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Director Alan Grint (who did a bang up job directing some of the episodes of the British Sherlock Holmes series starring Jeremy Brett) has successfully translated an F H Burnett book to the small screen. This Hallmark Hall of Fame version introduces us to a grown Mary Lennox who in flashback, relives her childhood experience in coming to the rural manor of her guardian.

The real story has no reference to grown Mary or her romantic connection to Colin Craven. This is probably due to the fact that in the novel, Burnett makes it clear that Mary and Colin are actually cousins. This film version has erased that from the story, which would not be required if the unnecessary adult portions of the story had been left out.

Young Gennie James is excellent as (at first) ill tempered and selfish Mary Lennox. She resents her new situation (orphan living in someone else's house) and strains the patience of her caretaker (Whitlaw). When she discovers there is a secret garden, she is determined to find it, and when, upon finally meeting her guardian Mr. Craven, she steers him into granting her permission to make a garden anywhere she chooses. Of course she chooses the walled in garden.

When she finally tames Colin enough to tell him of the garden and her new friend Dickon, and his mysterious way with animals, the willful Colin is determined to see these wonders for himself and demands that the servants take him outside in his wheel chair and allow Mary to escort him with Dickon to push him. The servants balk, but give in to their young master's whim. This, of course, proves to be the beginning of the sickly Colin's road to recovery.

Young Oliver as Dickon is quite good, though he has little to say. Steele does a fine job of playing the demanding, insufferable crippled boy. Horndern is just right as the crusty but faithful Gardener and Whitlaw is good as always. All in all, a charming and satisfying, if slightly altered, version of the excessivley wordy classic novel.

Incidentally, for you fans of Harry Potter, NO, director Alan Grint is not the father of Rupert Grint.

I was disappointed with the Hollander version because it failed in comparison to this. I didnt grow up with child lit except what leaked through tv. Seeing this at age 35 was a bit of a revelation. Reminded me of Shirley Temple afternoon movies of my pre adolesence. The young actors are adequate but the adult cast is outstanding. Hallmark used to produce real quality, primetime, major network specials. This is from that era and not the formulaic factory it became.

Out of all the different versions of the Secret Garden films, I would have to say this is my favorite.I feel that they brought the essence of the book to life in this film. Not only was the music enchanting, but the cast was well suited.It was if they stepped right out of the novel and came to life. I would recommend this to anyone who is a fan of Frances Hodgson Burnett's the Secret Garden.It stays true to the book no matter what the critics say.

Like 'A Little Princess', also written by Frances Hodgson Burnett, 'The Secret Garden' is a lovely, engrossing read with memorable characters, some of whom that you don't exactly like at first but as they grow and change one likes them much more, and a vivid setting.

There will always be debate as to which version is the best version of 'The Secret Garden'. The most faithful is perhaps the 1975 adaptation, and the 1949 film with Margaret O'Brien is also very much worthwhile. My personal favourite is the 1993 film, one of my favourites as a child and is still an enchanting film now (and no this is not nostalgia talking, there has been a fair share of childhood favourites that hold up poorly now), to me it had more polish and heart.

In no way is that to knock this 1987 adaptation. It stands pretty well on its own enough, and there are some faithful moments and most of the characters are true to personality and how they evolve, but there are also some very odd deviations that do distract pretty badly (anybody looking for a completely faithful adaptation without strange deviations and additions should look elsewhere).

Two in particular stand out as either unnecessary or weird. The book-end scenes with the children as adults is the strongest example of the former, those scenes added absolutely nothing and felt very clunky and mawkish in writing. The same with the very ham-fisted message introduced here. The way Dickon's character is written is especially strange, in a way that really doesn't fit the character and jars with the setting.

Most of the acting is good, apart from the un-authentic accents. Faring weakest is perhaps Jadrien Steele, whose Colin is stiff in places and while the character is meant to be insufferable at first other adaptations did a better job in showing his change. Barret Oliver does quite well as Dickon but is disadvantaged by the way the character is written.

Visually, however, this 'Secret Garden' looks good, beautifully and atmospherically photographed that even an at times less than perfect transfer can't ruin, costumed with a lot of love and care and with scenery that's both charming and atmospheric. The music, with some haunting use of Chopin, fits remarkably well and doesn't feel tonally at odds at all.

Dialogue has a mostly natural flow and has the right amount of enchantment and mystery. The story has a lot of charm, and there is enough to leave one in awe and make one cry. The direction is above competent and the sound is crisp and clear, complementing the music and dialogue well.

