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IMDbPro

Caso Kennedy, uma Conspiração

Título original: Ruby
  • 1992
  • R
  • 1 h 50 min
AVALIAÇÃO DA IMDb
5,5/10
1,7 mil
SUA AVALIAÇÃO
Danny Aiello in Caso Kennedy, uma Conspiração (1992)
text os
Reproduzir trailer2:19
1 vídeo
6 fotos
BiographyCrimeDramaHistory

Adicionar um enredo no seu idiomaAn exploration of certain conspiracy theories surrounding the JFK assassination from Jack Ruby's perspective. Ruby owns a run-down strip club in Dallas, and does what he can for credibility,... Ler tudoAn exploration of certain conspiracy theories surrounding the JFK assassination from Jack Ruby's perspective. Ruby owns a run-down strip club in Dallas, and does what he can for credibility, both by giving information to the FBI and by doing the odd favor for his mafia contacts. ... Ler tudoAn exploration of certain conspiracy theories surrounding the JFK assassination from Jack Ruby's perspective. Ruby owns a run-down strip club in Dallas, and does what he can for credibility, both by giving information to the FBI and by doing the odd favor for his mafia contacts. When hitman Action Jackson is hit, Louie Vitali asks him to help get crime boss Santos out... Ler tudo

  • Direção
    • John Mackenzie
  • Roteirista
    • Stephen Davis
  • Artistas
    • Danny Aiello
    • Sherilyn Fenn
    • Frank Orsatti
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    1,7 mil
    SUA AVALIAÇÃO
    • Direção
      • John Mackenzie
    • Roteirista
      • Stephen Davis
    • Artistas
      • Danny Aiello
      • Sherilyn Fenn
      • Frank Orsatti
    • 16Avaliações de usuários
    • 8Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Ruby
    Trailer 2:19
    Ruby

    Fotos5

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    Elenco principal64

    Editar
    Danny Aiello
    Danny Aiello
    • Jack Ruby
    Sherilyn Fenn
    Sherilyn Fenn
    • Candy Cane
    Frank Orsatti
    • Action Jackson
    Jeffrey Nordling
    Jeffrey Nordling
    • Hank
    Veronica Hart
    Veronica Hart
    • Telephone Trixie
    • (as Jane Hamilton)
    Maurice Benard
    Maurice Benard
    • Diego
    Joe Viterelli
    Joe Viterelli
    • Joseph Valachi
    Robert S. Telford
    • Senator
    John Roselius
    John Roselius
    • Detective Smalls
    Louis Eppolito
    • Detective Taylor
    J. Marvin Campbell
    J. Marvin Campbell
    • Bus Counter Tender
    David Duchovny
    David Duchovny
    • Officer Tippit
    Richard C. Sarafian
    Richard C. Sarafian
    • Proby
    • (as Richard Sarafian)
    Joe Cortese
    Joe Cortese
    • Louie Vitali
    Marc Lawrence
    Marc Lawrence
    • Santos Alicante
    Arliss Howard
    Arliss Howard
    • Maxwell
    Tobin Bell
    Tobin Bell
    • Ferrie
    Tony Conforti
    • Mickey the Shoe
    • Direção
      • John Mackenzie
    • Roteirista
      • Stephen Davis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    5,51.7K
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    Avaliações em destaque

    5Rodrigo_Amaro

    A messy disappointment

    When Oliver Stone decided to make his controversial "JFK" he knew his film would be debated since he was presenting countless challenges on facts concerning the assassination of President Kennedy. What Oliver couldn't predict was the appearance of films that followed his conspiracy theories on the same subject, although none of these films, including "Ruby", caused impact on anything. More than that, none of these films had the same material quality "JFK" had, a film with so much to handle in terms of characters and situations that never gets boring or complicated.

