Um grupo de soldados na selva do Centroamérica são perseguidos por um guerreiro extraterrestre.Um grupo de soldados na selva do Centroamérica são perseguidos por um guerreiro extraterrestre.Um grupo de soldados na selva do Centroamérica são perseguidos por um guerreiro extraterrestre.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 3 vitórias e 6 indicações no total
Steve Boyum
- Hostage Executed by the Russian
- (não creditado)
William H. Burton Jr.
- Guerilla Soldier Shot Down from Tree
- (não creditado)
Franco Columbu
- Medic
- (não creditado)
Peter Cullen
- The Predator
- (narração)
- (não creditado)
Henry Kingi
- Guerilla Soldier Blown Up in Van
- (não creditado)
Sven-Ole Thorsen
- Russian Officer
- (não creditado)
Jack Verbois
- Guerilla Soldier Helicopter Pilot
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Predator' is acclaimed for its thrilling fusion of action, horror, and sci-fi, enhanced by its jungle setting and suspenseful narrative. The Predator's advanced tech and menacing presence are standout elements. Practical effects and minimal CGI contribute to its authenticity. Arnold Schwarzenegger's performance as Dutch is praised for depth and believability. The ensemble cast's chemistry and memorable one-liners add charm. Despite critiques about plot inconsistencies and unrealistic aspects, 'Predator' is widely regarded as an engaging, timeless experience.
Avaliações em destaque
One of the classic sci-fi movies and one of the most entertaining action movies ever made. Certainly one of the best Arnold movies, along with Terminator 1 and 2. Mix a simple but effective story, one cool alien, well directed action scenes, Arnold kicking ass and you get an top notch action movie. Sure, there are some exaggerated macho performances, but John knows how to do it with style.
So if you're a young (but not too young) movie viewer who haven't yet seen Predator, be sure to do so to get a sample of action 80's style with Arnold at his peak.
Rating: 8/10
So if you're a young (but not too young) movie viewer who haven't yet seen Predator, be sure to do so to get a sample of action 80's style with Arnold at his peak.
Rating: 8/10
First of all, if you haven't seen this action, suspense and violence extravaganza, you most certainly are not a true action movie afficionado. The immediate grabbing feature of this movie is its score, very imaginatively composed and created by Alan Silvestri whose other credits include the Back to the Future series and other gems like Who Framed Roger Rabbit. The tempo and build up which the score lends to the film engage its viewers with feelings of fear and nerve wracking suspense for what lurks within the thick of the forest. Take note of Sonny Landham's comment;"there's something out there,and it ain't no man.
The action is fast, furious and merciless. The commandos are killed off one by one, leaving Arnie, Carl Weathers and the surviving members extremely terrified and on the verge of breaking down. Note the heated arguments that some of the commandos get into with each other. There is very animated and fiery action in the beginning (assault on the terrorist camp) but as we are introduced to the true terror of the jungle (or should I say, outer space), the action takes a turn for the more insane eg.Arnie running away armed only with a knife and trembling in fear, almost drowning in a waterfall and thereafter, continually pursued by the Predator). All this followed by a half hour long jungle battle mano a mano with spears, rocks and fists and hall deafening yells by both warriors. Very, very fierce and macho stuff I assure you all.
I shall not go into the other intricacies of the film and will leave it to the curiosity of potential/virgin viewers to find out for themselves. "Predator" is essentially one of the few action movies that truly lives up to its name and delivers the thrills and spills in no small amount and at breakneck speed. True connoisseurs of hard action.....YOU WILL NOT BE DISAPPOINTED!!!!! 9.5/10
The action is fast, furious and merciless. The commandos are killed off one by one, leaving Arnie, Carl Weathers and the surviving members extremely terrified and on the verge of breaking down. Note the heated arguments that some of the commandos get into with each other. There is very animated and fiery action in the beginning (assault on the terrorist camp) but as we are introduced to the true terror of the jungle (or should I say, outer space), the action takes a turn for the more insane eg.Arnie running away armed only with a knife and trembling in fear, almost drowning in a waterfall and thereafter, continually pursued by the Predator). All this followed by a half hour long jungle battle mano a mano with spears, rocks and fists and hall deafening yells by both warriors. Very, very fierce and macho stuff I assure you all.