Apart from reservations about Steele and to a lesser extent Oliver, the acting is fine. Gennie James gives a Mary that grows in character from spoilt and sullen to a happier and more caring character, displaying all those traits without being too sentimental or too irritating. Michael Hordern's Ben Weatherstaff is spot on, how lovely to see a character treated like a minor character in a couple of the other adaptations be a scene-stealer.

Billie Whitelaw is suitably beastly as Mrs Medlock, while giving her some humanity later on. Viewers seem more mixed on Derek Jacobi, to me his Lord Craven was suitably melancholic and mysterious. Martha was quite appealing too.

In summary, stands pretty well on its own but purists better look elsewhere. 7/10 Bethany Cox

This is the BEST movie version of the classic story. The one complaint I have with most book-to-movie adaptations is how they totally change the story. This one, however, is true to the story. The 1993 version may have more polish, but this version has more soul. It has become a "keeper" in our family's video library. As my children have grown up and moved out, they make sure I buy them a copy. It was no surprise when this movie won the Emmy for "Outstanding Children's Program" in 1988. Gennie James' portrayal of Mary Lennox is excellent, and her transformation is totally believable. For the most part, the supporting cast is excellent. Michael Hordern (Ben Weatherstaff), one of the best character actors of all time, was the perfect choice for this role. His scenes with Gennie and Irina Brook (adult Mary) were flawless. Barret Oliver (Dickon) gives a wonderful performance, which was typical of this young actor. The only exception would be Jadrien Steele's portrayal of Colin Craven. His acting is almost as stiff as his legs are supposed to be. If you have children, you want this movie.

Not a 5 star movie, but this is actually acceptable, considering it's a TV movie. But the movie has a slightly involving story which is dramatic and sentimental.

The scenario is very good and quite Scotland-like, with green places, forests, rivers... in one word, the wonders of nature.

The adult actors do a reasonable job, but the young actors are definitely the best ones: Gennie James as Mary Lennox, Jadrien Steele as Colin Craven and mostly Barret Oliver as Dickon Sowerby.

This is the first movie I ever saw Barret Oliver portraying a teenager. He was a popular actor in the 80's and he was a fine actor. It's a shame he didn't want to continue doing that, but I understand his reasons.

Here, Barret Oliver was already a handsome teenager, the same way as he was a handsome child. I don't know his height now or then, but he sure looked tall here. Adding that to the clothes he wears here and he almost looks like a young adult instead of a boy in his early teen years. His voice was already different here as well.

Dickon is an interesting character: he is sort of a witch doctor who can predict the future and fate and has a gift with animals. He is also charming and loving.

Colin is, at first, an aggressive and explosive character, but he can't walk and is in a wheel chair - can you blame him? Plus, later in the film he softens his manners and becomes humble.

The ending is both happy and sad. On one hand, Colin can walk again. On the other hand, Dickon is killed in the war.

One last word about the cast: I only don't like the fact that adult Colin is portrayed by Colin Firth. *That* actor bugs me a little, so I'm glad he only appears at the very ending in a minor role (not longer than 1 minute).

This version of The Secret Garden is a much darker version, beginning with the horrifying deaths of Mary's parents from the plague, you see Mary have her life ripped away from her. She is angry, spoiled and dealing with the grief.

The score is haunting, the music one of Chopin's darker Nocturnes. The contrast between the darkness of her life, the house, the plague to the garden before her is well presented, and the acting for it's time is very well done. I believe this is better than the updated version, as it evokes more feeling from the viewer.

The only reason the score is lower than 10 is due to the age of the film. It's clearly outdated, and unlike the classics will not stand the test of time.

The 1987 TV version of The Secret Garden is one that follows the book and includes several things that were left out of the later 1993 version, but there are some things that are not done correctly or that are not even remotely suggested in the book and have no place at all in the movie. There is an unnecessary inclusion of Mary as an older woman, reminiscing about her times in the secret garden at Misselthwaite Manor, which changes the entire film from an adventure tale of a young girl in a strange atmosphere to one of a flashback of a girl who grew into exactly the kind of person that the movie is trying to convince kids not to grow into. On one hand, I understand that this emphasizes the idea (very popular in children's literature) that at no point in any adult's life should they ever let go of their childhood completely, but it also presents the older Mary's life as missing something that was there in her childhood. Late in the film, as one of the awful artistic liberties taken with this version of the book, we learn with enormous dismay what that thing is.

