Natal Sangrento 5: O Horror na Loja de Brinquedos

Unrelated sequel about an evil toymaker (Mickey Rooney) and his son who create toys that kill parents during the Christmas season. Awful premise made worse by serious straight foward script and ham fisted performances. The director tries to inject some life into it, but fails. Rooney hits absolute rock bottom with this film. Rated R; Graphic Violence, Sexual Situations, and Profanity.

A evil toymaker and his son create Christmas presents that kill people. Bearing no connection to the first 4, except in title, and almost just as bad. The premise is laughable and Mickey Rooney has never hit so low. Might be of some interest to gore fans though. Sexually explicit for a horror film to. 3 out of 10. Lets prey there is no more entry's in this series.

This film begins with a young boy by the name of "Derek Quinn" (William Thorne) waking up to the sound of a doorbell and, upon going to check it out, finding a Christmas present with his name on it. Naturally, being somewhat excited about this, he immediately tries to open it up but is interrupted by his father who loudly admonishes him and tells him to go back to bed. Curious about what is inside, his father "Tom Quinn" (Van Quattro) then decides to open it up and finds a strange toy inside. Unfortunately, upon further investigation, the toy suddenly springs to life and kills him--while Derek looks on in complete shock from a distance. The scene then shifts to a couple of weeks later with Derek suffering from post-traumatic stress and unable to speak. Although the doctor tells his mother "Sarah Quinn" (Jane Higginson) that he will eventually recover, she still feels sorry for him and, to help cheer him up, takes him to a small toy shop not far from where they live. Not finding anything of interest, they eventually head back home. Not long afterward, the terror begins again. Now, rather than reveal any more, I will just say that this film started off well enough, but it went downhill at the end due to the overacting on the part of Brian Bremmer (as the teenage boy "Pino"). Be that as it may, while I don't consider this to be a good film by any means, it was still better than a couple of others in the series, and I have rated it accordingly.

The people behind these sequels certainly came up with some insane ideas once they moved away from the whole "killer Santa" routine. This last entry is co-written by director Martin Kitrosser and producer Brian Yuzna. If you recognize Kitrosser's name, that's because he'd co-written the third "Friday the 13th" movie several years previous, but has kept busy in the film business as a script supervisor, and is in fact Quentin Tarantino's script supervisor of choice. His movie is an amusing combination of the genuinely creepy and the genuinely kinky. Toys designed for a deadly purpose have been sent out for years, and killed the father of a traumatized and mute boy, Derek (William Thorne). His concerned mother Sarah (Jane Higginson) comes to suspect either drunken, seemingly kindly toy store proprietor Joe Petto (screen legend Mickey Rooney) or his weirdo son Pino (Brian Bremer, whom you may recognize from "Pumpkinhead", Yuzna's "Society", and / or "Spontaneous Combustion"). Meanwhile, a young man, Noah (Tracy Fraim) is awfully intent on making contact with Derek and Sarah, and what could be his reason? The best of these sequels since Part 2, in this reviewer's humble opinion, it benefits from being so utterly twisted. In fact, right towards the end it features what has to be one of the most disturbing attempted rape sequences committed to celluloid. The special effects are often of the cheesy and tacky variety, yet are reasonably entertaining for this reason. Kitrosser's focus on sex is pretty blatant: at one point he keeps cutting between two separate sex scenes. None too subtle references to a classic children's story are indicative of his whole approach to his movie. The acting is mostly competent enough, with the appropriately cast Bremer coming off the best. Rooney acts his little heart out, as could be expected; regarding his presence here when his was one of the voices demonizing the original movie, it just goes to show what an actor is willing to do when they're desperate enough for a gig. Neith Hunter and Conan Yuzna reprise their roles of Kim and Lonnie from the previous sequel; ubiquitous Clint Howard once again shows up, and plays a character named Ricky, but is only around for one scene. One thing this movie is not is boring, and if your tastes are anything like mine, you're sure to derive some entertainment out of this demented piece of work. Seven out of 10.

Not as well done as Monte Hellman's surprisingly good entry in this rather weak horror franchise, but this fifth installment of Silent Night, Deadly Night is likely the second best in the series. Mickey Rooney plays elderly toy maker Joe Petto (get it, Geppetto) who lives with his oddball grown son Pino (you know, Pinocchio) who designs toys intended to kill their owners (which would be children). But the main characters are actually a mother and son who fall into the orbit of Joe and Pino's toy shop following the mysterious death of the boy's father at the hands of a killer toy left on their doorstep. There's a lot of twisted humor throughout the film, which you might expect from producer/co-writer Bryan Yuzna ("Society" "Re-Animator" "The Dentist"). One standout example is a hilariously repulsive scene where a couple in bed don't realize a sentient toy hand has joined late night trysts, making it an unwitting threesome. And without spoiling anything, the film's climax is particularly unexpected and entertaining. Top that off with a supporting role for Clint Howard and you've got a solid fifth sequel for a rather lame horror franchise. However, there's a lot of dullness in-between the interesting bits, but overall it's still worth watching for horror fans. FUN FACT! Mickey Rooney spoke out in protest against the first "Silent Night, Deadly Night" film in 1984, saying the "scum" who made it should be "run out of town" for having sullied the sacredness of Christmas. FUN FACT #2! The building used for external shots of Sarah's workplace is the headquarters of the now defunct Live Home Video, the company that released the movie on VHS!