Atraídos pelo Perigo

Once again I've got to say thank you to my Netflix 'recommended' queue, because thus far it's let me to several great movies that I never knew existed, including this one.

This was a truly good movie, with a fantastic storyline, great acting and a lot of style. Charlie Sheen turns in a terrific, understated performance, which makes you sadly recall that at one time he was a gifted young actor with a promising future ahead of him, and not an out of control bipolar freak of nature. This movie actually fell right in the middle of his golden period; shortly after 'Platoon' and just before 'Wall Street' and 'Young Guns'. He was pretty clearly at the top of his game.

The rest of the cast did wonderfully as well, especially D.B. Sweeney who handled the lead role admirably, and the incredibly beautiful and talented Lara Harris, who deserves far more work in Hollywood than she's gotten. The only character who seemed out of place was Randy Quaid as the no-nonsense lieutenant, but that's only because I've become so used to seeing him in goofball roles that it's now a bit jarring when he's serious.

I definitely enjoyed this film, and any fan of the police/thriller genre will surely enjoy it as well, as will fans of the time period in general. I'm glad I didn't pass this one over.

This film is nearly 20 years old, but still rates as one of the best movies I've ever seen.

Following the title sequence which sets the violent scene of car crime which forms the backdrop for this film, Peter Werner opens the film with a fairly protracted scene featuring the central character (22-year-old rookie cop, Benjy) in his home environment. This marks the start of some brilliant characterisation which underpins the whole film, causing the viewer not to perceive that there is a "villain of the piece". As an enviable friendship between Bengy and the police target, suspected ringleader and businessman, Ted Varrick (Charlie Sheen) develops, the viewer yearns to be in ether's shoes, as Ted welcomes Bengy to his world of the "rich and aimless". This envy is part based on the complex hedonistic and idealistic relationships between all the characters that evolves, but ultimately everything relies for its roots on Bengy and Teds crime sprees, something that ultimately must end.

The deterioration is palpable, and when ultimately the reckoning comes, it does so in series of twists that drive the two friends together (something very much cunningly engineered by Ted himself). The end represents a self fulfilling prophesy that left me craving for more, yet knowing there could be no sequel.

The contrast between the pair is very much a focal point, the only commonality being their devotion to their own goals - goals which for Bengy at least become very blurred, as Ted gives him the Porsche and the lifestyle that form the focus of his own existence. The domestic opening scene is a stark contrast for the remote, empty but undeniabley plush and palacial house that Ted "visits" rather than truly lives in, with its stunning view from the hills over the city.

The film is bolstered by some spectacular car chase sequences that are plausible in a way that modern sequences rarely are. They all involve Porsche 911's and if there is ever any incredulity it comes from these sequences only. Could an Oldsmobile ever keep pace with a works Porsche? How could an Iroc Z ever hope to keep up, and if it did, and crashed into the lightweight Porsche, how on earth does it fail to leave a scratch?

Romantic interest is enticingly present as Ted encourages the relationship between Bengy and his own sister Anne (Lara Harris) but it never manages to rival, nor is intended to rival the strength of the bond between Ted and Bengy.

Utterly brilliant for the most part, I've now watched this film 8 times.

Thoroughly recommended.

In a way, having a Porsche in a city like Los Angeles is a clear invitation for car thieves to take them, as demonstrated in "No Man's Land", the 1987 film that has a look of a movie made for television. It's no wonder since its director and writer, Peter Werner and Dick Wolf, are veterans of the medium. Ron Howard is listed as a producer.

"No Man's Land" is worth a look because in spite of its flaws, because it shows an interesting aspect of the complex relationship between a police undercover cop and the young man who is the master mind in the car stealing robberies plaguing the city. The interaction between these two opposites is well played by the two leading actors, B. D. Sweeney, and Charlie Sheen.

Charlie Sheen, gives a restrained performance here. In fact, this actor tends to go for intensity without the proper guidance of a good director. As the slick Ted Varrick, Mr. Sheen shows a subtle side that we don't see too often. B.D. Sweeney is also effective as the undercover man who falls for Ann, who happens to be Ted's sister. Mr. Sweeney has that clean look about him that makes him perfectly suited for the good natured Bill, the mechanic he pretends to be.

Others faces in the film includes Lara Harris who plays Ann, the woman in love with the man hunting her own brother. Randy Quaid is seen briefly as Lt. Bracey, who is responsible for getting one of his men infiltrate the car stealing ring.

"No Man's Land" has the ubiquitous car chases and visual effects of pictures of this genre. The cinematography of Hiro Narita shows us a lot of Los Angeles shopping malls and high priced stores where the car thieves love to steal the Porsches.

Despite starring Charlie Sheen, who has been hot for the past several years from starring in a top-rated sitcom, "No Man's Land" seems to have been all but forgotten. In fact, I have NEVER seen this movie broadcast on television - I had to rent this over the Internet to see it.

Before seeing it, I thought that maybe since the movie was rated "R", that's why I had never seen it on television. But to my surprise, the "R" rating for this movie seems a bit harsh. There's no nudity, no (onscreen) sex, there are only a few utterances of the harshest swear words (which could easily be overdubbed), and the limited violence on display could easily be shown on a television drama. The movie feels more like a PG-13.

The above is a big clue as to why I felt this movie didn't work. It's lacking grit - it feels bland and without passion. At times it feels like it was made for television. It's not only with the direction, but with the performances as well - none of the actors here seem to be very enthusiastic, and the only thing colorful about them is Randy Quaid's weird hairstyle.

One positive thing I can say about the movie is that unlike other '80s movies, this one hasn't dated that much. But that is not enough to save the movie.

P.S. - MGM's DVD of the movie is pretty bad. Not only is the movie presented full-frame, and using what seems to be an older print not made especially for this DVD, the colors frequently seem off somewhat.

D. B. Sweeney plays a rookie cop and hobby mechanic who is persuaded by his boss (Randy Quaid) to go undercover in order to infiltrate and take down a luxury car theft operation ostensibly led by the flashy Ted Varrick (Charlie Sheen). Although not garnering the ravest reviews back when it was released, this film written by Dick Wolf has more aspirations for itself than it has been given credit for. As a look at the subculture of mechanics and garages, it is worthy and knowledgeable. And despite being far more predictable as a procedural, arguably lacking in suspense and nerve, you do ultimately care a little bit for Sweeney's character - and perhaps even Sheen's. The former brings the right level of blue-eyedness to his part, and the latter demonstrates that his talent was arguably underrated. The love interest is played by model Lara Harris. Also with R. D. Call as Sheen's rival.