O Filho das Trevas

There is one other film I know of which is based on Lovecrafts "The Case of Charles Dexter Ward", and that is the old Roger Corman movie "Edgar Allen Poe's The Haunted Palace", with Vincent Price as Joseph Curwen and Charles Ward. But The Resurrected is by far the most accurate movie about this story, which is damning it with faint praise.

The Resurrected is set in the modern day and Charles Ward is the head chemist at Belmar Cosmetics. He's rich. He has a beautiful wife. He's Chris Sarandon. But his wife detects that Charles is having some problems and so enlists a detective from the Marsh Agency to investiate. If you like the Call of Cthulhu game as well as Lovecraft you'll recognise how this movie goes: the detective makes his Library Use roll, uses his paid source to get info, makes an initial foray into enemy territory, then eventually finds the deepest secrets of Charles Dexter Ward. Almost everything in the book is in the movie: the painting, the formula for re-animation, the essential saltes, the pits, the initial destruction of Curwen in Revolutionary War times. It's all here and with good acting, costuming, and set. Curwens secret abode is everything you'd expect after reading the book.

Simply put this movie is great. It and maybe one other movie are the reason I still have a Laserdisk player, as it's sadly not yet out on DVD.

This movie is a must see, IF you've read the story and like it, and IF you've seen the other adaptation, "The Haunted Palace" with Vincent Price. Sure, this story is a bit different than the book. It's set in the modern day, and Charles Ward is a well-paid chemist at Belmar Cosmetics, not a young antiquarian débutante. And instead of Doctor Willet being the principle investigator, John Marsh P.I. is (nice nod to the Innsmouth stories with that last name).

Aside from those differences necessary to bring this into the modern day, and aside from a very slight difference in how Joseph Curwen is ultimately dealt with, this follows the story in the book. It's all there: the portrait, the neighbor Fenner, the house in Pawtucket, and of course the underground labs of J.C. Curwen. There are story sequences set in Colonial times to build the story as well, and they are nicely done. But the real crowning glory of this movie is the sets they built for Curwens underground lab. They are MARVELOUS. Everything is there: the sanity blasting carvings, the "mistakes and screw-ups" raised from Imperfect salts, and the jars of Materia.

I highly recommend this movie. I'm still treasuring my copy on Laser Disk and hoping that it someday comes out on DVD. Production is top notch, as is the music and of course the story.

"The Resurrected," based on Lovecraft's story "The Case of Charles Dexter Ward," focuses on a Rhode Island P.I. who one day is contacted by the wife of a chemist. She expresses concern over her husband's erratic behavior, which has led to him isolating himself at his remote family estate, where he has been suspected by locals of grave robbing and performing disturbing experiments with human body parts. What they discover is all that and more.

Given that I am not familiar with H.P. Lovecraft, nor am I familiar with director Dan O'Bannon's work or other Lovecraft adaptations, I feel I have a fairly objective opinion to offer here. It seems that the user reviews largely reflect the reactions of (mostly) big Lovecraft fans. From my knowledge, "The Resurrected" essentially takes the premise of the Lovecraft story and situates it in the twentieth century, and more or less is consistent with the story's framework.

The film's beginning is rather dull, and I wondered what I was getting myself into; a drab, single-take shot of Jane Sibbett and John Terry in a very nineties-decor office gave the affect of a cheap television movie—and in all honesty, much of the film does in fact feel like that, from the unimaginative cinematography to the poor editing and sometimes awkward performances. That said, if you stick with the film, it does get progressively interesting and progressively weird.

The final thirty minutes are what really cemented my enjoyment of the film, where it becomes a sort of "Indiana Jones"-esque horror film, and the filmmakers seem to step up their game in terms of the camera-work and atmosphere. The special effects are in some respects dated, but in others look passable by today's standards. The acting, as I said, is a bit of a hodgepodge, with Chris Sarandon overacting at times; John Terry is only mildly likable as the lead detective, and Jane Sibbett ranges from bad to quite good. Robert Romanus has a memorable part as the P.I.'s chain-smoking sidekick. The final showdown is well-handled, though the voiceovers from Terry that conclude the film (and which are present throughout) leave a bit to be desired.

Overall, "The Resurrected" is a pretty decent horror flick. It definitely has the look and feel of a low-budget television movie at times, but it also manages to be atmospheric and quite a lot of fun once its wheels get turning. If the first twenty minutes of early-nineties aesthetic overload is too much, I'd urge you stick with it, as it really starts to demand one's attention about a quarter of the way through. It is not a flawless film by any stretch of the imagination, but it is commendably dark and compelling. 6/10.

The Resurrected is a peculiar entry into the Lovecraftian horror genre, and it's a shame that this 1991 film hasn't garnered more attention from horror enthusiasts. It's an oddity, a slow-burn horror that blends neo-noir, science fiction, and supernatural elements, resulting in a somewhat confusing yet intriguing cinematic experience.

This film, directed by Dan O'Bannon of Alien and Return of the Living Dead fame, is a clear labor of love. O'Bannon's influence is evident throughout, with the film bearing the marks of a director passionate about crafting a unique and unsettling experience. Unfortunately, while the film has its merits, it also has its fair share of shortcomings, which may explain why it has flown under the radar for so long.

The Resurrected follows in the footsteps of its director's previous works, boasting impressive practical effects and a gripping, well-paced narrative. The screenplay, by Brent V. Friedman, is a standout feature, seamlessly blending three distinct genres. It's a refreshing change from the often poorly paced and vapid writing of late 80s and early 90s horror. The movie also benefits from strong performances, particularly from Chris Sarandon, who delivers an unhinged and memorable turn.

However, the film's slow pace may be off-putting to some viewers. It often feels more like a TV miniseries that has been condensed, which detracts from the overall impact. While the conclusion is spectacular and justifies the slow burn, with some truly impressive practical effects, the journey there may test the patience of viewers accustomed to faster-paced, more immediate horror thrills.

The Resurrected is a film that divides opinion. It has all the ingredients for a cult classic, but its slow pace and odd tone may deter some from seeing it through to the end. For those willing to embrace its peculiarities, there is much to admire, from the ambitious narrative to the impressive practical effects. However, with a pace that often drags and a story that feels more suited to a longer format, it is easy to see why this film has not achieved wider recognition.

This is a decent Lovecraftian movie, certainly demanding more attention. I think Dan o Bannon ( with whom I incidentally share my b'day) knows how to create tension, setting and atmosphere while maintaining a fast pace at the same time. Some of the creature shots are pretty good although it does suffer from some minute bad stop motion effects occasionally . I really liked the hero character as well( who had a hint of Sam o Neil) , very traditionally one dimensional but that's how they really should be in a story that leads specifically up to the conclusion of just one main mystery. You really don't need any unnecessary sub plots or character arcs in a Lovecraftian story. I would recommend watching this all tucked up and cozy on a winter's night before going to bed.