    Now, John Mackenzie's "Ruby" is a wildly confusing film focused on Jack Ruby, the mysterious nightclub owner who murdered Lee Harvey Oswald, the man who (some say) shot Kennedy in Dallas, in 1963. Ruby, played with some good effort by Danny Aiello, is presented as someone similar like Oswald, a ingenuous patsy who joined the wrong people (the Mafia) for one cause and for reasons unknown was betrayed by his so-called friends who opted for killing the president. The movie gets even deeper by showing that Ruby was some sort of a informant for the government pretending to be part of the Mafia, meeting guys like Gambini and other powerful mobsters, who were plotting to kill Fidel Castro but for some reason they changed planes and decided to take Kennedy out of the picture. To make things worst, the movie chooses to include a fictional character, the stripper Candy Cane (Sherilyn Fenn) who works for Ruby, and in terms of script she's a composition between Marilyn Monroe, Ruby's girlfriend and a woman who had affairs with mobsters and even Kennedy. We hardly know who is she in the picture and how important she is besides being the wildest thing on Jack's club. What about the mysterious Maxwell (played by Arliss Howard, very good here)? Who was that guy? Part of CIA? Mafia? He always bothers Ruby but never reveals himself except the original planning about dealing with Castro. The connections between characters and situations might have worked in real life but in the film it fails at horrible levels, to the point of unbelievable.

    Compared with "JFK" this film is easy to follow but it never achieves greatness; it doesn't shine a light to new facts on Kennedy's and Oswald's murders; it can only confuses with more and more things. Structurally speaking, the whole film is a mess, slow at the beginning and very rushed towards the ending and that combination ruined the suspense and made a boring drama who had some good moments. The lamest of contradictions presented was the fact of Ruby being a patriotic man, who deals with the Mafia, a bad job for his country and at the same time cries out loud when he finally realizes his own people will kill the President. It's okay to do illegal things, not pay taxes and the government but you can't kill this nation's leader.

    It's quite watchable but when you analyzes the material the director had in the hands you know he could have done better than this. 5/10
    4AaronCapenBanner

    He Shot Oswald

    John Mackenzie directed this speculative drama that stars Danny Aiello as Jack Ruby, the man who fatally shot Lee Harvey Oswald, and the events that led him there, where he was the owner of a Dallas strip club who hires popular headliner Candy Cane(played by Sherilyn Fenn) who ends up under the wing of the mafia, and becomes a mistress of President Kennedy. Ruby does favors for the mafia while simultaneously informing on them for the FBI, and eventually is used by a mysterious hit man for either the CIA or Mafia to kill Oswald, though he suspects he's as much a patsy as Oswald seems to be. David Duchovny co-stars as police officer Tibbet. Despite a good performance by Aiello, film is a pale knockoff of the far superior "JFK". Not bad, but entirely forgettable.
    7manuel-pestalozzi

    It's about Ruby (and nothing else)

    I did not expect much of this movie, but as a (none too serious) collector of Americana I was pleasantly surprised. The movie Ruby reminded me most of – and which might have inspired the script – is John Cassavete's Killing of a Chinese Bookie – which, in turn, might have been inspired by the life and times of the real Ruby. The biopic Hoffa, scripted by David Mamet, also comes to mind.

    The one problem this movie seems to have is that it sits uncomfortably between mainstream cinema and art-house material. This becomes most apparent in the bombastic, completely unsuitable musical score which wants to make some kind of Godfather out of Ruby. But for the rest, this movie is well worth some time of the viewers attention.

    It opens with a frontal shot of Ruby's face. He starts talking: „You're sitting somewhere in a motel room, alone and miserable, and the telephone starts ringing". This introduction of a strip act in his club pretty accurately describes Ruby's circumstances. He is a kind of a displaced person who does not seem to belong anywhere, waiting for a call. His activities seem pretty incoherent, his grasp of what is happening around him uncertain. He is proud to be a member of the show business industry, where dreams come true.

    Had this movie been less mainstream, I imagine that many scenes concerning the events before the assassination of the President would have had a more dreamlike atmosphere. I would like to believe that a lot of what is going on in the movie is going on uniquely in Ruby's head, the head of a lonely man who is about to loose his sanity and strives to gain a certain presence, a certain stature. The script accommodates such a viewpoint which probably comes closest to Ruby's motives for shooting the man who shot the President.

