Freejack: Os Imortais

In my mind Freejack has always merged with other 90's sci-fi movies like Johnny Mnemonic and Chain Reaction. All of these had cool poster images that were seen in magazines, but other than the posters I pretty much missed out the actual movies.

Another thing that comes to mind is that the phrase "Freejack Soundtrack" is a thing...maybe even more than the actual movie. That's because I had a phase when I was a huge fan of the band Scorpions, and I remember noticing that the song "Hit Between the Eyes" was featured on the soundtrack album of this movie. So I always thought that someday I'm going to see what this Freejack actually is.

Third notion is that this is the gimmick film with Mick Jagger as an actor. I feared that if he happened to be a bad actor, then that would explain why this movie seems so forgotten. Maybe it was a flop?

All right then, let's take a ride to the danger zone and see does Freejack hit between the eyes or miss completely.

The story is original and interesting. A supposed-dead guy is hijacked to the future to be used as a new body for a dying businessman. But the body accidentally escapes, and right there we have a recipe for an action packed chase adventure.

The cast is interesting. Antony Hopkins is probably the best actor in the film but he doesn't have much screentime so it doesn't make much difference. Then we have of course the rocker Mick Jagger as a tough leader of the bad guys' army. Even though Jagger isn't a seasoned actor he looks good in the role and acts decent enough. The hero is played by Emilio Estevez. I've never really liked him. I always thought he's like a poorman's version of Michael J. Fox. But in the end Estevez redeems the role. He manages to use his blank face to create a puzzled character lost in time. The female lead is played by Rene Russo who's always got class.I just like her whenever she's on the screen. One more mention: Jonathan Banks (Mike Ehrmantraut from Breaking Bad!) is in this movie too. That's awesome!

The budget is not enormous but it's big enough and used effectively. I really like the comic book vibe of the visual style, the "futuristic" vehicles that actually just are some army jeeps painted red but... hey, it works! The coolest machine is Jagger's techno-truck that unforrtunately is not seen that much.

Overall Freejack might not be a cinematic masterpiece if judged by indiviudyal acting performances, or if you're looking for some deep message that will change your life. But as an action movie it's really entertaining and stylish, and has an diverse cast of actors that just feels...cool. More than the sum of its parts I'd say.

Oh, and last but certainly not least: you can bang your head and play air guitar during end credits when one of the hardest rocking songs from Scorpions starts playing. Yeaaah!

In 1991, Formula One racer Alex Furlong (Emilio Estevez) is a promising rookie with a loving girlfriend in Julie Redlund (Rene Russo). When Alex Furlong's race car is involved in a fatal collision, Alex is spared death thanks to the efforts of Bonejackers (the movie's name for human gathering mercenaries) lead by Victor Vacendak (Mick Jagger) who teleport Alex to the future of 2009 intent on delivering him to a wealthy client who will transfer his consciousness into Alex's body. When the process leaves Alex conscious, he uses the momentary confusion of the Bonejackers to escape into the dystopian New York of 2009 as a "Freejack" (a man from the past who should have died and is now essentially property) finding 18 years have passed and Julie now working at international conglomerate Mac Corp under Ian McCandless (Anthony Hopkins).

Freejack is a loose adaptation of the 1959 science fiction novel Immortality, Inc. By Robert Sheckley. Written and produced by Ronald Shusett whose credits adorn such genre classics as the first Alien movie and Total Recall the film was a tumultuous production as director Geoff Murphy's initial cut of the film proved disastrous leading to Shusett reshooting 40% of the film. Released in the dump month of January in the U. S., Freejack made only about $17 million against its $30 million budget and only $37 million worldwide making the film a disappointment. The movie was also not well received by critics who unfavorably compared the film to Robocop, Total Recall, and Blade Runner. Freejack takes a promising enough premise and squanders it on dull and generic chase cliches.

The movie wastes no time in getting the ball rolling as Freejack throws the audience into this world it's created with not much prior establishment. After firing past the section set in 1991, the movie zips into the future of 2009 with Estevez' Alex running through standard cyberpunk 101 with corporate greed ruling the world while everyone else on the bottom rung fights for scraps (I think, there's honestly not all that much established regarding the poor and working class of this world other than they wear ragged clothes and shoot at each other). The future isn't all that unique as it's basically a remix of elements from Total Recall, Blade Runner, and Robocop smushed together with no real imprints of its own until the last 10 minutes where it finally plays with the ideas presented by its premise of manufactured and acquired immortality at the broadest and most surface level it can. Despite 18 years having passed between the "present" and the "future", none of the people Alex comes across look like they've aged a day. Rene Russo in particular has a major moment where she tells Alex how nearly 20 years have passed for her, but when they play footage from 1991 Russo's appearances between the two time periods look virtually identical with maybe only her hair being a little different. I will say that Mick Jagger was much better than I expected as the Bonejacker leader Vacendak as there's history of rock stars not doing all that well with genre crossovers (just look at Gene Simmons in Runaway for example) but Jagger despite being a little stiff does lend a bit more humor to the role than I was expecting.