I shall not go into the other intricacies of the film and will leave it to the curiosity of potential/virgin viewers to find out for themselves. "Predator" is essentially one of the few action movies that truly lives up to its name and delivers the thrills and spills in no small amount and at breakneck speed. True connoisseurs of hard action.....YOU WILL NOT BE DISAPPOINTED!!!!! 9.5/10
31 years after its original release, it's hard to believe that there was once a time when John McTiernan's Predator wasn't revered as one of the best action movies of the modern era. Critics savaged the film, although now even the stuffiest of critics cannot deny its shamelessly muscly, bullet-spraying, blood-spattering charm. Predator is now held in as equally high regard as McTiernan's other action classic Die Hard - released the following year - and featured Arnold Schwarzenegger at the very top of his game. This was long before the Austrian hulk made a swerve into politics and became the self-parody he is today. The premise is almost offensively simple, but the execution makes this one of the most effortlessly enjoyable action movies of the 1980s. McTiernan knows exactly how to tear a jungle apart with gunfire, and set up his disposable supporting characters for a grisly death.
Special Forces major Dutch Schaefer (Schwarzenegger) is "choppahed" into South America, where is he given a mission to rescue an official who has fallen into the hands of some insurgents. Schaefer and his team - played by Bill Duke, Jesse Ventura, Sonny Landham, Richard Chaves and Shane Black - are met by Schaefer's old Army buddy Dillon (Carl Weathers), and the two greet each other in the most 80s way possible by flexing their oiled and oversized muscles in a manly handshake. As the team venture further into the jungle, it becomes clear that Dillon isn't telling the whole story, and the mission becomes even more difficult when they capture a female hostage named Anna (Elpidia Carrillo). Yet this is far from their biggest problem, as on their tail is an alien with the ability to camouflage itself and see with thermal imaging, backed by an arsenal of powerful extra-terrestrial gadgets and a healthy appetite for the hunt. With the group being picked off one by one by this formidable enemy, Schaefer must get to the extraction point before he becomes another skull in the beast's growing collection of trophies.
The plot can be compared to countless B-movies throughout the years, but what worked for Alien also works for Predator. Take a simple premise, add some budget, bind it together with some good old-fashioned decent film-making, and the result is a timeless classic. Yes, the special effects have dated and most of the actors' stars have somewhat dimmed in the decades since, but Predator is even more of a blast now than it was when I stole my brother's VHS twenty-odd years ago. The sequels, spin-offs and comic-books have gone to great length to explain and develop the Predator's mythology, but McTiernan simply lets the monster do its thing. Played by the 7 ft 2 in Kevin Peter Hall, the Predator's formidable armour, weaponry, stealth and sheer repulsiveness has made it a sci-fi/horror icon. Like the Alien franchise, subsequent movies have felt the need to explain the creature's backstory, damaging their otherworldly mystery in the process, but Predator simply throws him into the mix and lets him loose on our world's finest warriors. With star Shane Black's reboot The Predator set to arrive shortly, now is the perfect time to revisit what drew audiences to the series in the first place, in spite of how your attitude may have soured after those terrible Alien cross-overs and the forgettable third entry from 2010.
Special Forces major Dutch Schaefer (Schwarzenegger) is "choppahed" into South America, where is he given a mission to rescue an official who has fallen into the hands of some insurgents. Schaefer and his team - played by Bill Duke, Jesse Ventura, Sonny Landham, Richard Chaves and Shane Black - are met by Schaefer's old Army buddy Dillon (Carl Weathers), and the two greet each other in the most 80s way possible by flexing their oiled and oversized muscles in a manly handshake. As the team venture further into the jungle, it becomes clear that Dillon isn't telling the whole story, and the mission becomes even more difficult when they capture a female hostage named Anna (Elpidia Carrillo). Yet this is far from their biggest problem, as on their tail is an alien with the ability to camouflage itself and see with thermal imaging, backed by an arsenal of powerful extra-terrestrial gadgets and a healthy appetite for the hunt. With the group being picked off one by one by this formidable enemy, Schaefer must get to the extraction point before he becomes another skull in the beast's growing collection of trophies.
