La discesa di Aclà a Floristella

The film presents a brutal, dark view of sulfur mining in Sicily during the early twentieth century. The coarse, vulgar characters contrast with the young boy who is resilient, tough and yet innocent. Visually, the film presents a beautiful interplay of earth colors.

Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy named Aclà sold into slavery by his destitute parents to work in the underground Floristella sulfur mines.Overworked and underfed Aclà toils from Monday to Saturday in the steamy,candle-lit labyrinths.Repeatedly beaten and abused by his "owner" and with constant threats of being raped Aclà plots his escape to the sea..."Acla" is a tragic and sad Italian drama with several truly horrible scenes of child abuse.It shows how cruel and abusive adult people can be in the times of extreme poverty.The performances are great and the climax is very sad.It's hard to enjoy such assault on the senses.8 sulfur mines out of 10.

This is the story of a young adolescent in an Italian mining community, ostensibly (or hopefully) at some time in the past. He is indentured in a traditional apprenticeship system that makes him a virtual slave to his bosses. The inferno-like conditions of sulphur mining, the sexual exploitation resulting from week-long separation of husbands from wives, and the ever-present danger of the mines combine construct a real-life allegory for the dual "open" and "subterranean" levels of human nature. Acla's boyish exuberance, sensitivity and idealism set him fundamentally at odds with his environment. Aurelio Grimaldi's excellent direction ensures you won't know the outcome until the closing credits roll. This is not an easy film to watch: I felt emotionally drained for a long time afterward. Be warned.

A startlingly realistic film about a young 11 year old boy, Aclà, following his older brothers and father into Sicilian sulphur mines. It is set in 1930s and at a time when such effective slavery was prevalent - the boy's father effectively sells him to another miner for 500 lira (death warranty). The film is raw and thanks to some excellent acting on the boy's part very realistic as he faces what appears to be the accepted mores of the time where boys were used not only as slave workers but also as sex objects for older miners from Monday to Saturday. I do not believe you can watch the film and not be seriously moved - particularly as there are likely modern day similar scenarios where boys and young men are exploited away from the prying sight of media - though no longer in Europe. A salutary reminder of what can happen particularly where indigent families are effectively forced to sell children.

" Acla, The Descent into Floristella, " an Italian film purports to tell the story of Acla, excellently played by Francesco Cusimano. If the viewer is enticed by the film's trailer, then he will be disappointed with the movie. The story is of a young boy who is sold into living bondage and sexual slavery. Try as you will, no rape or torture scenes ever materialize, as suggested by the trailer. Instead the viewer is offered a collage of scenes where the actors 'talk' about their miserable existence. Filmed in what appears to be a sulfur mine, the actors all male, are literally stripped and forced to work in the nude, hence the possibility of older men taking advantage of naked young boys. Except for a lot of threats, arguing, and fist fighting, the film never delivers anything but a collection of philosophical statements and illusionary homosexual scenes. All in all, the trailer is more interesting than the film which lacks structure and resolution. Other than the Cusimano, and his dream, the film offers little else. ***