There is a much more graphic depiction of the cholera scenario that killed her parents than there was in the 1993 version, which director Alan Grint uses both to emphasize the extent of how spoiled Mary is (`Said is dead and there's no one to dress me or make me breakfast!') as well as to take another completely unnecessary creative liberty with the story, this time throwing in a scene where it seems that Mary has also been infected with cholera. After complaining that there's no one to dress and feed her, she wanders out to the dinner table, still covered with the leftovers from last night's feast, and she starts nibbling here and there and taking sips from all of the half empty wine glasses. We learn for the rest of the film that Mary is too stuck up to accept anything but the best of everything, yet in this scene she is suddenly willing to scrounge around like a lowly scavenger animal.

After helping herself to the leftovers, Mary gets a little drunk and staggers to her bed, where she collapses, dripping sweat, and we are treated to some of the enormously creepy music that accompanies much of the film. The supernatural element of the story is enhanced as much as possible in this movie, which increases the effect that the 1993 version also had, which was to reduce the inherent Magic of the garden and render it little more than an escape from the sheer creepiness of the Manor. The Manor itself was enormous and looming from the outside, just like in the novel, but then we see that the halls on the inside are no more impressive than a hotel.

These are relatively small and forgivable discrepancies, however (or at least they become small and forgivable compared to the jaw-droppingly awful ending), and most of the rest of the film is in the right place. Gennie James gives a satisfactory performance as Mary (who is MEANT to be a dislikable character). Barret Oliver and Jadrien Steele, however, are miscast in their roles as Dickon and Colin, respectively, if only because they are meant to be the same age as Mary, but they are played by actors who are about 12 and 13 years old, while Gennie James was only about 9 or 10 when the movie was made. The age difference shows very clearly in the film.

The character of Dickon, as with the rest of the movie, is written with a greatly enhanced mystical side, playing him up as a supernatural character rather than a boy who has spent so much time outdoors with nature that he has developed an unusual closeness to it. He is transferred from being a fun- and nature-loving boy in the novel to a mystical witch doctor who can foresee the future, make statements about fate, and carry squirrels around in his pocket not like they're his friends and pets, like in the book, but like they are his own offspring, unable to survive without him. When Mary tells him that she found the key to the secret garden, Dickon says, `You found the door,' and then looks away dreamily and continues, `it was meant to be…' Oh, PLEASE.

Archibald Craven is again a wonderful character, as he was in the 1993 version, although Derek Jacobi is not able to capture the same depth of mysterious sadness and closed off suffering that John Lynch was able to, and again here, neither Lord Craven nor Colin is ever once presented as having even the slightest bit of a hunchback. Why is this left out of these film versions? When we first meet Lord Craven in this film (in a scene in the library that is so creepy that it almost cancels out the effect of the meeting entirely), he is very much hunched over, but he becomes perfectly straight by the next time he is seen.

The worst discrepancy from the book, however (besides the ending, but I'll get to that later), is the scene where Mary is finally fed up with Colin's screaming and crying and storms into his room to shut him up once and for all. It starts out okay, with Mary screaming at him that she thinks everyone should just let him scream himself to death, but when he says that he screams because he is going to grow up to be a hunchback like his father, Mary asks if she might be allowed to see the lump on his back, using a level of politeness that her character would not even be able to fathom. She does this again in the scene where she asks Lord Craven if she might be allowed a small piece of land, coming off as a terrified child more than one with ulterior motives, as in the novel.

One of the weak points of the novel is that the moral is handed directly to the reader at the beginning of Chapter 17, and this is left out in both this and the 1993 versions, thankfully, but this one turns around and adds in an equally ham-handed moral. It starts off with Ben Weatherstaff's entrance into the garden, which is not done under Colin's strict orders as in the novel, and then Colin weakly stands for a second for Ben, rather than forcing himself to stand the entire time he's there, not wishing to give in in front of him. Shortly after this scene, Mary explains to Colin, `Ugly thoughts are like thistles, pretty thoughts are like roses. I used to have so many ugly thoughts in my head that I had no room for pretty ones.' Very cute, but did we really need to have it fed to us like that?