The plot can be compared to countless B-movies throughout the years, but what worked for Alien also works for Predator. Take a simple premise, add some budget, bind it together with some good old-fashioned decent film-making, and the result is a timeless classic. Yes, the special effects have dated and most of the actors' stars have somewhat dimmed in the decades since, but Predator is even more of a blast now than it was when I stole my brother's VHS twenty-odd years ago. The sequels, spin-offs and comic-books have gone to great length to explain and develop the Predator's mythology, but McTiernan simply lets the monster do its thing. Played by the 7 ft 2 in Kevin Peter Hall, the Predator's formidable armour, weaponry, stealth and sheer repulsiveness has made it a sci-fi/horror icon. Like the Alien franchise, subsequent movies have felt the need to explain the creature's backstory, damaging their otherworldly mystery in the process, but Predator simply throws him into the mix and lets him loose on our world's finest warriors. With star Shane Black's reboot The Predator set to arrive shortly, now is the perfect time to revisit what drew audiences to the series in the first place, in spite of how your attitude may have soured after those terrible Alien cross-overs and the forgettable third entry from 2010.
Consider that so many of the roles that Arnold Schwarzenegger takes on are so similar, including Predator, and yet this film is so much better than most of the others. I enjoy watching his movies just because he's such a watch-able guy, even in his bad movies (which are many), but I think the thing that really makes Predator stand out is its simplicity. The movie starts, the guys get dropped in the jungle, lots of blood and carnage flies across the screen, and the movie simply ends. No romance, no complex back story, no soldier struggling with problems in his past or even trauma caused by the horrible things he experiences during the movie. This is one of the things that made First Blood so good. It may turn out to be a movie about a lot of muscle-bound meatheads in the woods, but it doesn't insult the audience or try to apply complexity to a story that can't support it.
Interestingly, the movie features two eventual governors. Jesse Ventura even wrote a book which was released while he was the governor of Minnesota and he used his favorite line in this movie as the title. And the book's actually pretty interesting; there are some funny stories in it about things that went on while they were filming this movie. Arnold, on the other hand, is actually (and thankfully) given a relatively small amount of stupid one-liners, which are an idiotic byproduct of hard action movies that I've never really understood the necessity for. They don't reveal anything about the characters who say them, they don't add to the story or further the plot, and with rare exceptions, they're not funny. But I guess comic relief has to come from somewhere, and since complexity is not a requisite for movies like this, I can't really expect a lot of thought being put into the comedic content either.
I watched Predator having never seen it from beginning to end and having just re-watched the original Alien. I am currently in the process of re-watching both series', for obvious reasons. One thing that I notice about both of them is the way they take their time in introducing the enemies which, in both films, are aliens. Predator doesn't waste much time dwelling on the origin of the alien, we pretty much assume it came from a space ship that flashed across the screen at the opening of the movie. Alien, on the other hand, went into remarkable detail about where its alien came from. What Predator does do, very effectively, I think, is that it has the guys fighting some very human enemies, which allows the movie to later take its sweet time in having them realize that the new enemy is not human at all. This is also, incidentally, weakly rehashed in the sequel, using the secrecy of this mission and team as an excuse to have more guys who don't know what's going on.
The death scenes are actually pretty tasteful, given the genre. They are just gory enough to illustrate the violence of the enemy without being gratuitous. Just enough is shown to show how vicious the alien is, and there are some strange things done to and with the bodies that make you wonder about the alien's intentions or needs. The first deaths suggest vengeance if not some sort of ritual, but later ones suggest that the alien may be feeding off of his (or her) victims. Oddly enough, it is not until the awful Predator 2 that we learn that it kills for sport.
Yes, the movie occasionally gets embarrassingly macho, but the skill with which it is put together far overshadows any tough-guy goofiness. Consider, for example, the ease with which the movie switches from showing the guys hunting the alien to their realization that they are the ones being hunted. In some cases, this transition takes place during a single shot and with virtually no movement in the shot at all except a change in someone's expression. It is truly a fight between a group of predators, which we understand because they are human like us, and a single predator whose powers and weaknesses are unknown. It's not Oscar material, needless to say, but it's a great action movie in part because it already knows that.
