Em um Detroit distópico e assolado pelo crime, um policial terminalmente ferido retorna à força como um poderoso cyborg perseguido por memórias submersas.Em um Detroit distópico e assolado pelo crime, um policial terminalmente ferido retorna à força como um poderoso cyborg perseguido por memórias submersas.Em um Detroit distópico e assolado pelo crime, um policial terminalmente ferido retorna à força como um poderoso cyborg perseguido por memórias submersas.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 11 vitórias e 13 indicações no total
Dan O'Herlihy
- The Old Man
- (as Daniel O'Herlihy)
Jesse D. Goins
- Joe
- (as Jesse Goins)
Lee de Broux
- Sal
- (as Lee DeBroux)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
In a crime ridden Detroit of the near future a corporate company OCP has the answer to fighting crime - invent a new type of policeman who won't go on strike . After the death of a policeman called Murphy they stick his body in to a metal shell . Murphy however can still remember a time when he was human
I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS
What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While " greed is good " to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It's greed for money plus greed for power which is a marriage made in hell and being dead isn't enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it's this that is at the core of the movie
Of course Verhoeven isn't a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can't help cheering as criminals get killed , maimed , mutilated and in one case melted . It's a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn't enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like " you gonna be a bad mother crusher " along with key scenes like the ones with mister melty conspicuous by their absence
There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I've seen of it . It's strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage
I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS
What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While " greed is good " to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It's greed for money plus greed for power which is a marriage made in hell and being dead isn't enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it's this that is at the core of the movie
Of course Verhoeven isn't a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can't help cheering as criminals get killed , maimed , mutilated and in one case melted . It's a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn't enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like " you gonna be a bad mother crusher " along with key scenes like the ones with mister melty conspicuous by their absence
There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I've seen of it . It's strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage
Detroit is under siege by a corrupt CEO in the police department...also by rapists, robbers, and the group of thugs who murdered Officer Murphy. Murphy (flawlessly played by Peter Weller) was a family man with a big heart whose body is eventually 'saved' by tech-geniuses, transforming him into a robot-cop (with a big heart, natch). The violence in the film is incredibly brutal in the manner of "Death Wish", yet it can almost be overlooked--even deemed necessary--in the context of the plot. Weller exudes sensitivity (not easy to do under that coat of armor), and he's matched very well by Ronny Cox (delightfully sinister and sniveling) and spunky Nancy Allen (in her best performance). A bleak vision of the future, though one which offers hope underneath its chestplate of destruction. Followed by "RoboCop 2" in 1990, "RoboCop 3" in 1993, and a television series in 1994. ***1/2 from ****
"RoboCop" is a surprisingly impressive action film about a young cop (Peter Weller) who is killed by a gang of cruel criminals and is brought back to life with both human and robotic characteristics. Now he is cleaning up the city of Detroit and going after those who brutally murdered him when he was 100% human. This film is ultra-violent in every sense of the word. Anyone under the age of 17 should be strongly cautioned before seeing this film. However, the violence makes the film realistic and more exciting. Paul Verhoeven does some of his best work as a director. The screenplay is very smart for an action film and all the actors give bravura performances. Peter Weller will always be remembered as the original "RoboCop". Ronny Cox, Nancy Allen, Miguel Ferrer, and an incredibly evil Kurtwood Smith all do the best work of their careers. An impressive film from the action genre. 4 stars out of 5.
My favorite Paul Verhoeven feature by a mile. It's a decent film if you like action but everything around it makes Robocop a different film in the genre. It's a movie that's blatant and upfront about its story but depending on who you are you can interpret it in different ways. It could be about public funding, gentrification, humanism, or just a dude who goes around shooting drug dealers. But what I really like about it is even though it's a movie that might seem fascistic on the surface it surprisingly doesn't punch down, at least not like films of the era that were just military propaganda. I know not everything I'm mentioning is an intentional decision on the writer's part, and to be honest I never thought the action was that great (except during the end), but my main point is this movie deserves more thought IF you're a fan of the genre.
