Ao chegar em uma pequena cidade, um vagabundo é confundido com um assassino, mas quando o verdadeiro assassino chega, tudo se complica.Ao chegar em uma pequena cidade, um vagabundo é confundido com um assassino, mas quando o verdadeiro assassino chega, tudo se complica.Ao chegar em uma pequena cidade, um vagabundo é confundido com um assassino, mas quando o verdadeiro assassino chega, tudo se complica.
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Avaliações em destaque
"Red rock west" superbly ends on a train,while Dwight Yoakam's sensational "A thousand miles from nowhere" is heard during the final credits.One should note that the excellent soundtrack features two songs of the late great Johnny Cash and other chestnuts.
What about the movie?It's an excellent entertaining flick.Two tremendous leads :Nicolas Cage ,who always seems overtaken by events,always looking stupefied and Dennis Hopper who does not take his character seriously and deliciously overacts while displaying a lot of humor.All the supporting cast is excellent ,and as absolutely no one can be trusted in this money story,there are enough twists to satisfy the action-packed movie buff.One should notice that ,towards the end ,in the graveyard ,the movie verges on horror.
An excellent entertainment for a hard day's night.
What about the movie?It's an excellent entertaining flick.Two tremendous leads :Nicolas Cage ,who always seems overtaken by events,always looking stupefied and Dennis Hopper who does not take his character seriously and deliciously overacts while displaying a lot of humor.All the supporting cast is excellent ,and as absolutely no one can be trusted in this money story,there are enough twists to satisfy the action-packed movie buff.One should notice that ,towards the end ,in the graveyard ,the movie verges on horror.
An excellent entertainment for a hard day's night.
Vaguely reminiscent of great 1940's westerns, like "The Treasure Of The Sierra Madre" (1948), "Red Rock West" is a story about conscience, greed, and betrayal. Michael (Nicolas Cage) is a down and out, but honest, young man from Texas who goes west in search of work and money. He finds both, but not in the way he had expected.
The film's screenplay contains plenty of surprises and plot twists. Excellent cinematography, adroit film editing, and moody western music add tension and suspense. The expansiveness of the big sky country provides a wonderful setting. And the acting ranges from good to excellent, with great performances from Dennis Hopper and J.T. Walsh. Dwight Yoakam's specially recorded country/western song provides the film with a strong finale.
Correctly labeled as neo-noir, "Red Rock West" strikes me as being something else, as well. The plot is full of amazing coincidences and improbable timing, so much so that others may regard the screenplay as flawed. Ordinarily, I would agree. In this case, however, when combined with the moody atmosphere, and the fact that the small town of Red Rock seems almost empty of normal daily life, the coincidences and unlikely timing suggest a story that, beyond "noirish", is ... surreal. It's almost as if fate deliberately intervenes with improbable events so as to force Michael to come to grips with himself. From this point of view, the coincidences are not script flaws at all. They are necessary plot points in a nightmarish story of a young man who must confront his own demons ... disguised as other characters.
All we need here is Rod Serling, in a postscript, explaining, in his always clearly enunciated voice, that ... a young man, searching for himself, stops in a small, almost deserted town a thousand miles from nowhere. It's his final layover in a journey to ... the twilight zone.
The film's screenplay contains plenty of surprises and plot twists. Excellent cinematography, adroit film editing, and moody western music add tension and suspense. The expansiveness of the big sky country provides a wonderful setting. And the acting ranges from good to excellent, with great performances from Dennis Hopper and J.T. Walsh. Dwight Yoakam's specially recorded country/western song provides the film with a strong finale.
Correctly labeled as neo-noir, "Red Rock West" strikes me as being something else, as well. The plot is full of amazing coincidences and improbable timing, so much so that others may regard the screenplay as flawed. Ordinarily, I would agree. In this case, however, when combined with the moody atmosphere, and the fact that the small town of Red Rock seems almost empty of normal daily life, the coincidences and unlikely timing suggest a story that, beyond "noirish", is ... surreal. It's almost as if fate deliberately intervenes with improbable events so as to force Michael to come to grips with himself. From this point of view, the coincidences are not script flaws at all. They are necessary plot points in a nightmarish story of a young man who must confront his own demons ... disguised as other characters.
