O Mariachi

El Mariachi (1992) was a fine debut for film maker Robert Rodriguez. He makes the most of his minuscule budget and makes a very entertaining action film. The story behind the making of the film is even more interesting than the movie itself. You can tell from this movie that Robert Rodriguez had a bright future in the movie business.

The story is about a musician who's trying to find work in a Mexican border town. None of the places he visits wants to hire a guitar player for their business. Meanwhile another man comes to town carrying a guitar case, he's no musician. He's a notorious hit man for a local gangster. When their paths cross, nothing but trouble lies ahead for the El Mariachi. Can the poor dude survive the week without being killed? Who is this guitar carrying killer? Why is he in town? What are the local crime boss' motives? To find out you'll have to watch EL MARIACHI!!!

An interesting debut that showed lots of promise. The movie was followed by a pseudo-sequel/remake a few years later with a bigger budget and a cast filled with a lot of named actors.

Highly recommended.

I really appreciate this work from Robert Rodriguez. The so-called low-budget film, shot for just $ 7,000, and Rodriguez put his heart and soul into this film. He was a director, a screenwriter, a producer, he did effects, he did absolutely everything except acting. He was even tested for some drugs because they paid him for it, all to raise money and make a movie. From that aspect, the film looks extremely good. However, some flaws are visible, such as the camera or wooden acting, at times the film is too raw, but all this is understandable.

When rival Moco's attempt on his life fails badly, Azul decides to leave his jail cell and claim revenge. Little is known about him as he heads away from the jail but they know his aim as he is carrying a guitar case full of guns and is dressed all in black. At the same time as Azul kills the first of Moco's men, a young mariachi drifts into town looking for steady work in the town's many bars. Unfortunately for him he is carrying a guitar case and is also dressed mostly in black. Already down on his luck in terms of career, the young man suddenly finds himself with a case of mistaken identity and is the target of Moco's armed gangs.

Unashamedly low-budget, Robert Rodriguez's debut feature film is a great example of how to produce a winning low budget film. The plot is a simple case of mistaken identity that is played out with a good pace and action that lacks multi-million explosions but still has enough about it to be exciting and engaging. The writing is not the best, but then that is not what made this film so famous, no what did was Rodriguez's unique style as director. He takes the simple story and injects it with humour and energy that make it much better than the budget or the written script would have suggested. He borrows heavily from others (Sam Rami is one of the more obvious) but it doesn't feel like he has stolen anything, just used it to do his own thing.

The cast aren't that great though, and the method of dubbing everything is pretty evident in most scenes (but not too bad for me personally because I was reading the subtitles anyway). Gallardo is solid lead but lacks his own style and charisma and it is obvious throughout that the visual style and comic air to the film is carrying him. Gomez is OK but not pretty or a presence enough to do it for me I'm afraid. Marquardt is a bit too hammy and lacking in teeth for the main villain, but Martinez's Azul is a big man and fits the bill well.

Overall this is an energetic film that works well despite the limitations of the budget and cast. You do have to forgive it some things but it is easily quite fun and flows forward well and is certainly worth a look and infinity better than the big-budget excesses of its second sequel – Once Upon A Time In Mexico.

This movie put director Robert Rodriguez "on the map." He followed up with two sequels: "Desperado" and "Once Upon A Time In Mexico." Not surprising, the best of the three was this low-budget opening film. As Rodriquez had more and more money to spend on the sequels, the stories got more and more carried away with too many explosions and special-effects, losing the charm of this first effort.

Unlike the sequels, this Mexican-made, so it is in Spanish with English subtitles. Don't let that scare you away. There isn't a great deal of dialog so keeping up with the subtitles is very easy.

The movie has very interesting camera closeups and angles as Rodriquez showed he was going to be a stylish director. The story is simple but effective, suspenseful and even with some humor. Unnlike his subsequent films in this trilogy, the action is not overdone here.

The length is also is a plus. At 80 minutes you can be thoroughly entertained in less than an hour-and-a half. The only disappointment to me was the print quality on th DVD, but I got an early edition. There might be better editions out since. It's not fuzzy but it's not sharp, either.

Anyway: highly recommend for actions/crime buffs who like style in their photography, or saw the sequels and would like to know the history of this particular "Mariachi."

I know the budget for this film was somewhere between 5000 and 7000 dollars, but I would like to comment more on the pacing and frenetic film style Rodriguez bestows upon us. Low budget or not,this film has energy. It never lets down for more than a few minutes and the editing is amazing. Robert Rodriguez has such a knowledge of film-making that he makes this movie look like a million bucks easy. The film isn't perfect, but on sheer energy alone it will entertain you more than most over-blown Hollywood action films.