Freejack is a generic sci-fi action thriller that's more concerned with cramming in interchangeable shootouts and chase sequences rather than actually exploring the ideas or themes it presents. There's nothing all that wrong with Freejack, but there's nothing all that right with it either. Freejack is the type of movie that feels like it was tailor made to take up cable air time in 2 a.m. Showings and that's probably the best way you can experience this film.

Veteran writer & producer Ronald Shusett scripted this one (along with Steven Pressfield and Dan Gilroy), inspired by the novel "Immortality, Inc." by Robert Sheckley. It's a far cry from the heights attained by "Alien", which Shusett had concocted with Dan O'Bannon, but at the very least it's mildly amusing, the kind of movie for which the phrase "mindless diversion" was invented. It's silly stuff, but delivers a lot of gunfire and a lot of chases, not to mention a tacky visual approach (Joe Alves, production designer on the first two "Jaws" films and director of the third, was the p.d. here). Most of the cast have been better utilized in other projects, but it's still nice to see a bunch of familiar faces here.

Emilio Estevez, not anybody's image of the ideal action hero but reasonably likeable, is race car driver Alex Furlong. Moments before he would have met his maker in a fiery crash, his body is snatched and transported into the "future" year of 2009. Now, for all the other characters, 17 years have passed, but for him the trip is instantaneous. And now he has to run, run, run, since his body is a prized possession for the person who sponsored his "trip", and he's being pursued by relentless "bone jackers", led by legendary rock star Mick Jagger in a blatant case of stunt casting.

Emilio is ably supported by lovely leading lady Rene Russo (who married Gilroy shortly after the movie was released), a slumming Anthony Hopkins (who literally "phones in" his performance), a highly animated and amusing David Johansen as Alex's shameless "friend" Brad, Jonathan Banks of later 'Breaking Bad' and 'Better Call Saul' fame (at his cold-eyed, contemptuous best), Amanda Plummer (a hoot as a gun-packing, computer-savvy nun), Grand L. Bush, Frankie Faison, Esai Morales, John Shea, and Jerry Hall. But, alas, Jagger is one of those classic "don't give up your day job" type of deals: he's simply boring as the antagonist.

Overall, "Freejack" is plenty dumb, but it's dumb enough, noisy enough, and energetic enough to rate as a true "guilty pleasure". The director is the late, talented Kiwi filmmaker Geoff Murphy, who'd previously guided Emilio in "Young Guns II"; in the 80s he did a picture called "The Quiet Earth" that is much more interesting than this junk.

Kicking off the closing credits with a solid Scorpions tune, "Hit Between the Eyes", was one good idea, in any event.

Five out of 10.

"Freejack" has one of the more unique twists on time travel, with people of the present being snatched away from a certain death to the future. It also begins to develop a unique feel and look to it. However, it's slow in several spots and doesn't develop the imagery as well as it could.

Emilio Estevez didn't seem right for the part, he looked and came across as a kid playing in a role meant for someone older and wiser. Rene Russo is wonderful as always, and Anthony Hopkins does the best he can with his limited character, but both of them are spent on the sidelines.

The real surprise was Mick Jagger, who made a wicked villain. I wonder why he hasn't tried acting in more movies. "Freejack" has largely been forgotten, but it's still worth a look.

There are good films and there are bad films, but my favourite 'genre' seems to simply be 'entertaining' films. I'm sure most people won't be putting 1992's 'Freejack' up there with 'The Godfather' and 'Empire Strikes Back' and there are probably those (mainly professional film critics with no sense of fun!) who would describe it as 'bad.' However, I totally disagree. I enjoyed it so much back when I was a teen and I still smile at it now.

Emilio Estevez plays 'Alex' - a racecar driver who dies in an explosion during a lap in 1992, only to wake up in the (at the time!) 'far flung future' of 2009 where he's been plucked from his own time a split second before his death and now someone wants to use his body for, er, some nefarious purpose.

What follows could probably fall into the 'sci-fi/chase' movie where Alex in on the run in his new surroundings while being pursued by shady forces. Now, I should mention that Sir Anthony Hopkins is on the cast list. But don't get ideas of some great 'Hannibal Lecter' performance. He's pretty much just an extended cameo. We also have Rene Russo as the 'love interest' and, like so many roles, she is only really there for the romantic element and doesn't really get much in the way of character development. However, the best 'actor' is not one of these heavyweights.

The ever awesome Mick Jagger (yes, not really known for his 'acting') is the black leather-clad henchman, in charge of a small private army of futuristic goons hell-bent on brining Alex's body in for... you'll find out what. Now, he's no actor. And it shows. I'm not going to say his performance is 'fantastic,' only that you're guaranteed to remember it for all time. The film may actually be 'average' to most, but Jagger's swagger as the henchmen is pure cinematic gold. He steals every scene - sometimes menacing, sometimes comical, always brilliant and is worth the film's run-time alone.

Nowadays, I've seen 'Freejack' has developed a small cult following in the sci-fi community and many have put it in the 'so-bad-it's-good' category. That may be true to a degree (especially when discussing Mr Jagger!), but I think it's actually a good little action, sci-fi B-movie.

Don't be too hard on it and just enjoy the ride as it's very well put together and covers quite a few sci-fi concepts that are actually quite original. Plus, when I watch it now I also realise that I've been watching 'Mike' from 'Breaking Bad/Better Call Saul' in this film for all these years and I never realised.