Tetsuo II: O Homem-Martelo

Whereas the first Tetsuo was a sweaty, psycho-sexual fever dream, Body Hammer feels like an attempt to make things more approachable. There's more of an over-arching plot, there's a (very) bare bones attempt at explaining why the things on the screen are happening, and the movie is in color with a much larger cast. Don't get me wrong, if the first movie didn't exist, this would still stand out as a bizarre a surreal film. There's some of the same impressive stop motion (though much less than the first film), a young child dies violently 20 minutes in, and the overall tone is a confusion of dark and distressing events. That being said, the first film revels in dragging the audience through a non-stop barrage of inscrutable set pieces on its spiral into fetishistic destruction. Body Hammer on the other hand, has some sequences that feel right out of a tokusatsu movie, with people in giant metal muffins and rubber suits shooting gun arms at each other. The first movie doesn't give you a chance to think about anything except for what's happening on the screen in the moment. Body Hammer has enough down time that the plot holes start to stack up. An entire group of characters just inexplicably disappear for the second third of the movie. In the end, is Body Hammer a remake? Is it a sequel? I think it's more of just another stab at a similar idea using some of the same cast. Worth a watch, but firmly in the shadow of its predecessor.

I just have finished watching the movie. It is visceral and crazy as I expected but is not like the first one. Tetsuo: The Iron Man was an experimental movie. This one is less experimental with a more traditional storytelling. It is visible the movement to give a clear plot, which seems not reasonable because this style of movie is just for cult followers, anime fans or people interested in Japanese underground cinema. The same ones who would watch it with or without a clear plot.

Summarizing: The first movie was shocking and disturbing. This one is just eccentric when compared with its predecessor. Not recommended for normal audiences, maybe for anime fans. Think this movie as an anime. It is easier to enjoy it.

The bad things here: repetitive music, shaky cam, most of the action takes place in scenes where the light is obscured a lot. There is only one sound for the protagonist.

The good stuff: manic overacting, great VFX, Shinya Tsukamoto as the main villain, insane sweaty buff monks. Lots of body horror albeit a bit light.

The original Tetsuo: the Iron Man was a pretty unforgettable film. Shot in intense black and white and very pure in its intentions, it was an avant-garde sci-fi horror movie. An immediate cult film. With the follow up, director Shin'ya Tsukamoto has made a film which is more a remake than a true sequel. In this one, he shoots in colour and tries to incorporate a story of sorts. Although, this is a relative statement, as this is still a very weird film and it hardly adheres to cinematic storytelling norms. In essence it is once again about a man turning into a cyborg.

Like the first it's visually very striking indeed. It seems to have influenced an awful lot of industrial bands from the 90's, seeing as many of their videos mimic the imagery found in this one. It's soundtrack I guess adds to this seeing as it is full on rock a lot of the time. As a piece of visual art Tetsuo II is a success. However, I do not think it reaches the same level as the original movie, which for my money was such an original piece of work it is hard to outdo. I think the introduction of more story here is also to the film's detriment. The story gets in the way, something you could never accuse the original film of. Still, this remains a pretty intense experience.

Tetsuo II: Body Hammer is Tsukamoto's Evil Dead II, a sequel that reworks the original with more technical polish on a larger budget. There's a big thematic shift from the erotic to the militaristic, with a greater focus on biogenetic weaponry, one that's far less frantic, instead focusing on developing its characters and providing them with a narrative to inhabit. The production values are much higher than that of its predecessor with Tsukamoto's head-spinning experimentation still on full display, the move away from monochrome allowing him to add strong colour filtration to a heady visual brew of crazy editing and bizarre cinematography. Shinya Tsukamoto is a man who knows what he's doing at this point. Ultimately while Tetsuo II: Body Hammer may lack the more disturbing elements of the original, the eccentricities are still here; filled with some excellent sequences and something to say about industrialisation while incorporating some top-notch effects work, leaving it as a very solid piece of filmmaking and a prime example of confrontational underground Japanese Cyperpunk cinema.