I was glad to see here a lot of things from the novel that were left out of the 1993 version, such as Bob Haworth's exercises that Dickon teaches to Colin to strengthen his legs, Colin's goal to become a scientist and lecturer and experimenter, and something of Dickon's family, even though all we see is his mother and not his massive amount of siblings, but it's just too bad that the movie feels that there is so much that needs to be added to the story. There is no romance in Frances Hodgson Burnett's The Secret Garden (although there are small hints at childish versions of it), yet in this film adaptation they evidently were so desperate to add some cheesy romance in that they completely changed the story. Dickon joined the war and was killed, and Mary returns to the secret garden to embrace her wonderful memories of it (she is also still wearing her nurse's uniform, showing that she was so determined to serve in the war that she doesn't take off her uniform even when she's off duty), and Colin shows up, still so weak in the legs that he has to walk with a cane.

First we are forced to wonder how Colin managed to get into the military when he can barely stand on his own feet without help, and then we have to see Mary tell him that she never answered his letters, in which he repeatedly asks her to marry her, because she wanted it to happen in their garden. Again, very cute, but fans of the novel, if they haven't already, will be slapping their foreheads in disbelief that writer Blanche Hanalis felt the ridiculous need to add something like this into a movie based on a book that is already more than able to stand on its own, as are all of its characters by the end of the story. There is no need for extraneous things like Dickon's death and the marriage of Colin and Mary because, as this movie shows, such additions into the story can only cause problems and make it trip over itself.

This 1987 version of the Secret Garden is a mixed bag: on the one hand the locations are beautiful, on the other the production values and acting ranges from great to just plain awful! The best performances are given by Derek Jacobi and Gennie James. Gennie comes off as a 1980s version of Margaret O`Brien taking to the role of Mary Lennox with O'Brien-like skill.

In conclusion: Good but could have been so much better

I LOVE this version of the movie. I was probably 4 or 5 when I first saw it. I can only assume that I caught it on television and recorded it after that.

...and SURE, it isn't like the book in MANY ways, but it is still a very good movie with great acting. If you take is as it is and not as you expect it to be (like the book), then you see just how great this movie is. How many movies now a days is exactly like the original story, anyway? I really dislike when someone discounts a movie as good or great just because it is nothing like the original story. This is why the movie makes state that it is BASED on the novel, not a direct rendition of such.

I will forever love this movie and have come to wonder why I haven't bought the DVD yet.

My grandmother introduced this to me as a young boy and I instantly fell in love with it. The story, as I'm sure you know, was written by Frances Hodgson Burnett in the early 1900s. It is about a young selfish girl who demands attention and, after the sudden death of her parents, moves to an enormous mansion in England. As she settles in, she notices the dark history this place has and is determined to uncover each and every one of its mysteries. Not all Hallmark movies are up to par, but I would definitely say this one is. The two child leads do a splendid job bringing their characters and transformations to life. The haunting score matches the sinister atmosphere beautifully and makes for a very enjoyable viewing and listening experience. A few recognizable actors include Michael Hordern and a brief appearance by Colin Firth.

I have enjoyed watching this movie. Gennie James was great in this movie. She had a lot of courage and spunk. I love the quotes. "May i have a little bit of earth ..to make a garden.....I love gardens........and when Colin gave her a locket.......I will treasure it always! I recommend children to watch this movie. The world needs more movies like this for children to watch instead of violence and sexual content. This movie is very exciting to watch!!!! Colin Firth was wonderful in this movie. I love his English accent.He is also a excellent actor. I wish the very best in the future. I hope to see more movies like this one.

I have watched this movie over and over again. The characters are played out nicely for the timing that the movie was made. It's slow, but there is never a boring moment, it will keep you in suspense. Suited more towards a mature audience, and has a wonderful ending.

Whilst I have to agree with many of the criticisms of other reviewers I did find this movie quite enjoyable. But why on earth did they use American kids to play Mary, Dickon and Colin, Gennie James was one of my favourite child actresses of the eighties but she couldn't hide her American accent, and as for Barret Oliver, he had the weirdest accent I have ever heard, I will however give 6 out of 10 for a brave attempt by Jadrien Stelle. The accent problem was not confined to the American cast members, Martha is supposed to be a local Yorkshire girl but spoke with a Cockney accent. I also think the start and end sequences were totally unnecessary, also making Colin and Mary unrelated quite spoilt things. My vote for the best version would have be for the 1975 BBC adaptation although this may not have been seen in the USA.Another reviewer asks how Colin joined the army when he needed to use a walking stick, he obviously missed the point that Colin had been injured in the war and had just left hospital

The story begins with young Mary losing her mother and father suddenly in India. I don't know what they died from but they were rich and Mary is their only child and gets sent to live with another rich man in England. Mary is spoiled, bossy and wants her way all the time. In half of the movie she says things that make you dislike her. She does not like people and no one likes her.