Interestingly, the movie features two eventual governors. Jesse Ventura even wrote a book which was released while he was the governor of Minnesota and he used his favorite line in this movie as the title. And the book's actually pretty interesting; there are some funny stories in it about things that went on while they were filming this movie. Arnold, on the other hand, is actually (and thankfully) given a relatively small amount of stupid one-liners, which are an idiotic byproduct of hard action movies that I've never really understood the necessity for. They don't reveal anything about the characters who say them, they don't add to the story or further the plot, and with rare exceptions, they're not funny. But I guess comic relief has to come from somewhere, and since complexity is not a requisite for movies like this, I can't really expect a lot of thought being put into the comedic content either.
I watched Predator having never seen it from beginning to end and having just re-watched the original Alien. I am currently in the process of re-watching both series', for obvious reasons. One thing that I notice about both of them is the way they take their time in introducing the enemies which, in both films, are aliens. Predator doesn't waste much time dwelling on the origin of the alien, we pretty much assume it came from a space ship that flashed across the screen at the opening of the movie. Alien, on the other hand, went into remarkable detail about where its alien came from. What Predator does do, very effectively, I think, is that it has the guys fighting some very human enemies, which allows the movie to later take its sweet time in having them realize that the new enemy is not human at all. This is also, incidentally, weakly rehashed in the sequel, using the secrecy of this mission and team as an excuse to have more guys who don't know what's going on.
The death scenes are actually pretty tasteful, given the genre. They are just gory enough to illustrate the violence of the enemy without being gratuitous. Just enough is shown to show how vicious the alien is, and there are some strange things done to and with the bodies that make you wonder about the alien's intentions or needs. The first deaths suggest vengeance if not some sort of ritual, but later ones suggest that the alien may be feeding off of his (or her) victims. Oddly enough, it is not until the awful Predator 2 that we learn that it kills for sport.
Yes, the movie occasionally gets embarrassingly macho, but the skill with which it is put together far overshadows any tough-guy goofiness. Consider, for example, the ease with which the movie switches from showing the guys hunting the alien to their realization that they are the ones being hunted. In some cases, this transition takes place during a single shot and with virtually no movement in the shot at all except a change in someone's expression. It is truly a fight between a group of predators, which we understand because they are human like us, and a single predator whose powers and weaknesses are unknown. It's not Oscar material, needless to say, but it's a great action movie in part because it already knows that.
Predator, released in 1987, remains an iconic movie that has withstood the test of time, and for good reason. It is a true contemporary classic that effortlessly combines action, horror, suspense, and science fiction elements to deliver an exhilarating and unforgettable cinematic experience.
From the beginning, the movie grabs your attention with its intense and atmospheric setting in the dense jungles of Central America. The plot revolves around a group of highly skilled soldiers, played by a talented ensemble cast including Arnold Schwarzenegger, Carl Weathers, and Jesse Ventura, who find themselves being hunted down by an extraterrestrial creature known as the Predator. The tension and excitement build up as the soldiers try to outwit and survive this deadly adversary.
One of the movie's greatest strengths lies in its ability to create a palpable sense of fear and suspense. The anticipation and the unknown nature of the Predator generate an air of uncertainty that keeps viewers on the edge of their seats. The masterful direction by John McTiernan, coupled with the excellent cinematography and gripping musical score, adds to the overall intensity and contributes to the movie's success.
The visual effects of Predator are nothing short of remarkable. The Predator itself, with its iconic design and thermal vision, has become an instantly recognizable symbol in science fiction and horror. The practical effects make the action sequences thrilling and believable and it was all done without CGI.
Beyond the action and suspense, Predator also offers thought-provoking themes and interesting character dynamics. The movie explores the nature of warfare, masculinity, and the human survival instinct. It delves into the psychological toll of combat and the lengths individuals will go to protect their comrades. This added layer of depth elevates Predator above your typical action movie, making it a memorable and enduring piece of cinema.
As for the performances, Arnold Schwarzenegger shines as the tough and tenacious leader, bringing his indomitable presence and charisma to the screen. The chemistry among the cast members is evident, creating a sense of camaraderie essential to the movie's success.