    The acting is mostly very good. Danny Aiello's and Sherilyn Fenn's performances were brilliant, the good chemistry between them makes the relationship between Ruby and his „dream woman" special and heartwarming. It also defines Ruby as someone who cares, probably another motive for his action. I am a big fan of Marc Lawrence who is absolutely terrific as the head mobster. He does not speak more than four or five sentences and yet his presence is awesome. The assassination of the President is reenacted with subtlety and tact – much better than in Stone's JFK. I found the casual way in which the real locations in Dallas were introduced absolutely stunning. The editing between TV stock material and specially filmed details is masterful.
    10dataconflossmoor

    Since The Federal Government Classifies It As Entertainment, So Does He!

    Jack Ruby was an individual that epitomized the plight of someone who became perpetually victimized by his environment. Growing up in a tough and tumble south side neighborhood in Chicago, Jack Ruby had to earn everything the hard way! His testosterone driven theatrics were always justified under the belligerent premise that he loathed and excoriated all caitiff behavior and mannerisms which lurked in his threatened existence! Actor, Danny Aiello, was extremely well suited to the role of Jack Ruby. Desultarily assembled and jagged around the edges, Aiello portrayed the role of the disgruntled owner of the Dallas strip club lounge, Jack Ruby, with an absolutely powerful and well articulated perfection. The mindset of Jack Ruby was one in which he had an emblematic adoration of John F. Kennedy. Ruby was keenly aware of the fact that the assassination of Kennedy was a conspiracy! Knowing this, Ruby's conception of the entire fiasco was one whereby he felt that it was incumbent upon him to implement a simple eye for an eye endeavor of vigilante justice. This being Ruby's objective, Lee Harvey Oswald became his prime target! Love, lust, collusion, money, violence, and organized crime were elements in Ruby's life that ended up becoming a lethally inconclusive and ephemeral obsession with him! Nothing ever made sense in Jack Ruby's world, and, as a result, his adversarial circumstances made him respond accordingly! The intensity with which this film depicts Ruby's rudimentary defense mechanisms, wound up being incredibly thought provoking. Jack Ruby's life became one big tenet for convoluted sensationalism; Killing John F Kennedy and killing Lee Harvey Oswald, were actions which were induced by the prevailing agitation which emanated from the megalomania cal underworld! All in all, the intertwining integral facets of implication in this aggregate potpourri of political tumultuousness for all of this violence, eventually collaborated as a scenario for situational pandemonium. This politically high profile charade brought about a pejorative pique for a bevy of fame famished reprobates to thrive on. Throughout history, this has always been the nefarious scourge; Who was John Wilkes Booth? Who was Lee Harvey Oswald? Who was Sirhan Sirhan? And, of course, it goes without saying; Who was Jack Ruby? What made them famous? The heinous ordeal of murdering, or being related to the murder of a highly prominent political leader, has given all of these men an indelibly dreadful notoriety! The film "Ruby" authenticates the prevailing rancor during the Kennedy assassination escapades in a very scathing, yet poignant manner! The aspects to the Dallas strip club paradigm during the early 1960's was something which the directors and producers of this film executed flawlessly! Films which are candidly cogent about genuinely dire reactions tend to garner my favor far more readily than a high budget Hollywood bombshell flick with a myriad of special effects. The film "Ruby" is a one of a kind diamond in the rough which manifests an unpleasant amelioration concerning the vicious circle of assassinations during the Kennedy era. This movie did not just simply depict the occurrences pertaining to John F. Kennedy's and Lee Harvey Oswald's assassination, they also encompassed the visceral and motivational depravity behind these occurrences as well! Ultimately, cerebral vindication amongst many felonious misfits, as well as people who dealt with these sordid walks of life, became the intellectually diabolical villain which vitiated any respect which these people should have had for law and order in our American system of democracy! Having been to Dallas many times, the historical correlation this film makes to this city is very fascinating! The strip club which Jack Ruby owned is located in one of the nicest hotels in downtown Dallas! As a matter of fact, what was once Jack Ruby's strip club, is now a sports bar, that is somewhat amusing, isn't it? The assassination of John F. Kennedy, and the demented wiles associated with it, all have the dubious distinction of putting Dallas on the map for political terrorism! This movie is covertly compelling, and, I would recommend to any history buff, as well as all movie viewers, that they should see this film whenever they possibly can. "Ruby" is a difficult movie to find, and, it may only be available on video cassette, as in the thing you put in a -VCR- -YES, THAT ANTEQUATED MONSTER!!- Nevertheless, people should try to get a hold of it and view the movie, mostly on account of the fact that the film "Ruby" is very insightful and emotionally innovative! I give it a definite and resounding thumbs up!
    mw1562

