O nova-iorquino Adolpho Rollo é o autor clássico dos grandes filmes. Em sua mente, ele está criando clássicos da tela imortal. De volta ao mundo real, ele não pode pagar o aluguel no buraco ... Ler tudoO nova-iorquino Adolpho Rollo é o autor clássico dos grandes filmes. Em sua mente, ele está criando clássicos da tela imortal. De volta ao mundo real, ele não pode pagar o aluguel no buraco do centro da cidade que ele chama de lar.O nova-iorquino Adolpho Rollo é o autor clássico dos grandes filmes. Em sua mente, ele está criando clássicos da tela imortal. De volta ao mundo real, ele não pode pagar o aluguel no buraco do centro da cidade que ele chama de lar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 3 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Buscemi's character needs a producer for his 500-page screenplay with quirky features like beginning with a 20 minute black leader (just a blank screen) to introduce his lead character's blindness. He intends to cast his neighbor (and unrequited love interest) Jennifer Beals who barely acknowledges his existence although he sleeps with her shoe under his pillow. Buscemi gets "in the soup" when he hooks up with a gangster who wants to produce the film. Seymour Cassell plays the gangster with an infectious gusto that deservedly won Sundance Festival's Best Actor Award. All three performances are excellent, as is a brief appearance by Carol Kane as the co-producer of an access TV show featuring nude interviews (The Naked Truth).
If all this sounds to you like it could be fun you are this film's target audience.
Shooting in black-and-white on a tight budget Director Alexandre Rockwell has put together a funny feature with a lot of charm. The production values are first-class. More importantly he has told a worthwhile story and communicated useful lessons to apply to the process of living.
How fitting that Jim Jarmusch has a cameo, because this film is very much a Jarmusch type of movie. Had his name been under the "directed by" heading, I would never have doubted it. Which, I suppose, is a compliment to the real director. You also have to hand it to them for getting such a stellar cast. Buscemi is an indie darling, but Beals had already gone big by this point -- it was brave for her to take this role.
This is not so much a movie about making a movie as it is an underworld film. Not a mob movie, exactly, but definitely people of loose character who walk on the edges of society. And yet, there is something rather charming about them.
I ordered it. I am a fan of Steve Buscemi, so "hey you got no complaints".
What a delightful surprise this movie turned out to be. The lovely Jennifer Beals has aged so gracefully (she looks even better here than in Flashdance; more rounded out character too) and Seymour Cassel should have been nominated for an Oscar in this, I believe, mostly ignored movie. Can't even find a Roger Ebert review of it, and he usually has a nose for unusual, but good movies.
Speaking of noses, Cassel is a delight who delights in existing from day to day, always ready for an adventure, a surprise, or a bit of crime and a bit of a ca-noodle. Poor Buscemi, who is a dreamer with a script for the "great American movie" and hasn't had much of a life, is at first thrilled to meet the potential film financier (Cassel), then becomes a bit frightened of him and in the end realizes he grew as a person and made some friends and possibly can make a more simplified version of his movie after all.
Don't want to give much more away. The lovely black and white vignettes, following each other quickly give you a taste of life in a squalid part of New York. It is European in execution, a bit film-noir-ish, but unique, entertaining, and touching.
The singing rent collectors are a hoot-!
Don't miss it!
Você sabia?
- CuriosidadesThe car Aldolfo and Joe are in when Joe is in the Santa suit was Steve Buscemi's own car.
- Erros de gravação61 minutes in, the position of Joe's hands changes entirely between shots as he's talking to Aldolpho.
- Citações
Joe: It's nice here, huh Aldolpho? I love to watch the sunrise by the beach.
Aldolpho Rollo: It's the afternoon, Joe.
Joe: Well, you can't have everything.
- Versões alternativasAlthough intended to be shown in black and white, the film was shot in colour for economic reasons. In the UK, the colour version was released on rental video, but the sell-through version was black and white.
- ConexõesFeatured in Faut que ça danse! (2007)
Principais escolhas
- How long is In the Soup?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- En la sopa
- Locações de filme
- 509 Grace Avenue, Garfield, Nova Jersey, EUA(The entryway into the apartment building)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 256.249
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.922
- 25 de out. de 1992
- Faturamento bruto mundial
- US$ 256.249
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Proporção
- 1.78 : 1