Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 19 vitórias e 24 indicações no total
- Benjamin 2X
- (as Jean LaMarre)
Avaliações em destaque
The film dramatises key events in Malcolm X's life with the main thread beginning with his post war criminal career and later conversion to Islam whilst in jail, which directly led to his assumption of the identity of Malcolm X . Defining childhood incidents, including his father's death, his mother's mental illness, and his experiences with racism are dramatised in (ironically) brief flashbacks, considering the elephantine length of the rest of the film.
From my understanding of the life of Malcolm X, Lee has stuck closely to the facts in constructing his biography. I believe there is only a limited amount of fictionalisation for artistic and dramatic licence. For that, I guess many will be grateful. Lee has also recreated the roughly two decades the film's story covers, extremely authentically. The sets and costuming are first class, with occasional pieces of newsreel footage and still photos supplementing that of his own filming. The performances are uniformly outstanding. Denzal Washington must have been desperately unlucky to miss out on the 1992 Academy Award for his powerful, central portrayal of the conspicuously, hard-nosed and divisive X.
For me though at 202 long minutes, this film is too dragged out and warranted tighter editing. The first act focusing on his early life of crime in Harlem and later Boston is for instance, needlessly protracted with interesting, but ultimately quite unimportant night club dancing and musical interludes. Could it possibly be that its prolonged appearance is due to Spike Lee himself, appearing in this section as a supporting character?
Malcolm X is a technically well-made, obvious labour of love for Lee, but I think it may have reached wider audiences if edited to a more manageable, less indulgent length.
Você sabia?
- CuriosidadesThe image of Denzel Washington holding the M1 Carbine and peering out the curtains is a direct visual recreation of an iconic photo that appeared in LIFE magazine.
- Erros de gravaçãoMalcolm watches television news footage of race riots, including the March 1965 attack on the Edmund Pettus Bridge in Selma, Alabama and the 1967 Newark, New Jersey Riots. Both incidents took place after Malcolm was assassinated in February 1965.
- Citações
Malcolm X: We were discussing the disciples. What color were they?
Chaplain Gill: Well, I don't think we know that for certain.
Malcolm X: But they were Hebrews, were they not?
Chaplain Gill: That's right.
Malcolm X: As was Jesus. Jesus was also a Hebrew.
Chaplain Gill: Why don't you just ask your question.
Malcolm X: What color were the original Hebrews?
Chaplain Gill: I have told you - that we don't know that for certain.
Malcolm X: Then you can't believe for certain - that Jesus was white.
Chaplain Gill: Just - just a moment. Just a moment. God is white.
[pointing to a painting of a white Jesus hanging on the wall]
Chaplain Gill: Isn't it obvious?
Malcolm X: Well, that
[nodding to the painting]
Malcolm X: is obvious, but we don't know if it's obvious that God is white. The honorable Elijah Muhammad teaches us that Jesus did not have blond hair and blue eyes. The honorable Elijah Muhammad teaches us that the images of Jesus that are on prison walls and churches throughout the world are not historically correct; because, history teaches us that Jesus was born in a region where the people had color. There's proof in the very Bible that you've asked us to read in Revelations, first chapter, verses 14 and 15, that Jesus had hair like wool and feet the color of brass.
Chaplain Gill: Just - just what're you saying?
Malcolm X: l'm not saying anything. l'm proving to you that Jesus was *not*, and I quote one of my lndian brothers here, he was not a paleface. Amen.
- Cenas durante ou pós-créditosAt the end of the credits the film is dedicated to Alex Haley, author of the book the movie is based on. There is also a picture of the book and a special note that says: "Read 'The Autobiography of Malcolm X'"
- ConexõesEdited from JFK: A Pergunta que Não Quer Calar (1991)
- Trilhas sonorasSomeday We'll All Be Free
Written by Donny Hathaway (as Donny E. Hathaway) and Edward U. Howard
Used by permission of WB Music Corp. and Kuumba Music Publishing Company
Produced by Arif Mardin
Performed by Aretha Franklin
Courtesy of Artista Records, Inc.
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 33.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 48.169.910
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.871.125
- 22 de nov. de 1992
- Faturamento bruto mundial
- US$ 48.169.910
- Tempo de duração
- 3 h 22 min(202 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1