Robocop, born of technology is a cyborg, half man/half machine. The future of Law enforcement is here, and he's kicking ass.
Alex Murphy was the unfortunate candidate chosen to be robocop after he was brutally massacred by a gang of scumbag criminals. And the robocop program was brought in, after the E.D. 209 (An all robot killing machine) proto-type failed so disastrously.
Alex Murphy, now Robocop is effectively dead, but he still has a memory, and sets out on a quest to avenge his own Death, by finding the scumbags responsible.
With some quite horrific violence (E.D. 209 and Murphy scenes mainly) and some brilliant action, Robocop is character that you will warm to, as he fights crime on a personal level.
Solid entertainment 8/10
Alex Murphy was the unfortunate candidate chosen to be robocop after he was brutally massacred by a gang of scumbag criminals. And the robocop program was brought in, after the E.D. 209 (An all robot killing machine) proto-type failed so disastrously.
Alex Murphy, now Robocop is effectively dead, but he still has a memory, and sets out on a quest to avenge his own Death, by finding the scumbags responsible.
With some quite horrific violence (E.D. 209 and Murphy scenes mainly) and some brilliant action, Robocop is character that you will warm to, as he fights crime on a personal level.
Solid entertainment 8/10
Você sabia?
- CuriosidadesMost shots of RoboCop and the police car show him getting out or preparing to get in. Peter Weller didn't fit into the police car in full costume. When he needed to be in the car, he wore the top part of the costume and sat in his underwear. To maintain the illusion that RoboCop wears the entire suit while inside a car, most shots show his robotic feet exiting first.
- Erros de gravaçãoWhen RoboCop goes to the grocery store robbery and sends the robber through the glass door of the small refrigerator, you can see that the glass is already cracked and starts to break before the man goes through it.
- Cenas durante ou pós-créditosThe standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids."
- Versões alternativasIn 1995, The Criterion Collection premiered the 'unrated' edition of RoboCop on LaserDisc. The 1987 theatrical release was cut in several scenes to attain an R-rating, and this unrated version restored that footage. The unrated version has subsequently been used for many of the film's DVD and Blu-Ray releases.
- The first cuts appear in the scene where ED-209 goes berserk and shoots Kinney during the meeting. In the director's cut there is another frontal shot of Kinney getting riddled with bullets at the start of the scene. When Kinney collapses onto the model of Delta City, there are extra shots of him being bloodily hit with more bullets, as well as the ED-209 technicians struggling to rip wiring out of the circuit board. Restoring this footage makes the scene much more darkly comical.
- During the car chase, when Clarence's henchman Bobby is shot in the leg, the R-rated version shows a long shot, while the unrated has a gruesome close-up of Bobby's leg being shot.
- Murphy's death is almost a minute longer in the unrated version. After his hand is blown off, Murphy looks in horror at the stump, before Clarence's gang blows off his entire arm with gunfire. The subsequent part with him being riddled with bullets is much longer as well. An elaborate tracking shot is used only in the unrated that shows the back of Murphy's head exploding into the camera when he is finally shot by Clarence. This shot made use of a fully-mechanical prosthetic Murphy built by make-up special effect artist Rob Bottin. The overhead shot of Lewis kneeling beside Murphy's body at the end of the scene is also exclusive to the unrated version.
- Clarence Boddicker's death is shown in different shots depending on the version. The R-rated shows a long shot of him staggering away immediately after being stabbed, while the unrated shows a tight close-up.
- Trilhas sonorasShow Me Your Spine
Music by P.T.P.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Everything New on Prime Video in July
Everything New on Prime Video in July
Your guide to all the new movies and shows streaming on Prime Video in the US this month.
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Robocop, el defensor del futuro
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 53.424.681
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.008.721
- 19 de jul. de 1987
- Faturamento bruto mundial
- US$ 53.430.348
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente