Avaliações do Metacritic

It’s a divine concept, and after a weak start director Emile Ardolino milks it for all the laughs it’s worth, while deriving requisite warmth from solid performances by Goldberg and Smith.

The movie is a Disneyfied contradiction: a lapsed-Catholic comedy without a whiff of true blasphemy. Still, on its own fluffy terms, it’s pleasant nunsense.

The first time I saw the coming attractions trailer for Sister Act, I roared with laughter and delight. Unfortunately, it's better directed than the movie. The trailer has high energy and whammo punchlines. The movie is sort of low-key and contemplative and a little too thoughtful.

Despite its hopeless predictability, this is one of those preposterous and sweet-natured family frolics that you find yourself enjoying in spite of yourself. Check your critical faculties in at the door and get stuck in.

Sister Act was screened on Wednesday night for an audience of 300 nuns who found a lot of it funny, especially a closing gag about the Pope. Secular audiences aren't likely to be so charitable.

A bizarre mix of actors goes some way towards bolstering this flyweight caper; but the last third degenerates into farce, with nuns and thugs playing cat-and-mouse in a Reno casino. A one-note movie.

Director Emile Ardolino largely saves the day by coaxing winning performances from an excellent cast. Goldberg's work here never loses its edge or originality, allowing her to shine opposite Smith, who is so good that she barely seems to be acting.

Though the film has its moments and Goldberg is a riot, Sister Act is far from inspired.

For stranding these talents in a one-gag movie that wears thin somewhere between the first choir practice and the second chase, the filmmakers should say a sincere Act of Contrition.

There are several requirements for you to enjoy Sister Act. Your love of Whoopi Goldberg must be infinite. The thought of her in nun's habit must be an automatic scream. Finally, your ability to forgive bad comedy needs to be celestial.