Adicionar um enredo no seu idiomaTwo strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.Two strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.Two strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.
- Mr. Andrews
- (as J.D. Cullum)
Avaliações em destaque
There's a lovely sense of the absurd to the proceedings as Joe pours Dave's ashes into a sky-blue motorcylce gas tank which he straps to the back of his 50's vintage hog and heads out down the highway. He's pursued by a Sam, a kid with an obsession with Motel 9's and a puppy dog determination to ride with Joe and become his friend. If there's a weak link it's Adam Horovitz as Sam. The character is underwritten and Horovitz just doesn't make it work.
But what's really nice about the film is the whimsical, darkly comic look back in fondness to the spirit of the sixties as embodied in guest appearances by Arlo Guthrie and Timothy Leary. Arlo runs a restaurant (not Alices'!) and Tim drives a tow truck. Great turns by both as they wax philosophical on the mysteries and meaning of life. David Carradine does a cool and hilarious cameo as Othello, a hooka smoking desert guru.
The tone of the film is playful with a nice tongue in cheek sense of humor that is very hip. While the main storyline falters occasionally there's a nicely crafted and very funny subplot carried on by telephone between Joe and a woman who works in personnel at Joe's plant.
The star turn of this flawed gem goes to John Cusack who does an astounding and hilarious performance and a poverty activist whose does his bit for the movement by ordering massive amounts of food at restaurants, stuffing his face then doing a classic "dine and dash" routine. He shows up twice and is a treat to watch.
The ending falls a little flat but the climax of the film works just fine as Joe finally finds "Eldorado", a tiny Nevada oasis of neon and casinos where they bet everything on Dave's dream. An easy film to watch and enjoy for those who were there.
Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness.
There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work.
John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively.
It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.
This is a road trip movie and if I didn't already know who had directed it, I would have thought it was a Robert Altman film. Lots of good weirdness and things for you wrap your head around. Quite a few "in" jokes that you might not catch the first time you see it. If you watched one time and thought it was okay, then watch it again.
Anyway, the two set out travelling across America, in a deliberate homage to 'Easy Rider', and the movie in a subtle way is a eulogy for the 60s and a comment on the changes America has seen since then. Many interesting faces pop up in cameos - John Cusack, Timothy Leary, David Carradine, Don Cheadle and Alex Cox regular Biff Yeager to name several - which is half the fun. Especially Cusack's character. It was a pity there wasn't more of him here.
'Roadside Prophets' is uneven, but still enjoyable. If you like this I suggest you have a look at the road movies of Canadian director Bruce McDonald, especially his superb 'Highway 61', a more original and successful movie than this.
Você sabia?
- CuriosidadesDavid Carradine was originally supposed to reappear towards the end, but he walked off the movie before the original intended ending was shot, and hence the ending had to be re-written without him.
- Citações
Joe Mosely: [the Sheriff is roughly restraining Sam by forcing his face on the ground with his boot] Officer, let him up. He's not hurting anyone.
Sheriff Quentin Durango: [lets Sam go] But he could be. He bears a sinister resemblance to a vicious criminal that's been marauding the area.
Joe Mosely: And since when is it a crime to look like somebody?
Sam: Hey, what'd the guy do anyway?
Sheriff Quentin Durango: Unlawful repast and remove.
Sam: What?
Sheriff Quentin Durango: Dine and dash. I'm gonna let you go with a warning this time.
Joe Mosely: He didn't do anything.
Sheriff Quentin Durango: [aims a gun at Joe] You don't realize what's happening, do you? 'Cause if you did, you'd be shittin' in your shoes, wouldn't you? Quaking with fear? I want ya to look around, just look around, and tell me what you see. A society that's obsessed with feeling good and happy. But underneath that moronic veneer lurks a thirst for blood. Yes, my friend, an invidious potential for lawlessness and despair; existential and otherwise. The sooner you weasels open your eyes to the hideous truth, the sooner you wish you were dead.
Sam: [pause] That guy is insane.
- ConexõesReferenced in Clube da Luta (1999)
- Trilhas sonorasBeer, Gas, Ride Forever
Performed by John Doe, Tony Gilkyson and D.J. Bonebrake
Written by John Doe
Produced by John Doe and Tony Gilkyson
Engineered by Tom McAuley
Published by Warner, Chappell Music, Faith Hope and Charity Music (BMI)
Courtesy of DGC Records
Principais escolhas
- How long is Roadside Prophets?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 147.724
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.066
- 29 de mar. de 1992
- Faturamento bruto mundial
- US$ 147.724
- Tempo de duração1 hora 36 minutos
- Cor
- Proporção
- 1.85 : 1