All we need here is Rod Serling, in a postscript, explaining, in his always clearly enunciated voice, that ... a young man, searching for himself, stops in a small, almost deserted town a thousand miles from nowhere. It's his final layover in a journey to ... the twilight zone.
Michael Williams (Nicolas Cage) can't nail down a job due to his leg. He's running low on money. He goes to Red Rock to look for a drilling job. The bartender Wayne Brown (J.T. Walsh) assumes Michael to be Lyle from Dallas. He has hired Lyle (Dennis Hopper) to kill his cheating wife Suzanne (Lara Flynn Boyle). Michael takes the money and tells her. She makes a counter offer to double the money. He writes a letter to the sheriff. When he tries to leave town, he accidentally hits a man. He brings the injured man to the hospital but the man has actually been shot. Then Wayne Brown walks in as the sheriff of this little town but that's not the end of this twisty plot.
This is stripped down. There is a desolate feel to everything. The characters are dark. Nicolas Cage does some of his best work. Dennis Hopper is doing his dark killer character. Lara Flynn Boyle nails the femme fatale act. It does add a few too many craziness but I do like the hard noir style.
This is stripped down. There is a desolate feel to everything. The characters are dark. Nicolas Cage does some of his best work. Dennis Hopper is doing his dark killer character. Lara Flynn Boyle nails the femme fatale act. It does add a few too many craziness but I do like the hard noir style.
A nice little neo-noir with a good story and strong cast that held the tension all the way through. Hat's off to the director John Dahl for making this. Liked also his movie 'Rounders' and I will probably check out some of his other work in the future.
Red Rock West (1993)
Nicolas Cage gets embroiled in a deadly crime without at first knowing it, and the dominos lead to increasing peril, adventure and misadventure in the wild forlorn American West of the 1990s. Red Rock West is often brutal and sometimes hilarious, and Cage pulls off the mixture with his usual sardonic wit and wary ease.
Is the plot over the top? Yes. Is Dennis Hopper perfect as a crazed, almost likable killer? Yes. Does Cage stand a chance? Well, you have to watch and see. It never lets up, and it took me by surprise the first time I saw it. On second viewing yesterday, I was surprised at how well it held up, how well constructed it was, and how macabre and funny it was at the same time.
Director Ron Dahl (who also helped write) is known more for his TV work, but with Rounders and this film he shows a deft hand with sensational plots. It's saved by its humor by the way, and by the caricatures. The bar is sleazy, the cops questionable. And don't miss a really inspired cameo by Dwight Yoakam as a truck driver.
Nicolas Cage gets embroiled in a deadly crime without at first knowing it, and the dominos lead to increasing peril, adventure and misadventure in the wild forlorn American West of the 1990s. Red Rock West is often brutal and sometimes hilarious, and Cage pulls off the mixture with his usual sardonic wit and wary ease.
Is the plot over the top? Yes. Is Dennis Hopper perfect as a crazed, almost likable killer? Yes. Does Cage stand a chance? Well, you have to watch and see. It never lets up, and it took me by surprise the first time I saw it. On second viewing yesterday, I was surprised at how well it held up, how well constructed it was, and how macabre and funny it was at the same time.
Director Ron Dahl (who also helped write) is known more for his TV work, but with Rounders and this film he shows a deft hand with sensational plots. It's saved by its humor by the way, and by the caricatures. The bar is sleazy, the cops questionable. And don't miss a really inspired cameo by Dwight Yoakam as a truck driver.
Você sabia?
- CuriosidadesOriginally, director John Dahl wanted Dennis Hopper to play Wayne Brown, but he insisted on playing Lyle from Dallas. Hopper eventually convinced the producers who were thrilled with the result.
- Erros de gravaçãoWhen Lyle and Michael are discussing both being in the Marine Corps; Lyle refers to Michael as "soldier" and at the end of the same conversation Micheal calls Lyle, "soldier." It is unlikely that either marine would refer to another Marine as "soldier," but would call him or her "marine", "jarhead", "leatherneck" "devil dog" or even "gyrene" instead.
- Cenas durante ou pós-créditosSpecial Thanks: Mom & Dad
- Trilhas sonorasAlone in San Antone
Written by Buddy Cannon & Luke Reed
Performed by Jeff Chance
Courtesy of Mercury Records Nashville
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- How long is Red Rock West?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.502.551
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.562
- 30 de jan. de 1994
- Faturamento bruto mundial
- US$ 2.502.551
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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