Heroic Trio

This is the movie that actually opened my eyes to the Asian cinema. Of course I had watched other Asian movies, but never been super interested because of the language (of course, I was familiar with early Jackie Chan movies).

And at the same time, this is also the movie that opened up my eyes to the talent of Cheung Man Yuk (Maggie).

This movie is quite cool. It has lots of action and an alright story line, though a bit cheesy at times. But you live with it, because the movie is in fast pace from start till end.

The characters in the movie are well played, particularly the 3 heroines portrayed by Maggie Cheung, Anita Muy and Michelle Yeoh. The bad guys and supporting roles were nice as well.

"Heroic Trio" is a nice movie to come out of Asian film market. If you like Asian movies and action movies, then definitely pick up this one. You will not be disappointed.

For westerners this movie is quite strange. The mixture of fantasy, action and eastern setting creates a dream like scenery in which everything is possible. Take "Tiger and Dragon" and mix in more fantastic scenery and you have a rough idea of this movie. Great stuff that will bring you a totally new viewing experience.

This film is superhero comics fare, nothing more. In said genre, character depth and acting weighs lightly.(As long as the principals are beautiful) With that in mind I have to say that HEROIC TRIO ROCKS! The first thing that stands out in the movie is the overall look of it. The production value is excellent and the atmospheric cinematography is done as deftly as any Tony Scott film. The action choreography with heavy usage of Hong Kong style wire effects is the finest I've ever seen and the fights(especially the one in hell against a demon who kidnaps children and turns them into cannibals-remember it's a live action comic book!)are frenetic kung fu masterpieces. I realize that this type of film may not appeal to all(I enjoy subtlety as much as the next guy)but I would ask you to give this one a chance because it really is much more interesting than the average Hollywood action pic.

Maggie Cheung, Michelle Yeoh and Anita Mui, three of the loveliest leading ladies to grace Hong Kong cinema in the 90s, team up for this classic slice of comic-book style fantasy action that compensates for a confusing and cloyingly over-sentimental story by delivering impressive visuals and seriously insane action the likes of which could only come from the Far East.

Directed by Johnny To and featuring stunning choreography by Siu-Tung Ching, the film concentrates on delivering scene after crazy-ass scene of totally insane action, all set against impressive, billowing backdrops created through the use of strong coloured lighting, plenty of smoke, and a wind machine. Among the film's many over-the-top set-pieces: a locomotive crashing into a crowded station; Anita Mui leaping across telephone wires to catch a falling child; two of the movie's heroines spinning wildly through the air on a motorbike; Maggie Cheung blasting herself into battle astride a dynamite powered oil drum; and a Terminator-style finale that sees the bad-guy's charred skeletal remains seizing control of Maggie Cheung's body (and who can really blame him?).

On top of all this inspired lunacy, viewers are also treated to another unforgettable turn from Anthony Wong as crazy killer Kau (who is a dab-hand with the flying guillotine), some surprisingly nasty violence (including a baby dying after falling onto a nail, several decapitations, and flesh-eating children who wee themselves before being blown to smithereens by dynamite), and last, but by no means least, plenty of opportunities to ogle stars Cheung, Yeoh and Mui, who all look scrummy in their super-sexy outfits.

Is this really as bad as Teen Wolf or Highlander 3, as one reviewer here has suggested? No. In fact, if you're attuned to the kind of crazy stuff that was surgin forth from Hong Kong's movie factories in the early 90s, this will already be a key component of your cult viewing repertoire. The three leads are all stunning and elegant adn everything else is secondary. The plot is maudlin and at times really cloyingly sentimental, but this is just HK cinema for you, and it always displays extreme emotions in a deliberately heightened manner. Its ultimately a really enjoyable film, but you have to see it with some kind of cultural/historical context in mind to help you avoid those nagging Teen Wolf comparisons...