Mulher Solteira Procura

Cliche ending they say-I disagree. Strongly disagree. There was absolutely nothing wrong with this movie. Apart from I could have watched a whole series of this. A very well done, well shown masterpiece. Fonda is a little stone-faced at times and some of the actors lacked energy, but regardless although middy predictable, this movie deserved much more attention than it got. This wasn't a B-movie, nor was it flat and bland. Lots of nicely done scenes, wasn't over the top, wasn't dull, got you gripped and got you to think about your actions and who you trust. Entertaining all the way through and the other lead (the disturbed one) not only looked hot and gorgeous, she really did well with her character. Starting off as a shy young woman trying to make it in the big apple and be supportive, moving in with a vulnerable woman who looked a bit like Peter Pan. Still gripping.

Single White Female is directed by Barbet Schroeder and adapted to screenplay by Don Roos from the novel "SWF Seeks Same" written by John Lutz. It stars Bridget Fonda, Jennifer Jason Leigh, Steven Weber, Peter Friedman and Stephen Tobolowsky. Music is by Howard Shore and cinematography by Luciano Tovoli.

When it's revealed that her partner Sam (Weber) has been cheating on her with his ex-wife, Allie Jones (Fonda) kicks him out of the apartment and advertises for a female roommate. She chooses Hedra Carlson (Leigh), who on the surface seems to be the perfect roommate. Smoothly helping Allie through her crisis, a real friendship is formed, but it's not long before Hedra starts to exhibit some dark behaviour patterns…..

The early 90s saw the "Woman from Hell" back in vogue in mainstream cinema. After the success and publicity of Fatal Attraction (1987), there was a period where you feel that sensible film makers wisely chose to let that particular film disappear from the film lovers memory banks. As it happens, they must have collectively chose 5 years as the cooling off period. For 1992 saw a wave of mad female on the loose pictures released. Led by the publicity gobbling Basic Instinct, films such as The Hand That Rocks the Cradle and Single White Female put bums on cinema seats and reopened the "Mad Bitch" sub-genre. Of the three, Single White Female grossed the least, which is strange since it's a better movie than the other two.

Schroeder's (Barfly/Reversal of Fortune) movie isn't a complete success, there's not enough development of the main characters and there's some unintentionally funny moments. But when it's good it's real good. Reeling off a number of memorable and often chilling scenes, film is further boosted by the psychological smarts in Roos' (Boys on the Side) screenplay. It helps that Schroeder has a knack for pacing, too, where he neatly simmers the plot until the spill over for the big finale. No disappointment there either, a good combination of genre staples is enhanced in impact by some unexpected character developments, and there's moments of genuine suspense to lure the viewer to the edge of their seat.

It's also stylishly shot by Schroeder and Tovoli (Suspiria/Tenebrae). Allie's Upper West Side apartment is imposing and expansive, with high ceilings, old time plumbing, a clunky lift and a dingy laundry in the basement. It's a different set-up for such a thriller, no picket fence harmony house or beach side residence, this is bustling New York, big spaces, but as it turns out, that means no hiding place. The boys behind the cameras get the maximum they can from the locale by blending imposing and ominous with grainy veneer and filtered light. On the acting front, the girls put great effort into making their thinly developed characters work, with Leigh doing a good line in progressive instability. While Friedman, Weber and a wonderfully naughty Tobolowsky, make the most of their secondary roles.

One or two obvious flaws aside, this still rounds out as a thoroughly enjoyable thriller. 7.5/10

A fairly engaging psychological thriller. Of course, there must be some suspension of disbelief, as in Hedy(Jennifer Jason Leigh) wielding a shoe. Also, there really are no truly sympathetic characters here. Hedy, of course, is what she is. And, Allie(Bridget Fonda), the supposed heroine, does kind of screw over Hedy. And Sam (Steven Webber) is basically a snake anyway. As for the actors, I thought Miss Leigh was by far the best, though she had the meatiest part, so it may be hard to compare. And what an amazing apartment for a young software designer in Manhattan. OK, they mentioned it was rent-controlled. What an insane economic policy. Grade: B-

As the title implies, SINGLE WHITE FEMALE is about what happens when an ad for a housemate is answered by someone rather... troubled. Allison (Bridget Fonda) places the ad after her fiance, Sam (Steven Weber), turns out to be a not-so charming prince. Yep, he's been cheating on her.

Enter Hedra "Hedy" Carlson (Jennifer Jason-Leigh), who appears to be the perfect candidate. At first, all goes amazingly well, and the two get along great. Of course, this wouldn't be much of a thriller if everything went peachy. So, it's not long before Sam starts wooing Allison back, and Hedy starts exhibiting some odd quirks and rather unsettling behaviors. Things only get worse from here. What's a woman-gone-berserk to do next? Why, kill everyone in her way, naturally!

SWF came out at a time when similar psychological thrillers were all the rage. Ms.' Fonda and Jason-Leigh are quite good in their roles, with Allison going from clueless to suspicious to fighting for survival, while Hedy goes from seemingly shy to completely bananas! Those who love this sort of movie will love this one. Those who don't, can blame FATAL ATTRACTION.

P.S.- Anyone enamored with the female form will be overjoyed to know that both Bridget Fonda and Jennifer Jason-Leigh spend relatively lengthy periods of time in their birthday suits!...

Another movie with great potential. The film unfolds almost perfectly and you find yourself in a tense and deep psychological thriller (no spoilers to the plot). But then, the director chooses the easy way and we have a usual ending with mostly unrealistic situations and splatter sequences (ouch this dragging scene with the head bump at the elevator step must have hurt!).