Maridos e Esposas

Woody Allen went the documentary (ish) route, again, with his 1992 film Husbands and WIves. The film follows a married couple's deterioration after their married friends decide to separate. By telling the story in documentary format with a hand-held camera with a lot of movement and close-up shots, the audience is completely immersed in the story, almost like voyeurs as we see a marriage crumble apart.

Jack (Sydney Pollack) and Sally (Judy Davis) break some tough news to their friends Gabe (Woody Allen) and Judy (Mia Farrow) that they will be separating. Judy and Sally are quite nonchalant while delivering the news but Gabe and Judy are devastated. Gabe remarks that theirs is a marriage benchmark as he only thinks of them as "Jack and Sally". Judy is completely devastated even retiring to her bedroom in a dither over hearing the news. Gabe and Judy console themselves and each other as Jack and Sally go on to see other people. The news changes them, as well, however. Gabe and Judy both begin to question aspects of their life and relationship and start to believe that they may not be as happy in their marriage as they've grown comfortable believing. Gabe starts succumbing to the admiration of one of his female students and Judy realizes she is attracted to another man. What began as a series of changes in the lives of Jack and Sally has delivered life- changing impact for Gabe and Judy.

I love the documentary style Woody used for husbands and Wives. I've heard many criticize it, yet, I think it's perfect to convey the intimate emotions dealt with in the film. I especially enjoy how real Woody depicts human emotions in this film. Who hasn't recovered from a breakup when one moment you are whole, moving on, and living your life when all of a sudden you get a nagging thought in your head that you just can't shake and you become a mix of anger and desperation in an instant? That's exactly what Woody showed in the scene in which Sally was in the apartment of a man she was to go on a date with but she couldn't shake the news that Jack had moved someone in his home just three weeks after their separation. That scene, as gut-wrenching as it was, was my favorite because it was so real. That really is how emotions work, they are wild and unpredictable, quickly changing based on new information. Husbands and Wives was a truly human film with rich touches of Woody Allen (another Bergman reference and a comment from Woody about walking in Paris in the rain) definitely a stand out in the excellent filmography of Woody Allen.

This film, while rather amusing in some parts, is more or less a drama. Allen seems to have become more accepting of the "love fades" theme first presented in ANNIE HALL, and his characters seem to be a reflection of this maturity. The concepts of what love and marriage mean are dealt with in depth here, and there are no clear answers, of course. This provokes thought without being too sure of itself (who would expect that from Woody?)and provides a thoughtful examination of what makes love begin and last..or not.

"Match Point" was the movie that converted me into a Woody Allen-fan. I had literally hated the man's work, but suddenly I found that these movies really spoke to me more than before. I guess you just have to grow older and get a little life experience before you can appreciate Woody Allen's fabulous writing. Lately, I've been catching up on his filmography and was blown away by his immense power of observation. Out of all his classic movies that I've seen in the past couple of days "Husbands And Wives" made the biggest impression so far. This movie is fearless, honest and true. Allen really hits the nail on the head with this one.

Unlike movies like "Crimes And Misdemeanors" or the aforementioned "Match Point" (which are both great) "Husbands And Wives" isn't laden with symbolism and there are no highly philosophical thoughts to be found. The movie is merely depicting the universal truth that it's tough to remain honest and passionate in a marriage. Masterfully Allen shows his struggling characters in all their weaknesses without ever making them unlikeable. These characters falter between loyalty, fear of loneliness and an undeniable desire for passion. Everybody who's ever been in a longtime relationship will be able to identify with these problems, but only the brave ones will be able to admit that to their partner.

That's the beauty of this movie. Allen says what everybody else is either too afraid or too hypocritical or simply unable to. "Husbands And Wives" shows what the fewest people understand: the egoistical side of "love", the way we cling to relationships because we're afraid of being alone, but also the simple fact that sometimes we need to lose something to understand how much we need it. Even when there's still love we can reach a point where we lie and betray the other person, just because sometimes people are confused about their lives and their feelings.

Nobody has voiced our confusion about love and death as accurately as Woody Allen and he's rarely done it better than here. "Husbands And Wives" is recommendable for everyone, especially couples, but be prepared that watching this might lead to uncomfortable discussions. The truth is hardly ever convenient.

This is one of Woody Allen's greatest films, but it took me two viewings to fully appreciate it. I first saw it in 1992 at the theatre upon its initial release with my then-girlfriend, when I was 30 and she was 24; but this second time was in 2005 on home video, with me still in the same relationship thirteen years later and married to this same woman for ten of those; it really hit a nerve for me as a middle-aged spouse. I'm not so sure it can appeal to every viewer, but I'd wholeheartedly recommend it to older married couples everywhere.

Allen's hard-hitting film dissects the long-term effects of being with the same person for a long time: familiarity, infidelity, stagnation and indifference. To drive the point home still further, the photography is crudely rendered in a sometimes confusing hand-held camera style which works wonders. Woody's cast is excellent - beginning with the note-perfect Sydney Pollack and strong-willed Judy Davis, who play a bored married couple announcing a trial separation, shocking and convincing their friends (Woody and wife Mia Farrow) to take a closer look at their own vulnerable relationship. Juliette Lewis is once again a very good young actress as a twenty-year-old student in Allen's writing class who becomes infatuated with him and turns out to be his protégé. Liam Neeson is strong as the new man Davis tries to reheat her romantic life with. One of Woody Allen's best performances here too, where he's more reserved and human -- not as whiny or nerdy as we're so accustomed to seeing him. Even better, he actually makes us more interested in the other characters instead of himself.

The mature story is sometimes told in a candid documentary-like format, where the participants alternately give their own perceptions as though they're spilling their guts to a psychotherapist, and then ultimately wind up expressing what they've learned from these experiences. I happen to agree with the idea that a couple must learn to accept imperfections in a marriage and work through them, together.* Released at the height of the media controversy surrounding Allen and his relationship with Mia Farrow's adopted daughter Soon-Yi, there may well have been some similarities on display here.

*(EDITED UPDATE): Unfortunately, my wife and I divorced in 2010, after us being together for 21 years (married for 16 of those). I'm now in a new relationship and I suppose this experience will only serve to make HUSBANDS AND WIVES even more effective on the next viewing. **** out of ****

I have always been a fan of Woody Alan and this movie really expresses the essence of his personal and constant recurring confrontation with the meaning of life. His pursuit of a significant context in human relationships always drives him to the brink of madness as he realizes all too well that there is no basis for real values in a life cycle which is basically totally absurd.The dark shadow of the philosophy of despair is constantly present but often relieved by a delightful form of sarcastic humor. This movie is for people who know what it's all about and are conscious of the fact that we are all trapped in this the "comédie humaine". The acting is excellent with no flaws at all. Judy Davis is a sheer delight to watch and Juliette Lewis - fascinating as always - with her mixture of Lolita-like innocence, her girlish ways and sudden adult insights would be a dangerous temptress for any middle-aged guy.