AVALIAÇÃO DA IMDb
5,1/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.
- Direção
- Roteiristas
- Artistas
Deborah Moore
- Maj. Goode
- (as Deborah Maria Moore)
Hunter von Leer
- Lt. Col. Reynolds
- (as Hunter Von Leer)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
An air force pilot has to show a hotshot actor, who is preparing for an upcoming role, the ropes about life in the military. The former dislikes the latter intensely, but has to tolerate him, especially after they are shot down in hostile enemy territory.
The main highlights of this film are the aerial shots and the casting. See it if it grabs your attention.
** 1/2 out of ****
The main highlights of this film are the aerial shots and the casting. See it if it grabs your attention.
** 1/2 out of ****
I rented this movie only because I like Michael Pare, and the box looked nice, and (though I could've easily found something better) it wasn't bad.
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
TOTAL: 5.5/10
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
- (BAD THINGS) 1.) The bad guys 2.) The length 3.) The pacing
TOTAL: 5.5/10
Anthony Michael Hall plays an actor who gets into more than he bargained when he tries to learn how to fly fighter planes from Michael Pare for a new role. While the movie is predictable and not all that great it does have a few good comedic moments and does hold your interest..good lighthearted fare
on a scale of one to ten.. a 6
on a scale of one to ten.. a 6
The way I feel it, "Into the Sun" consists of two partly separated parts. The first part is a drama/comedy-part, where we are introduced to the characters and where the plot starts. The unlucky Captain Paul Watkins has too take care of a rather self-loving actor called Tom Slade, who's going to learn about the life of military pilots. Even though this part of the movie is a bit entertaining, it's not what you're waiting for in a movie like this. Luckily, lots of action kicks in in the second part of the movie. That was what I had been waiting for. The action is surprisingly good for a movie like this, even if it's standard B-action with lots of explosions and evil bad guys getting asskicked.
A pilot and an actor are thrown into a life of death situation when they are shot down in enemy territory.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
Você sabia?
- CuriosidadesThe aerial scenes in this film mostly use stock footage from Águia de Aço (1986) and Águia de Aço II (1988).
- Erros de gravaçãoWhen Dragon was taking off to pursue Shotgun and Slade, the stock footage was of an Israeli Mirage with a star of David on the side.
- Citações
Lt. DeCarlo: When in doubt, whip it out.
- ConexõesEdited from Águia de Aço (1986)
- Trilhas sonorasYou're Lookin' at Country
Written by Loretta Lynn
Performed by Chaille Percival
Produced by David Feinman
Principais escolhas
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- How long is Into the Sun?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Into the Sun: Desafiando os Limites
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 641.886
- Faturamento bruto mundial
- US$ 641.886
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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