As the movie goes on she explains she does not like herself because she believed her mother only like pretty things and she was not pretty Mary is about 10-12 years old and very curious. The house she is moved to is like a castle. The man that owns it has a lump on his back and trouble walking. The man also has a son Colin about 14 who is like an invalid. He thinks he has a lump on his back and won't talk with anyone except the house help. His father does not visit him either.

In the movie the important characters are Mary, Dickon and Colin. Dickon a boy about 14 is from a big family who work and go to church. Dickon provides Mary with friendship and courage she never knew. They find the secret garden and the story behind why it was closed by the owner.

This movie is touching. It brings out the different weaknesses people have and believe they will never overcome. It brings friends to trust each other. It brings out lies about themselves that they believed for years which kept them from being humanly happy. Now with the help of Dickon who has insight and is very kind they grow as a group and bring love to people who have not experienced it like themselves and unite the father and his son Colin in a wonderful beautiful ending.

The scenery is beautiful the birds in the trees and the animals that communicate with Dickon is so nice and the music in the course of the movie is loving.

See the movie if you can. https://www.youtube.com/watch?v=870KgkHdJLE

It is on Youtube and you can also download it if Firefox is your browser you can get addons to download.

The Secret Garden is the 1987 Hallmark Hall of Fame made-for-television film adaptation of Frances Hodgson Burnett's 1911 novel The Secret Garden, aired on CBS November 30, 1987 and produced by Rosemont Productions Limited.

Even if the first movie adaptation of 1993 comes to mind, including me, it is actually the most well-known adaptation of the book of the same name.

If it is followed after the disgraceful adaptation in 2020, it may sound like medicine. Oddly enough, Colin Firth plays the same role in both films.

With this movie, I have watched all the adaptations of the book and all the films of Barrett Oliver.

Let the history be noted.

This only score this high with me because the little girl is cute. My biggest problem is that in this version Mary cries all the time. Starting with when they throw her doll to the fire because of germs. Anyone similar with the story know that a big part of the Mary character is that she is a strange and unresponsive little girl and doesn't cry at all. At least not until the very end if at all. As an avid reader and fan of the story I find this most troubling. There have been many good versions of this movie made.If you want a great version try the 1993 one. It's my personal favorite out of the many I have seen. My only problem with the 1993 version is the change in how Mary's parents passed away, but as they are such a small part of the story it is not too serious of an infraction in my opinion.

Some literary masterpieces are successfully adapted to the movie screen, and some are not. Strangely, Frances Hodgson Burnett's "The Secret Garden", which seems so naturally suited for cinematic magic, falls into the latter category.

This one introduces "Mary Lennox" as an attractive adult woman, who recalls her life in Misselthwaite Manor, following the death of her parents. There, young Gennie James (as Mary) meets her young friends, Barret Oliver (as Dickon) and Jadrien Steele (as Colin). There are a couple of instances where the three young stars prove themselves capable: for example, the scene with Mr. Oliver examining brown twigs upon entering the garden, and the first scene played between Ms. James and Mr. Steele. Otherwise, the young performers are uneven and/or under-rehearsed. The adult performances are serviceable, at least; Michael Hordern (as Ben Weatherstaff) seems truest.

The setting is lovely. The ending, in which we are led to believe one of the novel's characters practically commits suicide (pay attention, he "knows") by marching off to war, should be in the "hall of fame" of wretched bastardizations. The other two children are handled only slightly less perversely. Beware.

** The Secret Garden (11/30/87) Alan Grint ~ Gennie James, Barret Oliver, Jadrien Steele, Michael Hordern

the main character, mary, was played by an actress who couldn't fake a british accent to save her life (among others). the acting overall was pretty horrible - much of it seemed contrived and forced. holland's movie version (1993) with kate maberly is much better both in imagery and acting. i'm not sure why this version scored so well.

While this film version of the beloved children's classic The Secret Garden is the most faithful to the the original story and has some nice production values, it is otherwise not very good. The most obvious problem is the casting and characterizations. Mary and Dickon both have American accents, and while Dickon's is okay, Mary's is whiny, extremely childish and very annoying. I found it impossible to like her, and Gennie James's portrayal did not help any. She was so smug and bratty I couldn't stand it. It was unnecessary for the writer and director to portray Dickon as an all-knowing mystic who can sense the future and Colin as a very simple-minded little boy. And I just was not affected or uplifted by the story as it was presented. I really cannot recommend this film version for fans of the book.