Even Hitler Had a Girlfriend

Comedy about a very pathetic lonely guy that blows all his money on porn and eventually hookers, you won't believe how sad this guy's life becomes. It becomes so sad it's funny and that was intended. We get a real sense of "the day in the life" of a guy who's a true loser with women as the main character narrates his mundane antics in such a mundane voice. The humor gets pitch black and sleazy at moments, like an uncensored episode of "Married With Children". Best part of the movie is the soundtrack and the guy eating beef jerky while watching cable porn. Some of the scenes where women strip kind of drag, but the killer soundtrack will occupy and entertain during those times.

I recall that Joe Bob Briggs picked this flick out as one of the best drive - in movies of the year, if not the best. JBB knows whereof he speaks, although I suppose the term " drive - in " means little to nothing to current audiences. This movie is a contemporary exploration into the pure alienation of a modern man and his efforts to integrate into a society that refuses to accommodate his needs and desires outside of a capitalist system that can only last as long as the cash does. The movie features some scenes of gyrating women in dishabille which initially seems like straight exploitation that will not significantly add to the story, but these shots ultimately prove to be strangely hypnotic images, especially when played against stark images of power lines and quickly moving ominous clouds. There's serious danger and implications of terror lurking underneath the surface of this painful dark comedy. This is a much more sophisticated offering than a lot of the recent high budget Hollywood stuff that gets off with a rave review because it's allegedly symbolic and darkly allegorical and everyone wants to act like they " get it " when there's really nothing to get. If there's a genre for existentialist comedy, then this movie should be at the top of the list.

Visual artist Ronnie Cramer's sophomore video feature is his crowning achievement. Fans of Danny McBride and weirder Will Ferrell movies need take note, this is a cringeworthy but side-splitting tale of a romantically pathetic security guard who's decision to try 1-900 numbers results in a downward spiral of paid debauchery. That something so bawdy and low budget could be this sly and masterfully balanced is a cause for loud celebration. One of the shining examples of an artist using the then exploding home video medium to create truly unique and exciting movies.

A great party film! Everybody watching it shouts at the screen (does everyone know a guy like this who can't get a date?), they all seem to relate to the "hero" on some level. Of course, guys like watching the film because virtually all the women in it end up popping their tops. More importantly, the dialogue is very funny, and the characters are memorable to say the least.

A fat, schlubby security guard can't get women to date him, so he sits around his apartment in his underwear watching porn channels. He branches out to hiring prostitutes, and soon ends up spending every last cent he has on them. I'd be lying if I said that this film isn't mostly a thin excuse to have half-naked women dancing on camera, but this extremely low concept, shot-on-video oddity derives more than a little charm from Marcus Templeton's funny, naturalistic performance in the lead. He's not exactly a good actor, but he has a lot of dialogue that he mostly delivers in narration, and he's funny and kind of appealing. Nobody else in the film is any good at all, but it's certainly not a complete waste of time.