Jennifer 8 - A Próxima Vítima

At times, this movie is mesmerizing and mysterious, a really good story about a serial killer who targets blind women. But at other times it is unbearably stupid and overdone.

Andy Garcia is OK part of the time and terrible when he portrays any strong emotion, like anger. He and Uma Thurman are good together at times, like when she is freaked out over the party and Andy comforts her.

This is a "B" movie but it aspires to be an "A" flick. John Malkovich is wonderful, at times, as he often is, when given almost nothing to work with.

Lots of the time the story just feel empty. Gets worse as it goes on.

"Jennifer Eight" is one of those movies that flies under the radar. For whatever reason, it never got the accolades I feel it deserves. It is a beautifully filmed, haunting movie that showcases some very fine performances. Uma Thurman is remarkable as the blind Helena, and one would be hard pressed to find fault with her very realistic performance as the would-be next victim for the serial killer. Likewise, Andy Garcia, is excellent as the tough, big city cop who is working through his own personal issues. One of the most compelling performances is that of John Malkovich. Arguably one of the best actors we have today, his commanding depiction of the hard-grilling FBI man is superb, and worth the watch just for his few cameos alone. But don't get me wrong. This movie is very, very good. It will leave you guessing to the end. Overall, beautiful cinematography, beautiful score, great thriller. Highly recommend this underrated gem. Very much worth the viewing.

I like a good suspense story as much as anyone else, but this one really stands out. If it doesn't get the recognition it deserves, maybe because it's a "quiet" thriller, without shocking or gross-out scenes ; it relies mainly on characters and atmosphere - very moody and autumnal. For once, the killer's identity is logical and honest, but there is so much more to this, especially a graceful photography. Okay : I love this one. This is no brain candy or beer-and-popcorn, just honest, straightforward stuff, which reminded me very much of literary thriller writers like Ed Gorman or T. Jefferson

This is easily one of the most underrated Hollywood films of the nineties - it's got a compelling script, beautiful performances (particularly from Andy Garcia, Uma Thurman, and John Malkovitch in a short but unforgettable cameo.), some of the best cinematography ever set on film (director of photography Conrad Hall later went on to shoot 'American Beauty'.), and one of the greatest scores ever written by underrated composer Christopher Young. As it is, this film is heaven from a filmmaker's perspective and a pretty damn good drama to boot. Highly recommended.

Jennifer 8 is written and directed by Bruce Robinson. It stars Andy Garcia, Uma Thurman, John Malkovich, Lance Henriksen, Kathy Baker and Graham Beckel. Music is by Christopher Young and cinematography by Conrad Hall.

The small town of Eureka and John Berlin (Garcia) is the new cop in the precinct. When a severed hand is found at the local dump it leads Berlin to believe a serial killer is at work. One who has a penchant for blind girls.

The problems quickly mounted up for Jennifer 8, it flopped big in America and went straight to home format release in the UK. Problems back stage got so bad that Bruce Robinson quit Hollywood and never made another film for 19 years! In spite of these facts, it's not the monstrosity it was originally painted as back on its "limited" release.

It's a frustrating film in many ways because it promises so much. There's bags of moody atmospherics wrung out by Conrad Hall's superb photography, where he filters most things via minimal lighting. Much of the play unfolds in ominous surroundings, where dialogue exchanges are either hushed or laced with harried fervour, and the writing is actually quite smart as it blends psycho thriller staples with strong characterisations that are in turn boosted by committed acting performances. Yet these things can't compensate for the too long run time, a rushed ending and some awkward tonal shifts that often take you out of the required mood. The rushed ending is particularly galling, after asking the audience to stay with the pic for two hours, it's not unreasonable to expect a good long and dramatic finale, sadly that's not the case.

Fans of neo-noir type visuals have some interest here, as does anyone who likes the type of serial killer movies that dominated the late 80s and early 90s before Fincher's Seven raised the bar. 6/10