a an evolution of the 'buddy' movies and 'odd couple' movies of 80's (think Lethal Weapon, Stir Crazy, Twins, Trading Places). So in effect it is about the relationship, and the chemistry between Snipes and Harrelson is excellent. You really feel for each character in their highs and especially lows throughout the movie, and wonder how they will scrape themselves out the next scam they create.
The games scenes are really well shot with slo-mo action of the actors doing some cool skills and plays on the court, making me wonder how long they trained at basketball to prepare for this film!? The comedy element does not get overlooked either and the banter between the two leads is especially fun and does not feel forced. Also worth a mention is the scene of the store hold up robbery which is a genuinely funny moment.
On the downside, It does feel a little dated now, from the court fashion to the scenes of the tough neighbourhoods and the assorted hustlers and gangs, you don't get the impression of any true danger to the interlopers. Also some of the stereotypes are quite cliched, but then the film is really based wholly on the one big stereotype of the title.
Overall a good movie that is original and has a more genuinely fun interplay of characters than you might expect. A fun and somewhat underrated movie.
7/10.
It is more than just a sports film, it's a an evolution of the 'buddy' movies and 'odd couple' movies of 80's (think Lethal Weapon, Stir Crazy, Twins, Trading Places). So in effect it is about the relationship, and the chemistry between Snipes and Harrelson is excellent. You really feel for each character in their highs and especially lows throughout the movie, and wonder how they will scrape themselves out the next scam they create.
The games scenes are really well shot with slo-mo action of the actors doing some cool skills and plays on the court, making me wonder how long they trained at basketball to prepare for this film!? The comedy element does not get overlooked either and the banter between the two leads is especially fun and does not feel forced. Also worth a mention is the scene of the store hold up robbery which is a genuinely funny moment.
On the downside, It does feel a little dated now, from the court fashion to the scenes of the tough neighbourhoods and the assorted hustlers and gangs, you don't get the impression of any true danger to the interlopers. Also some of the stereotypes are quite cliched, but then the film is really based wholly on the one big stereotype of the title.
Overall a good movie that is original and has a more genuinely fun interplay of characters than you might expect. A fun and somewhat underrated movie.
7/10.
Você sabia?
- CuriosidadesWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- Erros de gravaçãoBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Citações
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Cenas durante ou pós-créditosIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Versões alternativasSome U.S. video versions are three minutes longer.
- ConexõesEdited into White Men Can't Jump: Deleted Scene (2000)
- Trilhas sonorasMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 76.253.806
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.711.124
- 29 de mar. de 1992
- Faturamento bruto mundial
- US$ 90.753.806
- Tempo de duração1 hora 55 minutos
- Cor
- Proporção
- 1.85 : 1
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