    Why did Ruby do it - things the government didn't tell you

    The reason why Jack Ruby Killed Lee Harvey Oswald was had he not done so he would have been killed himself. Sam Giancana had put Ruby in charge of the JFK assassination, and part of the plan was for Officer Tippett to kill Oswald as he was trying to escape. That didn't happen, for reasons unknown, so Ruby had to finish the job himself.

    The real question is how was Jack Ruby able to walk right up to the most heavily guarded man in America, guarded as he was by Secret Service, FBI, CIA, Texas State Troopers, and Dallas Police, and shoot him at point blank range. That alone should tell you that Lee Harvey Oswald did not act alone.

    The government would tell you that Ruby acted alone, for reasons of grief and rage, etc, but they don't want you to know the truth. They don't think we could handle the truth. They don't want us to know that JFK and his father made a deal with Sam Giancana to get elected and, once elected, the Kennedys reneged on their end of the deal.

    By the way, did you know that Lee Harvey Oswald was raised by his uncle in New Orleans, who was a bookie, and did you know that in 1963 all bookmakers worked for the mob? Why would the New Orleans District Attorney (Garrison) get involved in a crime that took place in Dallas? It is all related.

    Did you know that several weeks after the JFK assassination the Texas State Attorney General held a press conference and announced that Oswald worked for the CIA? Did you know that Oswald attended Naval Intelligence School, and shortly thereafter he went to Russia, officially as a US dissenter, but more likely as a spy?

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    • Curiosidades
      On the morning of November 24, 1963, while being transferred from a jail cell to an interrogation office, Lee Harvey Oswald was shot by Jack Ruby, a Dallas nightclub owner, allegedly acting out of rage and anguish over the death of the president. Ruby was tried and found guilty of murder (March 14, 1964) and was sentenced to death. In October 1966 a Texas appeals court reversed the conviction, but, before a new trial could be held, Ruby died of a blood clot, complicated by cancer (Jan. 3, 1967).
    • Erros de gravação
      A title card tells us it's 1962. A few scenes later, Ruby watches Joe Valachi on TV testifying about the Mafia before Senator John L. McClellan's Permanent Subcommittee on Investigations. The hearings took place in September, 1963.
    • Citações

      Jack Ruby: Where you from?

      Sheryl Ann DuJean: [doesn't answer]

      Jack Ruby: You come in the Lubbock bus?

      Sheryl Ann DuJean: I ain't from nowhere.

      Jack Ruby: I've been there. What's it called?

      Sheryl Ann DuJean: Rising Star, Texas.

      Jack Ruby: I'm from Chicago, myself. Where you headed?

      Sheryl Ann DuJean: Out of Rising Star, Texas.

    • Versões alternativas
      A version of the film aired on the U.S A&E network in the early 2000s removed around 20 minutes of footage including the entire Cuban sequence (and references to it later in the film).
    • Conexões
      Featured in Siskel & Ebert & the Movies: White Men Can't Jump/The Cutting Edge/The Power of One/Ruby/Noises Off... (1992)
    • Trilhas sonoras
      Blues in the Night
      Written by Johnny Mercer and Harold Arlen

      Performed by Amy Weston and Sherilyn Fenn

      Produced by Barry Goldberg

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    • How long is Ruby?
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    Detalhes

    Editar
    • Data de lançamento
      • 27 de março de 1992 (Estados Unidos da América)
    • Países de origem
      • Reino Unido
      • Japão
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Ruby
    • Locações de filme
      • San Juan, Porto Rico
    • Empresas de produção
      • Kuzui Enterprises.
      • Polygram Filmed Entertainment
      • Propaganda Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 9.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 919.286
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 614.327
      • 29 de mar. de 1992
    • Faturamento bruto mundial
      • US$ 919.286
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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