In conclusion, Predator is a timeless action masterpiece that continues to captivate audiences even after decades since its release. Its thrilling storyline, intense action sequences, groundbreaking visual effects, and compelling themes make it a must-watch for any fan of the genre. Whether you're a long-time fan or new to the movie, Predator is an exhilarating journey that should not be missed.
From the beginning, the movie grabs your attention with its intense and atmospheric setting in the dense jungles of Central America. The plot revolves around a group of highly skilled soldiers, played by a talented ensemble cast including Arnold Schwarzenegger, Carl Weathers, and Jesse Ventura, who find themselves being hunted down by an extraterrestrial creature known as the Predator. The tension and excitement build up as the soldiers try to outwit and survive this deadly adversary.
One of the movie's greatest strengths lies in its ability to create a palpable sense of fear and suspense. The anticipation and the unknown nature of the Predator generate an air of uncertainty that keeps viewers on the edge of their seats. The masterful direction by John McTiernan, coupled with the excellent cinematography and gripping musical score, adds to the overall intensity and contributes to the movie's success.
The visual effects of Predator are nothing short of remarkable. The Predator itself, with its iconic design and thermal vision, has become an instantly recognizable symbol in science fiction and horror. The practical effects make the action sequences thrilling and believable and it was all done without CGI.
Beyond the action and suspense, Predator also offers thought-provoking themes and interesting character dynamics. The movie explores the nature of warfare, masculinity, and the human survival instinct. It delves into the psychological toll of combat and the lengths individuals will go to protect their comrades. This added layer of depth elevates Predator above your typical action movie, making it a memorable and enduring piece of cinema.
As for the performances, Arnold Schwarzenegger shines as the tough and tenacious leader, bringing his indomitable presence and charisma to the screen. The chemistry among the cast members is evident, creating a sense of camaraderie essential to the movie's success.
In conclusion, Predator is a timeless action masterpiece that continues to captivate audiences even after decades since its release. Its thrilling storyline, intense action sequences, groundbreaking visual effects, and compelling themes make it a must-watch for any fan of the genre. Whether you're a long-time fan or new to the movie, Predator is an exhilarating journey that should not be missed.
Você sabia?
- CuriosidadesSeveral directors were approached to direct this film including Ridley Scott, James Cameron, Brian De Palma, Richard Donner, John Milius, John Carpenter and Renny Harlin. However, they would all pass stating they didn't want to shoot an Alien/Monster movie in the jungle. John McTiernan would eventually be chosen to direct this film instead.
- Erros de gravaçãoWhen Dutch and his team raid the guerrilla camp, they are still looking for hostages, as they only know for certain that one of the captives has been executed (the one shot by the Russian advisor). Yet during their assault, they virtually raze the camp with reckless abandon, blowing up entire buildings without ever bothering to check if the hostages might be inside. It isn't until after the firefight that Mac bothers to look for the men they are there to rescue.
This has been listed as a plot hole although whilst potentially a character mistake it isn't a plot hole. The plot of the movie isn't broken because of the way the team attack the camp. All the hostages were dead anyway (even though the team didn't know it at the time), so in the end it didn't matter.
- Cenas durante ou pós-créditosAll the 7 main cast members re-appear in ascending order as their names are displayed to give a smile to the audience in appreciation.
- Versões alternativasIn a version commonly shown on American television for a 2-hours-with-commercials time slot, all shots of the Predator's naked face and all instances of the Predator mimicking human speech are removed. The corresponding scenes are *not* removed for Predator 2.
- ConexõesEdited into Contra Tempos: The Leap Home: Part 2 (Vietnam) - April 7, 1970 (1990)
- Trilhas sonorasLong, Tall Sally
Performed by Little Richard
Written by Little Richard (as R. Penniman), Enotris Johnson (as E. Johnson) and Robert 'Bumps' Blackwell (as R. Blackwell)
Courtesy of Specialty Records
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- How long is Predator?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Depredador
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.735.548
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.031.638
- 14 de jun. de 1987
- Faturamento bruto mundial
- US$ 98.268.458
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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