Os Saqueadores

The main focus of this movie is the set-up of various action sequences, the debating over what to do in the characters' situations, and – what Walter Hill has always been especially good at – the overall machismo. Most of "Trespass" is a drawn-out standoff between the bad guys in a remote, long-abandoned warehouse and the grossly outnumbered good guys in a tightly-sealed room with the bad leader's brother as a hostage. David Fincher may have wanted to watch this movie and taken notes, since "Panic Room" has got absolutely nothing on this movie. The action begins very quickly and doesn't let up until the fiery, casualty-counting conclusion, making the film's 101min length seem like not even half that. "Trespass" is ripe with Hill's inimitable style and pace, combining with Ry Cooder's score and Lloyd Ahern's sepia-toned cinematography to create a sense of desolation and high tension for the setting.

Add to this an excellent cast of genre and character actors for a very captivating film. Bill Paxton and William Sadler ("Die Hard II") turn in intense performances as the lone protagonists, especially Sadler whose career unfortunately never reached the level it should have. Ice-T is in one of his more effective roles as King James, the gangsta leader. Ice Cube also stands out as the upstart, rebellious follower of James, Savon; his "king of the streets" speech is the monologue highlight of the movie. Art Evans (also from "Die Hard II") is perfect as the wise old angry homeless man, who reluctantly helps out Paxton and Sadler despite their initial treatment of him. And the criminal elements include noticeable performances from De'voreaux White as the unfortunate hostage 'Lucky'; Tiny 'Zeus' Lister Jr. as the musclebound henchman 'Cletus'; and the underused Stoney Jackson as the overly-suave crony 'Wickey'.

This was the last of a string of box office disappointments (including "Johnny Handsome" and "Another 48 Hrs.") that Hollywood allowed Walter Hill to make before relegating him to the role of mainstream hack. "Trespass" was released with little fanfare, having its release date postponed from summertime to after Christmas as a result of the 'crisis' that was the LA riots. Besides its original title of "Looters", "Trespass" also includes the recurring theme of seeing events via videocamera (which would have been a troubling reminder of the Rodney King and Reginald Denny beatings), not to mention a heavy, uncompromising racist slant not too common in modern-day action movies.

Though not Hill's best, it is far from his worst. A must-see for fans of stylized action. 8/10

I saw this film recently on cable and found myself more intrigued by it than I thought I would be. I hadn't heard anything about this movie so I really didn't know what to expect. It ended up being much better than I expected and, while not a great film, it is certainly one I wouldn't mind watching again. I recognized the elements of "Treasure of Sierra Madre" without having any information about the film. I've since learned that it was indeed echoing Huston's film.

I had no problem with the actors and actually found some of the conflicts on both sides interesting. Even some of the "bad guys" were struggling to deal with decisions they didn't necessarily agree with. I didn't really see the characters as all bad or all good. Each had their own demons that they brought with them and they were all susceptible to the lure of gold.

Trespass is an action movie. No doubt about it. But to judge it accordingly would be a mistake. Walter Hill, one of the best action directors ever, is at the helm of this movie, which automatically makes it worth a look.

The movie concerns a couple of hick fire fighters (Bill Paxton and Bill Sadler, in great roles): one a classic hick, the other a borderline psycho, chasing treasure in the ghetto. They eventually cross paths with some big-time G's (gangsters) led by Ice-T and Ice Cube.

The story still sounds familiar, and for Hill it is a return to certain familiar territory. Like many of his pictures the movie centers around machismo and male posturing, but not since Hill's 48HRS had he done a film that contained some subtle social commentary on race relations, and paranoid stereotyping. There are fierce gun battles as expected, and the story is never boring. "Die Hard in the Ghetto" , may have been an equally suitable title.

The movie is tense , funny and great, and sadly, was ignored at the box-office during its' Christmas 1992 release. Fortunately, it has been immortalized on home video and DVD.

Wow. It's been said that Walter Hill is a masterful action director and this does rank as one of his best films. Working from an air tight script by Robert Zemeckis and Bob Gale, he sure does make it all work.

Here we have the story of a couple of Arkansas firemen who stumble across a map to...you guessed it, buried treasure. They load up their Bronco and take a little road trip up to East St.Louis to grab the loot. In a rundown building, where the treasure is supposedly hidden, they find a little more than they bargained for and things pretty much go downhill from there. It's now a battle of wits and bullets. It rocks.

Bill Paxton, I think, is one of today's best actors and he does his thing well here as the naive Arkansas boy. William Sadler also does his thing as the likeable, hot-headed psychopath and Ice T pretty much plays Ice T. The action is fast and the absurdity of the whole thing will keep you glued to your sets.

It seems that it is impossible to have a movie that is completely action orientated, yet be highly intelligent.But Trespass has done this very well. It puts together a group of characters in a difficult situation with which you get to see them react to their circumstances in a fresh and realistic way.

I was very impressed with Ice-T who gave an extremely convincing performance as the leader of the criminals.

This film is excellent and I would definitely recommend this to anyone who would like to see an action movie done right!